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Debra Disman

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Installation

“Unfolding Possibilities” at the Los Angeles Museum of Art

December 17, 2025 By Debra Disman

On December 13, 2025, I was honored to teach a bookmaking class entitled “Unfolding Possibilities” at LACMA (The Los Angeles Museum of Art). It was fun to teach right in front of the extraordinary monumental outdoor sculpture, “Levitated Mass” by Michael Heizer, a 456-foot-long concrete slot constructed on LACMA’s campus, over which sits a 340-ton granite megalith.

Upon entering LACMA’s  Resnick Pavilion, we observed the use of layered and torn paper in  artist Mark Bradford‘s  “150 Portrait Tone“, visited the ongoing exhibition,  “Realms of the Dharma: Buddhist Art Across Asia” to observe accordion fold structures, and the  “Deep Cuts: Block Printing Across Cultures” show  to view a variety of codex book structures with pages and signatures as preparation for our bookmaking process. We found inspiration in the large-scale outdoor sculptures of  Ai Weiwei:  “Circle of Animals/ Zodiac Heads (2011) and  Simone Leigh 16′ tall  Sentinel (2022); finding commonalities between the artworks and our reaction to them.

After our energizing and thought-provoking artwork, sculpture, exhibition and museum gallery visits,  we returned to our outdoor workspace, and let the fun begin: Folding, measuring, gluing, hole-punching, sewing and embellishing to create our own Unfolding Possibilities.
How great for the New Year.

We created accordion-folded book which unfolded to reveal pockets and pages. Students learned to fold and sew “signatures” (gatherings of folded pages)  into the “valley” (downward or exterior-pointing) folds of the structure.


The amazing teaching assistant Alexis was a great support, and a credit to the LACMA education department!

 
Education Department Staff Susi Castillo keeps Everything on track!

For those interested, this Unfolding_Possibilities_step-by-step contains the diagrammatic step-by-step instructions for the folds and the pamphlet stitch.

 

 

Filed Under: ARTISTS, Artists' Books, Student Work, Teaching Artist, TEXTILE/FIBER, Work Tagged With: 150 Portrait Tone, accordiopn book, Ai Weiwei, Art Museum, Art Museum Class, art museum education, art museum gallery, ARTIST'S BOOKS, Bookmaking, bookmaking at LACMA, Bookmaking in Community, Circle of Animals, embellish, fold, gatherings of folded pages, hole punch, Installation, LACMA, Levitated mass, Los Angeles museum of art, Making Books By Hand, Mark Bradford, measure, Michale Heiser, Museum, New Year, Outrdoor scyulpture, PAMPHLET STITCH, pockets in books, Sculpture, Sentinel, Sew, Signatures, Soimone Leigh, student artist, Teaching Artist, teaching outdoors, template, three hole Pamphlet Stitch, Unfolding Possibilities, Zodiac heads

SANCTUARY: Know Safe Space at 18th Street Arts Center 2025

December 4, 2025 By Debra Disman

Hello World.
Welcome to Sanctuary.
How are you doing today?


“Sanctuary” / Know Safe Space expand upon my 2023 piece, K no W Safe Place with the addition of a hanging roof surrounded by an inverted “forest” of knotted colored cords hung from the ceiling in various arrangements allowing pathways to the suspended black sanctuary space. The installation will grow and change over time with the addition of these hanging elements.

Sanctuary: Know Safe Space, 2025, 10′ x 48″ x 48″, canvas, netting, burlap, cord, lace, ribbon, paint, wood

This installation draws upon my ongoing study of the groundbreaking practices of artists Charlotte Salomon and Eva Hesse using artmaking to transcend trauma; research into sanctuary movements and spaces and the use of textiles within these; exploration of the“quipu/khipu”, a record-keeping device made of knotted cords of assorted colors used in various cultures in the central Andes of South America; and investigation into the work of artists who have used fiber-based materials to create environments, structures and shelters including Do Ho Suh, Chiharu Shiota and Tracey Emin.

