Debra Disman

Artist

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ARTISTS

PULP*PAPER*BOOK 2026 at the Sebastopol Center for the Arts

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I am thrilled to participate in PULP*PAPER*BOOK 2026 at the Sebastopol Center for the Arts!
Showing “The Body Politic: Black and Gold”, 8.5 x 23 x 7″, book board, paint, canvas, metal leaf, lace, cord, netting, trim, beads.

Exhibition Dates: March 14, 2026- May 3rd 2026 Opening Reception: Sunday, March 15th, 2-4pm, 2026

Pulp • Paper • Book provides a platform for combining works of book makers, pulp wranglers, papermakers and printmakers to exhibit their work. Paper is one of the oldest forms of artistic medium- from parchment to books to vellum to wood products. Humans print on every surface and make inks from everything on earth.
Read the Artist Statements HERE!

Curated Wrap-Around Programming:

Saturday, March 14, 2026: Books at the Source: Literary Arts Summit

Thursday, March 26, 2026: Upcycled Journal Workshop

Thursday, April 2, 2026: Eco Petals: Crafting a Recycled Bouquet

Sunday, April 19, 2026: Paper Lanterns Workshop

The Material Intelligence of Touch

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I was delighted to participate in:
handwork 2026 logo

At the Marks Center, College of the Desert.

The exhibit a project of  Textile Arts LA, and curated by Carrie Burckle, brings together artists from Textile Arts LA whose work centers the hand as both method and metaphor. Inspired by artist Ann Hamilton’s concept of the “sewing hand”—the idea that making by hand is a way of knowing—we explore how tactile engagement with material connects body to mind, individual to community, and past to present.

Please VIEW THE WORKS IN THE SHOW HERE

I am delighted to participate with two works included [positioned side by side!

“La Forêt I” , 2024, 62 x 17 x 1”, canvas, acrylic paint, hemp/jute/cotton cord
and
“Communion“, 2025, 10.5 x 21.5 x 8.5” (dimensions variable), wood, hemp/assorted cord, acrylic paint

  

 

Many thanks again to friend and colleague and fellow artist
Deborah Lynn Irmas
for visiting and photographing the show sand my work in it, when I could not make it out to Palm Desert to see it live and in person!

IN THE WOODS Invites You….

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I was thrilled to participate in Shoebox Arts Call and Response Collaborative Book initiative to be presented at the Start Up LA Art Fair  February 27 – March 1, 2026, presenting my collaborative book created with artist Michelle Robinson, as part of Kristine Schomaker‘s CALL AND RESPONSE initiative, through her organization, Shoebox Arts!

“After five years of digital exchanges connecting artists across six continents, Call and Response went physical for the first time.

In October 2025, Shoebox Arts helmed by the extraordinary Kristine Schomocker   paired 190 artists to create collaborative books together. Four months later, approximately 90 unique collaborative works have been created: oracle decks, teabag weavings, painted photographs, sculptural volumes, accordion books, visual puzzles and more.

Each book represents a creative conversation between two artists/humans/makers. Participating artists have navigated time zones, shipping logistics, language barriers, and completely different creative approaches to make something neither could create alone”

“This is Call and Response at its core: connection, radical trust, real collaboration.
This is collaboration without permission. Connection without barriers. Artists proving quality work doesn’t require institutional blessing—just willingness to make something with another.” — Kristine Shoemaker
A project of @shoeboxarts.la
Exhibition: @callandresponseart

“When we embarked on this project together, it felt like a fortuitous pairing. We first met on social media several years ago and shared studio visits in the past, during which we discussed the formal similarities in our work, as well as our commitment to a deeply material practice and content that helps reframe human experience and perception. After a couple of Zoom discussions, our instinct was to combine Debra’s sculptural book forms with Michelle’s photographic collage images, creating a three-dimensional space that both tells a story and challenges our understanding of what a book can be. The viewer is invited to travel “In the Woods” of their own psyche, paradoxically reaching for enlightenment through traversing darkness.” — Debra Disman and Michelle Robinson, Co-creators of “In the Woods”

