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Debra Disman

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Sew

“Unfolding Possibilities” at the Los Angeles Museum of Art

December 17, 2025 By Debra Disman

On December 13, 2025, I was honored to teach a bookmaking class entitled “Unfolding Possibilities” at LACMA (The Los Angeles Museum of Art). It was fun to teach right in front of the extraordinary monumental outdoor sculpture, “Levitated Mass” by Michael Heizer, a 456-foot-long concrete slot constructed on LACMA’s campus, over which sits a 340-ton granite megalith.

Upon entering LACMA’s  Resnick Pavilion, we observed the use of layered and torn paper in  artist Mark Bradford‘s  “150 Portrait Tone“, visited the ongoing exhibition,  “Realms of the Dharma: Buddhist Art Across Asia” to observe accordion fold structures, and the  “Deep Cuts: Block Printing Across Cultures” show  to view a variety of codex book structures with pages and signatures as preparation for our bookmaking process. We found inspiration in the large-scale outdoor sculptures of  Ai Weiwei:  “Circle of Animals/ Zodiac Heads (2011) and  Simone Leigh 16′ tall  Sentinel (2022); finding commonalities between the artworks and our reaction to them.

After our energizing and thought-provoking artwork, sculpture, exhibition and museum gallery visits,  we returned to our outdoor workspace, and let the fun begin: Folding, measuring, gluing, hole-punching, sewing and embellishing to create our own Unfolding Possibilities.
How great for the New Year.

We created accordion-folded book which unfolded to reveal pockets and pages. Students learned to fold and sew “signatures” (gatherings of folded pages)  into the “valley” (downward or exterior-pointing) folds of the structure.


The amazing teaching assistant Alexis was a great support, and a credit to the LACMA education department!

 
Education Department Staff Susi Castillo keeps Everything on track!

For those interested, this Unfolding_Possibilities_step-by-step contains the diagrammatic step-by-step instructions for the folds and the pamphlet stitch.

 

 

Filed Under: ARTISTS, Artists' Books, Student Work, Teaching Artist, TEXTILE/FIBER, Work Tagged With: 150 Portrait Tone, accordiopn book, Ai Weiwei, Art Museum, Art Museum Class, art museum education, art museum gallery, ARTIST'S BOOKS, Bookmaking, bookmaking at LACMA, Bookmaking in Community, Circle of Animals, embellish, fold, gatherings of folded pages, hole punch, Installation, LACMA, Levitated mass, Los Angeles museum of art, Making Books By Hand, Mark Bradford, measure, Michale Heiser, Museum, New Year, Outrdoor scyulpture, PAMPHLET STITCH, pockets in books, Sculpture, Sentinel, Sew, Signatures, Soimone Leigh, student artist, Teaching Artist, teaching outdoors, template, three hole Pamphlet Stitch, Unfolding Possibilities, Zodiac heads

Studio Notes: Texture Tactility Tactile Textile

April 18, 2022 By Debra Disman

Today I am sharing some explorations into “tactile textiles,”, a term coined, as  understand it, by Anni Albers, tactile textile artist/weaver!

Such works and materials become spaces, places, rooms, lands, terrain, forests…tactile explorations into the unknown, guided by, among other things, the sense of touch, a tactile sensibility.

 

Detail of “Forest Through The Trees”, book board, hemp cord, wood, canvas, acrylic paint, used typewriter ribbon, ribbon

Test piece/sample, paper, jute cord

Detail of “It’s Not Black or White”,  book board, mulberry paper, used typewriter ribbon

Detail of “FruitFull” (in process), textile samples, hemp cord

Stacked pieces of “to the trade” folded textile samples


Stacked pieces of repurposed and folded denim cut from jeans

Filed Under: Uncategorized Tagged With: Anni Albers, Bind, BOOK BOARD, Cord, Fiber, Glue, hemp, HEMP CORD, In the Studio, Jute, jute cord, Knot, Layer, Materiality, Materials, Sew, Spiral, Stitich, String, Studio, Studio notes, Studio shots, Tactile textile, tactility, Textile, Texture, touch, typewriter ribbon, Wrap

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