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Debra Disman

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The Long Beach Museum of Art

EXHIBITIONISTA: “The California Effect: New Books from the California Chapter of the Guild of Book Workers”

July 28, 2025 By Debra Disman

I am thrilled to have three works in:
“The California Effect: New Books from the California Chapter of the Guild of Book Workers”
Opening at the Long Beach Museum of Art October 4, 2025 and running through January 4, 2026!

The California Effect: New Books from the California Chapter of the Guild of Book Workers

October 4, 2025 – March 8, 2026

The California Effect—New Books from the California Chapter of the Guild of Book Workers is rich in both artists and bookworks. There are 29 artists exhibiting 54 books, boxes, and broadsides. Some are in limited editions and others are one-of-a-kind. All are handmade individually with handmade and fine papers, cloth, thread, glue, inks, and paint. What exactly is the California effect? More precisely, what is the effect on the many of us who live, work, and visit here? The misty mornings and baking hot afternoons? The endless coastline, chill forests or dry desert arroyos? Each of us has an answer, seen in the books we make, in our tastes and inspirations. We turn to making books: printing them, binding them, reinventing them, turning them into art—making books as art.

The California Chapter is one of ten chapters, revealing the national reach and scope of the Guild and its dedication to promoting interest and awareness in the tradition of book and paper arts. The members include hand bookbinders, design binders, conservators, calligraphers, makers of artist books, fine press printers and papermakers. A fully illustrated catalogue with information about each artwork and biographical information about each artist is available to order.

The California Effect exhibition and related programming are graciously supported by The Kenneth T. and Eileen L. Norris Foundation, the Pasadena Art Alliance, and the Bess J. Hodges Foundation

You can order the beautiful catalogue designed by artist Rebecca Chamlee of Pie in the Sky Press HERE and HERE

And… while you are there, don’t miss:
Voice of the Artist: Artist Books from the Permanent Collection

October 4, 2025 – March 8, 2026

Throughout its 75-year history, the Museum has presented contemporary art in all media, including the book arts. In 1983, the Museum organized At Home, an exhibition that included artists’ books by women created between 1970 and 1983. In 2009, Novel Constructions—Artists Create Monumental Books explored books as sculptural installations and included works by Genie Shenk and Carol Shaw-Sutton, both of whom are represented in the Ocean View Gallery. In 2019, the Museum presented The Artful Book of the California Chapter of the Guild of Book Workers, and it continues this tradition with The California Effect.

Voice of the Artist highlights a selection of artists’ books from the Museum’s permanent collection. It touches on the history of the medium, from the livre d’artiste exemplified by Henri Matisse and Pablo Picasso, to contemporary offset-printed codex forms such as Barbara Kruger’s My Pretty Pony. Artists continue to expand the definition of the book through unconventional materials, like the tar paper in Genie Shenk’s Ring or the carved wood of Suvan Geer’s Author, Author? Unstill Poetry. The exhibition features a variety of forms, including traditional codex forms, accordion books, and a pop-up sculpture by Paul Johnson. The Museum gratefully acknowledges the generous support of a donor-collector Museum member, who anonymously provided both the exhibition and the video revealing more of the books’ interiors.

 

Long Beach Museum of Art
2300 E Ocean Blvd.

Member & VIP Opening Reception: 5-7 pm

General Admission Opening Reception: 7-9 pm

Tagged With: "The California Effect: New Books from the California Chapter of the Guild of Book Workers", ARTIST'S BOOKS, Book Art Exhbition, Book as Art, BOOK WORKS, box, broadside, California Chapter of the Guild of Book Workers, California Chapter of the Guild of Bookworkers, Calligraphy, Colleen Mullins, Colll, Exhibition of handmade books, Farida Sunada, Group Show, Guild of Book Workers, Guild Show, Handmade Books, making books as art, Marlyn Bonadventure, Mueuem show, papermaking, Pie in the Sky Press, Rebecca Chamlee, Rebecca Chamlee / Pie in the Sky Press, Sue Ann Robinson, The California Effect, The Long Beach Museum of Art, Voice of the Artist: Artist Books from the Permanent Collection, wall hanging books

Showing (love) Around

July 9, 2024 By Debra Disman


We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Juror/Curator: Ed Dixon:   “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself.  These issues are not always mainstream and sometimes are hidden.” Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja
See the SHOW!
See the VIDEO!

It is not only a joy to “show around” in group exhibitions at various venues around the country, it is a gratifying, enriching  experience,  and a heartwarming one at that, to discover, interact with and support so many inspiring and dedicated individuals,  organizations, endeavors, missions and visions. I meet new folks, but also “run into” friends and colleagues that “show up” in some of the same places: showing at some of the the same shows, sharing in some of the same artist talks and panels, featured in some of the same catalogues and publications. It is exciting to connect, and see both not only an overlap of interests materially and thematically, but also how we all approach things differently, and can learn from one another.