I will also engage in dialogue with others inside the Sanctuary space, informally videotaping these participants’ response to the installation and their immersion in it, as well as offering “interviewees’ the opportunity to share about their own practices, projects and practices, especially as they relate to 18th Street Arts Center. These short-form videos will serve as an informal archive of our present moment, the role of the creative process in it, and the support and sanctuary 18th Street Arts Center is offering to the community by allowing us to Know Safe Space. If You would like to be interviewed/dialogue in the Sanctuary please contact me at  debra@artifactorystudio.com

Video Interview with fellow 18th Street Artist in Residence Luciana Abait
https://www.lucianaabait.com/
@lucianaabait
https://www.youtube.com/watch?v=VnlPJaaeuB8

Video Interview with Los Angeles-based Artist, Curator, Educator, Costume and Set Designer Snezana Saraswati Petrovic https://www.snezanapetrovic.net/
@saraswatioblak
https://youtu.be/ZCfAOdw27xk


And May You Know Safe Space…

Filed Under: Artist in Residence, ARTISTS, Exhibitions, New Work, Presentations, Publications/Interviews, TEXTILE/FIBER, Textiles/Fiber/Cloth, Work Tagged With: 18th, 18th Street Arts Center, AIR, Architectural, Architectural Installation, ARTIST IN RESIDENCE, Atrium Gallery, Canvas, Cloth, Developing installation, Environment, evolving installation, Exhibition, Fabric, Fabric Collage, Fiber, Hanging installation, Installation, Interviews, K no W Safe Place, kNOw safe space, Luciana Abait, Safe Space, Sanctuary, Sharing, Shelter, Snezana Saraswati Petrovic, Solo Show, spotlight, Textiles, Video, Video interview

EXHIBITIONISTA: “Sanctuary” / Know Safe Space at 18th Street Arts Center

November 6, 2025 By Debra Disman

Debra Disman: “Sanctuary” / Know Safe Space

November 14, 2025 – January 2, 2026

18th Street Arts Center

“Sanctuary” / Know Safe Space will expand upon Disman’s 2023 piece, K no W Safe Place with the addition of a hanging roof surrounded by an inverted “forest” of knotted colored cords hung from the ceiling in various arrangements allowing pathways to the suspended black sanctuary space. The installation will grow and change over time with the addition of these hanging elements.

Sanctuary: Know Safe Space, 2025, 10′ x 48″ x 48″, canvas, netting, burlap, cord, lace, ribbon, paint, wood

Sanctuary: Know Safe Space, 2025, 10′ x 48″ x 48″, canvas, netting, burlap, cord, lace, ribbon, paint, wood

This installation draws upon Disman’s ongoing study of the groundbreaking practices of artists Charlotte Salomon and Eva Hesse using artmaking to transcend trauma; research into sanctuary movements and spaces and the use of textiles within these; exploration of the“quipu/khipu”, a record-keeping device made of knotted cords of assorted colors used in various cultures in the central Andes of South America; and investigation into the work of artists who have used fiber-based materials to create environments, structures and shelters including Do Ho Suh, Chiharu Shiota and Tracey Emin.

Disman will also engage in dialogue with others inside the Sanctuary space, informally videotaping these participants’ response to the installation and their immersion in it, as well as offering “interviewees’ the opportunity to share about their own practices, projects and practices, especially as they relate to 18th Street Arts Center. These short-form videos will serve as an informal archive of our present moment, the role of the creative process in it, and the support and sanctuary 18th Street Arts Center is offering to the community by allowing us to Know Safe Space.

Anyone wishing to be interviewed/dialogue in the Sanctuary can contact should contact Debra at debra@artifactorystudio.com

About the artist

Debra Disman is a Los Angeles-based artist known for her work inspired by the book, which traverses textiles, installation, sculpture and performance to push the familiar into forms that arrest and baffle, while simultaneously offering places of contemplation and solace. She creates work and projects which investigate states of being and connectiveness through intensive interactions with materials while attempting to fully explore and exploit their haptic properties.