Michelle did a beautiful job of photographing our work, “In the Woods“, for our own documentation, and to be able to submit and show it in different venues. Due  its folds, many surfaces, three-dimensionality, black/dark colors and textures, this work is challenging to capture in still photography. Brava Michelle, and Thank You!
IN THE WOODS, Debra Disman and Michelle Robinson, 2026, 12 x 20 x 20″, Artists’ Book”: Book board, mulberry paper, acrylic paint, bookbinding cloth, archival adhesive, hemp cord, watercolor paper, book repair tape, book hinging tape, archival pigment prints on Moab Entrada rag paper


IN THE WOODS, front view


IN THE WOODS, partially open view

IN THE WOODS, side view


IN THE WOODS, open view

Collaboration, Call and Response, Shoebox Arts and the Start Up Art Fair: THE FAIR!

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I was thrilled to participate in Shoebox Arts Call and Response Collaborative Book initiative to be presented at the Start Up LA Art Fair
February 27 – March 1, 2026, presenting my collaborative book created with artist Michelle Robinson, as part of Kristine Schomaker‘s CALL AND RESPONSE initiative, through her organization, Shoebox Arts!
The Kinney Venice Beach | 737 Washington Blvd, Venice, CA 90292 | Room 202

After five years of digital exchanges connecting artists across six continents, Call and Response went physical for the first time.

In October 2025, Shoebox Arts helmed by the extraordinary Kristine Schomocker   paired 190 artists to create collaborative books together. Four months later, approximately 90 unique collaborative works have been created: oracle decks, teabag weavings, painted photographs, sculptural volumes, accordion books, visual puzzles and more.

Each book represents a creative conversation between two artists/humans/makers. Participating artists have navigated time zones, shipping logistics, language barriers, and completely different creative approaches to make something neither could create alone.

This is Call and Response at its core: connection, radical trust, real collaboration.

This is collaboration without permission. Connection without barriers. Artists proving quality work doesn’t require institutional blessing—just willingness to make something with another. — Kristine Shoemaker
A project of @shoeboxarts.la
Exhibition: @callandresponseart

“When we embarked on this project together, it felt like a fortuitous pairing. We first met on social media several years ago and shared studio visits in the past, during which we discussed the formal similarities in our work, as well as our commitment to a deeply material practice and content that helps reframe human experience and perception. After a couple of Zoom discussions, our instinct was to combine Debra’s sculptural book forms with Michelle’s photographic collage images, creating a three-dimensional space that both tells a story and challenges our understanding of what a book can be. The viewer is invited to travel “In the Woods” of their own psyche, paradoxically reaching for enlightenment through traversing darkness.” — Debra Disman and Michelle Robinson, Co-creators of “In the Woods”


IN THE WOODS
12 x 20 x 20″ (Dimensions variable)
Materials: Book board, mulberry paper, acrylic paint, bookbinding cloth, archival adhesive, hemp cord, watercolor paper, book repair tape, book hinging tape, archival pigment prints on Moab Entrada rag paper . 


Michelle’s resonant prints, combined with my box structure created an immersive environment, inviting viewers to spend time “In the WOODS’ with us. The doors open and shut, but this work does not present an open and shut case.


Three prints, the brightest one in the center, adhered with acid-free adhesive, to three walls of the structure, leading the viewer to the dark house.
Facing darkness by moving through it.


Corners created with accordion folded heavy but foldable acid-free watercolor paper, resurfaced with strips of mulberry paper, overlaid with netted book repait cloth. Thank you to the devine Adrienne Devine for the book repair cloth as a material idea!


Creating an immersive environment, as per Michelle into which the viewer can become lost and found again, through their own journey.”Your dark forest of wonder is a great set of true. I experienced the darkness but its didn’t scare me at all.” — Gala Kovshilosky (@galaverse_art) March 1, 2026, Start up Fair, Los Angeles


In community with other works, each piece becomes something a bit different than the artists’ original intent, for the time they are together.


You have to look.
In Gratitude,
debra and michelle

Collaboration, Call and Response, Shoebox Arts and the Start Up Art Fair: Process 3

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CALL AND RESPONSE COMES TO STARTUP ART FAIR!

I am thrilled to participate in Shoebox Arts Call and Response Collaborative Book initiative to be presented at the Start Up LA Art Fair
February 27 – March 1, 2026
The Kinney Venice Beach | 737 Washington Blvd, Venice, CA 90292 | Room 202

After five years of digital exchanges connecting artists across six continents, Call and Response is going physical for the first time.

