Debra Disman

Artist

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Fiber

Surface Design Association Award of Excellence

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I am very honored to share the recent Surface Design Association Award of Excellence with artist Anne McMillan. 


Debra Disman (portrait on left),  “Hopes and Fears and…,” 2020. Stitched, sewn, repurposed textile squares, linen thread, 24.5 x 16.5in (image on right)

Please go  HERE to see the post!

Surface Design Association says:

“We’re excited to support innovative work in fiber and textile media! The Award of Excellence is awarded to artists who have work in current exhibitions. This year we’re so pleased to congratulation both Debra Disman @artifactorystudio and Anne McMillan @annemcmillanart for their extraordinary accomplishments.”

Interested in their awards and grants? Check out the link in their bio / profile!

Thank you SDA!!!

I am honored also to share this honor with artist Anne McMillan
annemcmillanart.com | @annemcmillanart
From the SDA July Newsletter:

CONGRATULATIONS TO OUR AWARD WINNERS!

1) Award of Excellence

Debra Disman
debradisman.com | @artifactorystudio

Debra Disman’s (she/her) Hopes and Fears and… won SDA’s Award of Excellence at the Alternative Fiber exhibition at the Louise Hopkins Underwood Center for the Arts in Lubbock, Texas, US.
Debra Disman (portrait on left), Hopes and Fears and…, 2020. Stitched, sewn, repurposed textile squares, linen thread, 24.5 x 16.5 inches.

Anne McMillan
annemcmillanart.com | @annemcmillanart

Three of Anne McMillan’s (she/her) mixed media and artist books won SDA’s Award of Excellence. The exhibition, Tension: Process in the Making, was a juried group exhibition celebrating SDA’s New Hampshire Regional Group.
Anne McMillan, Flaxed. Khadi. mulberry paper, flax, linen thread, bone button, book board, pva glue; eco-dyed paper, flax roving, hand-spun ties, bound with buttonhole stitch.

“Yarn/Rope/String” at the New Bedford Art Museum

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I am thrilled to participate in:

YARN/ROPE/STRING:
An exhibition at the New Bedford Museum of Art showing selected work from the Fiber Art Now magazine’s juried exhibitions in 2021 and 2022.

The exhibition opening reception is:
December 8th, 2022 6pm – 8pm

I am showing “PROFUSION”, 2018, 8.5 x 24.5 x 7.75, Book board, mulberry paper, watercolor paper, canvas, hemp cord

EXHIBITIONISTA: “YARN/ROPE/STRING” at the New Bedford Museum of Art

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I am thrilled to be showing “Profusion” in “Yarn/Rope/String” at the New Bedford Museum of Art, organized by Fiber Art Now, and juried by Michael F. Rohde , originally presented in print and online in  Fiber Art Now.



“Profusion“, 2018, 8.5 x 24.5 x 7.75, Book board, mulberry paper, watercolor paper, canvas, hemp cord

Southwest Surfaces at Tubac Center of the Arts

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I was thrilled to be part of:
Surface Design Association’s  Southwest Regional Exhibition at Tubac Center of the Arts!

Annie Lopez, Juror

 

Exhibiting Artists

Elizabeth Abaravich, Amie Adelman, Lisa Jean Allswede, Jim Barry, Keri Bas, Julie Bates, Daiva Bergman Harris, Blair Cahill, Jan Caldwell, Cael Chappell, Claudia Cocco, Vicki Conley, Sue Conner, Beth Cunningham, Debra Disman, Diana Fox, Dellis Frank, Amelia Greco-Welden, Michele Hardy, Jackie Heupel, Stephanie Hilvitz, Dong Kyu Kim, Molly Koehn, Julie Kornblum, Mary-Ellen Latino, Karon Leigh, Nancy Lemke, Christine LoFaso, Viviana Lombrozo, Jeannie Mehl, Christine Miller, Jaya Miller, Kathy Nida, Marty Ornish, Nancy Peterson, Michael Rohde, Connie Rohman, Tamara Scott-Anderson, Danielle Shelley, Asher Sinclaire, Bonnie Smith, Karen Smith, Nancy Jo Smith, Karin Soderholm, Meredith Strauss, Sheila Tymon, Shelly White,Peggy Wiedemann, Emily Yarborough

I showed:
Excavation of the Interior”, 2021, 12 x 28 x 12.5″, wood, mulberry paper, watercolor paper, hemp cord, canvas, muslin

Annie Lopez, Juror
Annie Lopez creates narrative work presenting a dialogue about racism, stereotypes, the local art world, personal relationships and family. Most known for cyanotype work, she’s based in Phoenix, AZ.

Juror’s Statement

I was privileged to see some incredible art and had many “why didn’t I think of that?” moments.

Selecting work was challenging. My approach was for the exhibition to have a personality, not a theme. The final selections resonated with me; made a statement or displayed unusual approaches with words, design, or techniques. These works showcase the artist’s imagination through a variety of technical skills, and each provide insight into the maker

Sharing Shows: Arizona, California, Texas

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Excavation of the Interior, 2021, 12 x 28 x 12.5″ (wood, mulberry paper, hemp cord, canvas, muslin)

 


Chromatic Interactions: The Golden Thread, 2020, 76 x 90 x 1.5″, mixed media installation utilizing file cards written and drawn upon by Craft Contemporary Museum patrons participating in my commissioned interactive artists’ book project: Chromatic Interactions, (File cards, gold thread, pencil and crayon)

 


Rent Wound Tear, Mend Heal Repair, 2022, 64 x 68″ (dimensions variable), Triptych Installation, (canvas, acrylic paint, hemp cord, lace, string)