Her work is widely shown in museums, galleries, art centers, universities and libraries including The Torrance Art Museum; Art Share LA; The Irvine Fine Arts Center; The New Bedford Art Museum; The Brand Library and Art Center; ReflectSpace Gallery in Glendale, CA; Craft Contemporary in LA: The Long Beach Museum of Art; The University of the Arts in Philadelphia; The Cape Cod Museum of Art; and The Charles E. Young Research Library at UCLA, as well as through social practice and community endeavors.

Disman was the featured artist for the 2016 Big Read in LA and recipient of an 2016-17 WORD: Artist Grant / Bruce Geller Memorial Prize. She was commissioned by LA’s Craft Contemporary to create the interactive book “Chromatic Interactions” in 2017 and 18th Street Arts Center to create the artists’ book, “Unfolding Possibilities” in 2021. Her book “CONCURRENCIES Charlotte Salomon and Eva Hesse: Genius, Trauma and the Creative Imagination” was published by ReflectSpace Gallery/Glendale Arts and Culture in 2023.

She was a 2018 Studio Resident at the Camera Obscura Art Lab at 1450 Ocean in Santa Monica, and has served as an Artist-in-Residence for the Los Angeles Department of Cultural Affairs since 2017, directing the “We Write the Book” project. A Santa Monica Artist Fellow in 2021-22, she has been a local artist in residence at 18th Street Arts Center since 2018.

Tagged With: 18th, 18th Street Arts Center, AIR, Architectural, ARTIST IN RESIDENCE, Atrium Gallery, Developing installation, Environment, evolving installation, Exhibition, Fibrer, Hanging installation, Installation, Interviews, K no W Safe Place, kNOw safe space, Sanctuary, Sharing, Solo Show, spotlight, Textiles, Video

NOMADIC Encounters: “The Center Will Not Hold” 2025

August 4, 2025 By Debra Disman

I participated in the 2025 Torrance Art Museum’s (TAM) innovative contemporary art pop-up NOMAD IV which was held at Del Amo Crossing, 21535 Hawthorne Blvd, Torrance, CA 90503, JULY 11-13, 2025

So Much FUN!

NOMAD IV is a non-commercial exhibition that showcased the diverse and dynamic talents of 175+ Southern California artists featuring sculpture, painting installation and more.

The event itself is a giant artistic get together, aimed at letting artists show what they have been making recently to each other as well as to the wider public. It  presented an opportunity to meet peers, make connections, and arrange for future opportunities. It is a non-commercial exhibition that showcases the diverse and dynamic talents of LA artists.

NOMAD IV was presented alongside the third edition of TRYST, TAM’s international alternative art fair for artist-run spaces and galleries.

I presented a further iteration of my 2023 performance piece,
“The Center Will Not Hold“, this time reimagining the central tarp-based component as a sort of tent, with legs and feet sticking out, a la the classic Judy Garland Wizard of Oz film, which evocation was remarked upon.


Prep at studio. Embroidered Indian shoes long ago gift from sister travels.  Who knew?


All tied up


Packed into zebra beach bag, useful gift from other sister. Who knew?


Expandable/contractable. Basic piece created from a tree landscaping tarp. Flexible material.


Set up near window on second floor of Del Amo Crossing in Torrance. Light streaks across the floor…



Shifting the legs and feet around.


The braids increase the footprint of the work.


Play in texture


Young collaborators rearranged the legs and feet, and then added their own!


The inimicable and always impeccable Louis Jacinto and Kene Rosa, gracing our scene.


Lots of wonderful visitors. Wonder what “Tapestry LA” is?


Virginia Arce, from the Irvine Fine Arts Center, and her partner visited!


What an experience!  Thanks to Max Presneill and the whole team at the Torrence Art Museum and City of Torrance for making the effort to create this magically expansive opportunity for SoCal artists!