For example, I am currently showing at:
Word and Weft: Visualizing the Word, Webster Arts, Webster Groves, MO, Juror: Noriko Yuasa 

Women. Defining Our Representation, Black House Artist, Juror/Curator: Ellen Mattesi (online)  
We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja 
Evidence of Joy, Intersect Arts Center, Saint Louis, MO, Curator: April Parvitz  

Soliloquy, presented by The Bridge Arts Foundation at The Scholarts Selection, San Gabriel, CA
Jurors: Charles Christopher Hill, Xin Song, Curator: Tia Xu  
Whisper, Verum Ultimum Gallery, Portland, OR, Curator: Jennifer Gullia Cutshall  (catalogue)
Interplay, presented by the Surface Design Association at The Dairy Barn Arts Center O’Bleness Gallery, Athens, OH,  Juror: Annet Couwenberg
Northern National Art Competition, Nicolet College Art Gallery, Rhinelander, WI, Juror: Debra Brehmer 

The Circular Ritual of Spring, BG Gallery, Santa Monica, CA, Curator: Susan Lizotte (online)

And earlier this year:
Midway Marvels,ArtBarLA, Los Angeles, CA, Curator: Randi Matushevitz
Materiality Matters, Umpqua Valley Arts, Roseville, OR, Juror Panel: UVA Staff and Pacific NW professionals
Pulp: Book and Paper Arts, Sebastopol Center for the Arts, Sebastopol, CA, Juror: Donna Seager
Fantastic Fibers 2024, Yeiser Art Center, Paducah, KY, Juror: Sandro Tiberi, (catalogue) 
String Theory, The Cultural Center of Cape Cod, South Yarmouth, MA, Curator: Molly Demeulenaere  
Art of the Word, Sasse Museum of Art, Pomona, CA, Jurors: Fatemeh Burnes, Maurice Quillinan, Niamh Cunningham (catalogue)
By the Book,  Artopia Gallery, Arcadia, CA, Curator: Rosie Getz

Through this experience I am able to be exposed to and interact with :
Individuals: artists, curators, critics, collectors, gallery, museum, art center, library and academic/university directors/staff (on all different levels of responsibility and experience and in varying roles,  offices and positions)
Organizations: galleries, museums, art centers, universities/academic institutions, artist studios and alternative spaces (of different sizes, renown, reputation, influence and “status” in the “art world” and world at-large)

I plan to highlight and share about various of these individuals and entities over the next several posts. I will share particularly about Art Centers, which are an enormous source of vitality, creation, care and joy throughout the country and beyond. xxxooo

I begin with Gallerist Ed Dixon, in whose show We Are Doing It All Wrong I am honored to be in.  Presented at the Edward A. Dixon Galleryin Dayton, OH. Of the show says Owner/Curator: Ed Dixon:  “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself.  These issues are not always mainstream and sometimes are hidden.” The illustrious jurors Ed Dixon/Stacy Kranitz/Judith L. Huacuja hold a wealth of knowledge, expertise, care and passion among them in addition to many accomplishments.

In a time of such fraught difference, fear, and loathing, it is heartening and illuminating to see and be a part of all of these individuals and entities, making a difference. I have to feel that that all of our work, no matter what the outcome, does make a difference.

Thank you to You all.

 

 

 

Filed Under: ARTISTS, Exhibitions, MEDIA, New Work, Presentations, TEXTILE/FIBER, Women Artists, Work Tagged With: 18th Street Arts Center, American exhibitions, American shows, Annet Couwenberg, April Parvitz, art centers, Art of the Word, art vwnuwa, ArtBarLA, Artopia Gallery, bG Gallery, Black House Artist, Bridge Arts Foundation, Cape Cod Museum of Art, Charles Christopher Hill, Christopher Lloyd Tucker, Contemporary Art, Contemporary Artists, Craft Contemporary, curators, Debra Brehmer, Donna Seager, Ed Dixon, Edward A. Dixon Gallery, Ellen Mattesi, Exhbitions, exhibiting in the US, Fatemeh Burnes, galleries, Group Shows, Intersect Arts, January Arts, Jennifer Gillia Cutshall, Judith L. Huacuja, Juried Shows, jurists, Karina Bennett, libraries, Maurice Quillinan, Molly Demeulenaere, museums, Niamh Cunningham, Nicolet College Art Gallery, Noriko Yuasa, Randi Matushevitz, Rosie Getz, Sandro Tiberi, Sasse Museum of Art, Scholorarts Selection, SDA, Sebastopol Center for the Arts, Shoebox Arts, Shoebox Projects, Shows, Stacy Kranitz, Surface Design Association, Susan Lizotte., The Brand Library and Art Center, The Cultural Center of Cape Cod, The Dairy Barn Arts Center O’Bleness Gallery, The Irvine Fine Arts Center, The Long Beach Museum of Art, The New Bedford Museum of Art, The Yeiser Art Center, Tia Xu, UCLA, Umpqua Valley Arts, universities, Verum Ultimum Gallery, Webster Arts, Xin Song

Linkage: See the Shows, Hear the Artists!

August 17, 2020 By Debra Disman

It has been a joy to participate in a number of exhibitions and artist talks over the past several months.

Partially due to the current pandemic, shows, panels, artist talks and more are being put online, and made accessible to the public  at no cost to the viewer/listener.

