I Can’t I Won’t I Will I Do, 2022, 13 x 71.5″, mixed media

Artist
By Debra Disman
I Can’t I Won’t I Will I Do, 2022, 13 x 71.5″, mixed media




By Debra Disman


September 30-November 13, 2022 at
Tubac Center of the Arts
9 Plaza Road, Tubac, AZ 85646

By Debra Disman

Current SDA members in Arizona, Colorado, Nevada, New Mexico, Oklahoma, Southern California, Texas, and Utah were invited to submit work for the juried SDA Southwest Regional Exhibition. The exhibition was juried by Arizona artist, Annie Lopez.
September 30-November 13, 2022 at
Tubac Center of the Arts
9 Plaza Road, Tubac, AZ 85646
By Debra Disman
Today I am sharing some explorations into “tactile textiles,”, a term coined, as understand it, by Anni Albers, tactile textile artist/weaver!
Such works and materials become spaces, places, rooms, lands, terrain, forests…tactile explorations into the unknown, guided by, among other things, the sense of touch, a tactile sensibility.

Detail of “Forest Through The Trees”, book board, hemp cord, wood, canvas, acrylic paint, used typewriter ribbon, ribbon

Test piece/sample, paper, jute cord

Detail of “It’s Not Black or White”, book board, mulberry paper, used typewriter ribbon

Detail of “FruitFull” (in process), textile samples, hemp cord

Stacked pieces of “to the trade” folded textile samples

Stacked pieces of repurposed and folded denim cut from jeans
By Debra Disman
I am honored to be participating in FANTASTIC FIBERS, (2022), an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium. It was a wonderful experience to be a part of FANTASTIC FIBERS 2021, and i very much look forward to seeing (albeit online) all the works in this year’s show!
One of Yeiser Art Center’s most engaging, innovative & colorful international exhibits, Fantastic Fibers is an inspirational must-see for fine artists, quilters and textile art enthusiasts across the globe. The exhibition is comprised of contemporary and innovative works created with fiber as the primary medium or concept
The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.
JUROR: Matt Collinsworth
Matt Collinsworth became the new CEO of the National Quilt Museum during the summer of 2021. Matt attended Georgetown College in central Kentucky and received his MFA from Ohio State. He has been directing nonprofit organizations since 1998 and museum’s and other cultural organizations since 2003. Matt has served as Director of the Kentucky Folk Art Center, Senior Director of Cultural Outreach at Morehead State University, Interim Director of the Lexington Art League, and Director of the National Music Museum. Matt has curated and co-curated dozens of exhibitions that have appeared at museums and galleries across the country, including national and international traveling shows. He also produced numerous major exhibition catalogs, overseen large cultural events, and led several facility renovation projects. Matt lives in Paducah’s Lowertown Arts District with his wife, Kelly, his son, Eli, and (when she’s home from college) his daughter, Brynn.


Artist Amy Usdin photographs the show!

Exterior/Closed

Interior/Open

Interior/Detail

Exterior/Closed

Exterior/Spine-Back
By Debra Disman


Artists and their selected works can be viewed below. Enjoy
I am showing:
Excavation of the Interior, 2021, 12 x 28 x 12.5″, mixed media (wood, canvas, muslin, mulberry paper, hemp cord, linen thread, watercolor paper)

and
Forest Through The Trees, 2021, 15 x 42 x 12″, mixed media (book board, acrylic paint, hemp cord, wood, canvas, typewriter tape, lace, watercolor paper)


ARTIST STATEMENT
I work in the form of the book, in forms evoked by the book, and in multidimensional media of my own devising. Both as a solo practitioner and in the public sphere of community engagement I push the body and boundaries of the book into new media, materials and meanings to invite altered ways of viewing the world and how we inhabit it. Although much of the work continues to relate to loose definitions of the book as structure, it is moving into other sculptural and conceptual realms where devotion to material labor and a passion for the haptic become powerful motivators and themes. I am fascinated by the parallels between books and buildings in terms of architecture, meaning and utility. Each constructs public and private spaces where stories are “read” on many levels, often revealing more than their makers ever intended. My work seeks to offer places of contemplation, solace and bafflement, while instigating exploration, investigation and examination of what we think we know, and are.