Filed Under: ARTISTS, Exhibitions, New Work, Performance, Presentations, TEXTILE/FIBER, Textiles/Fiber/Cloth, Venues, Work Tagged With: City of Torrance, Contemporary Art, Contemporary Los Angeles Artists, Del Amo Crossing, Experimental Art works, Fiber, Group Show, Installation, Irvine Fine Arts Center, Kene Rosa, Los Angeles, Luois Jacinta, Max Presneill, NOMAD, Odessey Fundraiser, Odessy, Performance, Performative work, Pop-up show, sisters, Southern California, TAM, Tarp, Textiles, The Center WIll Not Hold, The Wizard of oz film, Torrance, Torrance Art museum, TRYST, Virginia Arce

EXPO 44 at B.J. Spoke Gallery

January 25, 2025 By Debra Disman

I am thrilled to participate in EXPO 44  presented online by B.J. Spoke Gallery.

Juror: Emily Olek is a Curatorial Assistant in the Department of Drawings and Prints at the Museum of Modern Art, New York. Before joining MoMA, Emily was the Janet and Craig Duchossois Curatorial Research Assistant in Prints and Drawings at the Art Institute of Chicago, where she worked on projects including Joseph E. Yoakum: What I Saw, Hairy Who? 1966-1969, and Lygia Pape: Tecelares. She also worked on exhibitions at the Chicago Cultural Center and the Pritzker Military Museum and Library. Emily recently completed her M.A. at the University of Illinois at Chicago with a concentration in American works on paper and holds a B.A. in Art History from Loyola University Chicago. Her Master’s Thesis entitled “So-Called “Outsiders”: A Case Against the Moniker” won UIC Graduate College’s 2022 Outstanding Thesis Award.

I have two large scale installations in the show. View my WORK  here!

View my WORK in the show here!

Reception will be Thursday, February 6, 2025, at 7:00pm (EST) via ZOOM. The reception will be recorded.
Everybody will be there:
Selected Artists! Juror! Gallery Members! Guests!
Register below and Zoom will send you a link to enter the reception.
JOIN US!
Register HERE for Expo Reception

Filed Under: ARTISTS, Exhibitions, TEXTILE/FIBER, Textiles/Fiber/Cloth, Work Tagged With: 15 person show, B.J. Spoke Gallery, Emily Olek, EXPO 44, Group Exhbition, Group Show, Installation, Installations, International Juried Exhibition, Large Scale works, MOMA, Online Show, ZOOM RECEPTION

K no W Safe Place to Know Safe Space

December 28, 2024 By Debra Disman

I am looking to expand, extend, experiment with and explore the possibilities of 
K no W Safe Place
, 2023, 60 x 48 x 48″ canvas, netting, hemp/nylon/cotton cord, lace, ribbon, paint, wood

I would like to transform it into the focal point and destination of a total environment:  Know Safe Space.

Firstly, by adding a roof, that would be created in the same manner, and materials, as its two sides and one back wall: substrate surface of canvas essentially draped over a black-painted dowel, hung from the ceiling with fishline, and tied to the corners of the back and side walls by its corners.

Not being a trained draftsperson, architectural or otherwise, I am visualizing this by drawing over a photograph of the original piece from different vantage points, views or perspectives.
 

It is a magical process of making, contemplation, and visualization, and the first concrete step to transforming a dream into reality.

To Be Continued….

 

Filed Under: ARTISTS, New Work, TEXTILE/FIBER, Textiles/Fiber/Cloth, Women Artists, Work Tagged With: booklets, Bookmaking, Environment, Fiber, Handmade Book, Immersive, immersive environment, Installation, Khipa, kNOw Safe Place, kNOw safe space, New Work, No Safe Place, No Safe Space, Participation, Performance, Public engagement, Quipa, Quipas, Safe place, Safe Space, Sanctuary, Sculpture, Shelter, Structure, Textile, To find safe space, To Know Safe Space, zines

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