We hope that these offerings support energy, spirit, imagination and creativity, as well as health and resilience, during this unprecedented era.

Click, and enjoy.

To Your Health.

“The Artful Book“:  The Long Beach Museum of Art
Tour the exhibition!

“Drawing Connections“: 18th Street Art Center Airport Campus Gallery , Santa Monica, CA
Tour the Exhibition with Curator Frida Cano!

“Material Identity” : Loveland Center for Contemporary Art, Loveland, CO
Tour the Exhibition! 
Listen to participating artists talk with Executive Director Sarah LaBarre and Curator Jessica Kooiman Parker

“Facing Darkness” 18th Street Art Center online
Tour the Exhibition!
Explore the Show By Theme/Explore the concept of the COLLECTIVE

Filed Under: ARTISTS, Artists' Books, BOOKS, Exhibitions, New Work, Work Tagged With: 18th Street Arts Center, Art in the age of Social Distancing, Art in the time of Covid, ARTWORKS Center For COntemporary Art, Drawing Connections, Facing Darkness, Frida Cano, Jessica Kooiman Parker, Material Identity, Online Art Offerings, Online Artist Talks, Online Exhibitions, Online Tours of Art Exhbitions, Sarah LaBarre, The Artful Book, The Long Beach Museum of Art, The Loveland Artists Collective

“The Artful Book” Virtual Show

July 18, 2020 By Debra Disman

I am sharing the video tour of the exhibition, The Artful Book, held at the Long Beach Museum of Art in 2019-2020.
The Artful Book   show featured  the wildly diverse book-works of members of the California Chapter of the Guild of Book Workers.

The video is almost 35 minutes long, and a very thorough exploration of the show!

ENJOY.

Filed Under: ARTISTS, Artists' Books, BOOKS, Exhibitions Tagged With: Book Art Exhibitions, Book Arts, Book as Art, California Chapter Member Exhibit, California Chapter of the Guild of Bookworkers, Handmade Books, LBMA, Sculptural Artist Books, Sculptural Books, The Art of the Book, The Artful Book, The Guild of Bookworkers, The Long Beach Museum of Art, Video Tour

Exhibitionista: The Artful Book…revisited

January 8, 2020 By Debra Disman

 The Artful Book show at the Long Beach Museum of Art, Long Beach, CA just closed.

What a great experience to be part of it.

Tour the exhibition!

It happened October 4, 2019 – January 5, 2020

I was honored to show three pieces, and be in the company of stellar book artists.

“Today, artists who work in the Book Arts create fine and design bindings, fine press and letterpress editions, calligraphy, broadsides, handmade paper, and artist books. Visitors to The Artful Book will see outstanding contemporary examples of the Book Arts created by members of the California Chapter of the Guild of Book Workers. From finely crafted and superbly designed limited edition books to one-of-a-kind sculptural art objects, these artists let their imaginations soar and put their skills in the service of one of man’s best creations, the book….” —The Artful Book

The Artful Book will be remembered.

Filed Under: ARTISTS, Artists' Books, BOOKS, Exhibitions, New Work, Work Tagged With: Book Art Exhibitions, Book Arts, Book as Art, California Chapter Member Exhibit, California Chapter of the Guild of Bookworkers, Handmade Books, LBMA, Sculptural Artist Books, Sculptural Books, The Art of the Book, The Artful Book, The Guild of Bookworkers, The Long Beach Museum of Art

Exhibitionista: “The Artful Book” xxxooo

October 7, 2019 By Debra Disman

The Artful Book Exhibition just opened at The Long Beach Museum of Art.

It is an exciting exhibition that among other things aims also to educate the public about the nature and role and diversity of book arts in the present day.

Tour the exhibition!

The video provides a fascinating glimpse into the displayed works.  One of the challenges of showing work that is in book form is how to share all its surfaces, spaces, elements and facets. Most of the works in the show are under cases. One is accompanied by a pair of white gloves for viewers to don and turn its pages. One hangs from the ceiling, and others are on the wall.

My beloved Mark Henry Samuel,  enjoying a well-deserved moment, after an intense drive through Friday night rush our traffic from Santa Monica to Long Beach. What a gorgeous night!

Wonderful to see mentor, colleague, teach and friend,  Sue Ann Robinson, Curator Emerita of the LBMA, and devoted member of the California Chapter of the Guild of BookWorkers


Love this broadside by Jean Gillingwators.


Sue Ann’s great work Chisholm Hours.


Great to see Andres Payan Estrada, Curator of Public Engagement at the LA jewel, Craft Contemporary.

Proud to show and share my work in this beautiful venue alongside wondrous artists and makers and lovers of the Book,
in all its forms.

Gratitudes.

Filed Under: Artists' Books, Exhibitions, New Work, Work Tagged With: Andres Payan Estrada, Book Arts, Book as Art, Califonria Chapter of the Guild of BookWorkers, California Chapter Member Exhibit, Claire Falkenstein, Handmade Books, Jean Gillingwators, LBMA, Sculptural Artist Books, Sculptural Books, Sue Ann Robinson, Terry Braunstein, The Art of the Book, The Artful Book, The Guild of Bookworkers, The Long Beach Museum of Art

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