Atrium Gallery
18th Street Arts Center
“Sanctuary: Know Safe Space” expands upon Disman’s 2023 piece, “K no W Safe Place” with the addition of a hanging roof surrounded by an inverted “forest” of knotted colored cords added to and developing over time, hung from the ceiling in various arrangements allowing pathways to the suspended black sanctuary space. The installation grew and changed over time with the addition of these hanging elements.
This installation draws upon Disman’s ongoing study of the groundbreaking practices of artists Charlotte Salomon and Eva Hesse using artmaking to transcend trauma; research into sanctuary movements and spaces and the use of textiles within these; exploration of the“quipu/khipu”, a record-keeping device made of knotted cords of assorted colors used in various cultures in the central Andes of South America; and investigation into the work of artists who have used fiber-based materials to create environments, structures and shelters including Do Ho Suh, Chiharu Shiota and Tracey Emin, as well as drawing inspiration from artists Maria Lai and Liza Lou.
Disman also engaged in dialogue with others inside the Sanctuary space, informally videotaping participants’ response to the installation and their immersion in it, as well as offering “interviewees’ the opportunity to share about their own practices, projects and practices, especially as they relate to 18th Street Arts Center. These short-form videos serve as an informal archive of our present moment, the role of the creative process in it, and the support and sanctuary 18th Street Arts Center is offering to the community by allowing us to Know Safe Space.
Informal documentation of the process of creating “Sanctuary: Know Safe Space” at 18th Street Arts Center, November 2025 – January 2026.
18th Street Operations Manager extraordinaire Tyler Madsen surveys his installation plan thus far.
Setting up the sections.
Raising the roof.
Held up by gossamer thread (fishline).
Enter the SpeakEasy chair.
Roof details.
Ready for action.
Further along in the iteration. We’ll get there.