In October 2025, Shoebox Arts helmed by the extraordinary Kristine Schomocker   paired 190 artists to create collaborative books together. Four months later, we have approximately 90 unique collaborative works—oracle decks, teabag weavings, painted photographs, sculptural volumes, accordion books, visual puzzles.

Each book represents a creative conversation between two artists/humans/makers. Participating artists have navigated time zones, shipping logistics, language barriers, and completely different creative approaches to make something neither could have conceived alone.

This is Call and Response at its core: connection, radical trust, real collaboration.

This is collaboration without permission. Connection without barriers. Artists proving quality work doesn’t require institutional blessing—just willingness to make something with another.
A project of @shoeboxarts.la
Exhibition: @callandresponseart

The intimate hotel suite setting allows visitors to interact closely with each work—books displayed throughout the space on beds, tables, and dressers. This is a selling exhibition with works split equally between the two collaborating artists and Shoebox Arts.
Hours:

  • Friday, February 27: VIP Early Access 5-7pm | All Access 7-10pm

  • Saturday, February 28: 12pm – 9pm

  • Sunday, March 1: 12pm – 7pm

To attend this fun and wild event:
Get Tickets: www.startup-art.com/los-angeles

Collaboration, Call and Response, Shoebox Arts and the Start Up Art Fair: Process 2

By

CALL AND RESPONSE COMES TO STARTUP ART FAIR!

I am thrilled to participate in Shoebox Arts Call and Response Collaborative Book initiative to be presented at the Start Up LA Art Fair
February 27 – March 1, 2026
The Kinney Venice Beach | 737 Washington Blvd, Venice, CA 90292 | Room 202

After five years of digital exchanges connecting artists across six continents, Call and Response is going physical for the first time.

In October 2025, Shoebox Arts helmed by the extraordinary Kristine Schomocker   paired 190 artists to create collaborative books together. Four months later, we have approximately 90 unique collaborative works—oracle decks, teabag weavings, painted photographs, sculptural volumes, accordion books, visual puzzles.

Each book represents a creative conversation between two artists/humans/makers. Participating artists have navigated time zones, shipping logistics, language barriers, and completely different creative approaches to make something neither could have conceived alone.

This is Call and Response at its core: connection, radical trust, real collaboration.

This is collaboration without permission. Connection without barriers. Artists proving quality work doesn’t require institutional blessing—just willingness to make something with another.
A project of @shoeboxarts.la
Exhibition: @callandresponseart

The intimate hotel suite setting allows visitors to interact closely with each work—books displayed throughout the space on beds, tables, and dressers. This is a selling exhibition with works split equally between the two collaborating artists and Shoebox Arts.
Hours:

  • Friday, February 27: VIP Early Access 5-7pm | All Access 7-10pm

  • Saturday, February 28: 12pm – 9pm

  • Sunday, March 1: 12pm – 7pm

To attend this fun and wild event:
Get Tickets: www.startup-art.com/los-angeles

Here is part 2 of the process of my collaboration with artist Michelle Robinson:
Transform to Black



The addition of layers of black acrylic paint over the white textured mulberry paper-covered book board transfroms the feel of the work.

The accordion-folded mulberry paper covered corners were covered with a cheesecloth-like material used in book repair to add texture and depth. An abstract tree bark texture was further created with strips of black hemp cord on the inside of the two doors.

The whole surface was then painted again in black to pull the tones together.

Black is the unifying color for the piece, titled, “Into the Wood”, amplifying the colors in Michelle’s prints, reflecting the darkness of the Wood, and setting the tone for the viewers’ journey into it.
The piece goes upright, with accordion folded corners held in place by clips to deepen the folds, the (relatively) 2-d becomes 3-d.


The mulberry-covered accordion-folded book repair cloth-covered black-painted corners are thus “trained” to fold and unfold easily.


The textures work together to support the forest (Woods) theme.


It takes some time. The piece has to fold easily to both stand up and travel.


And here we go…Into the Woods.

In the next post: Collaboration, Call and Response, Shoebox Arts and the Start Up Art Fair: Process 3
see videos of the Process!