Debra Disman

Artist

HEMP CORD

Studio Notes: Texture Tactility Tactile Textile

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Today I am sharing some explorations into “tactile textiles,”, a term coined, as  understand it, by Anni Albers, tactile textile artist/weaver!

Such works and materials become spaces, places, rooms, lands, terrain, forests…tactile explorations into the unknown, guided by, among other things, the sense of touch, a tactile sensibility.

 

Detail of “Forest Through The Trees”, book board, hemp cord, wood, canvas, acrylic paint, used typewriter ribbon, ribbon

Test piece/sample, paper, jute cord

Detail of “It’s Not Black or White”,  book board, mulberry paper, used typewriter ribbon

Detail of “FruitFull” (in process), textile samples, hemp cord

Stacked pieces of “to the trade” folded textile samples


Stacked pieces of repurposed and folded denim cut from jeans

NEW WORK in 2021: “Forest Through The Trees”

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I was happy to finally be able to have Elon Schoenholz Photography in to photograph works completed during 2021… fast away the old year passes…

Here I share “Forest through The Trees“, 15 x 42 x 12”, made of book board, canvas, hemp cord, ribbon, typewriter ribbon, acrylic paint, wood.
It is part of a monochrome series in black, through the colors of “black” are infinite, and change with light, material, juxtaposition, and how the viewer engages with the piece.

Comprised of two accordion-folded “spines”, the “book”, becomes a “box”, with a “door” that opens, expandable “walls”, and  painted canvas “pages” held up precariously with wooden dowels. The piece can be presented and contemplated in numerous ways, and begs a tactile connection, through all of us working in book, and perhaps sculptural forms in general grapple with how to do this.  How to have viewers engage with the work, participate in it, without having it worn away over time in the process…

We are seekers.
The Journey continues.

Happy New Year.

(exterior, closed)

(exterior, ajar)

(interior/exterior, open)

NEW WORK in 2021: Red Notebook (“Here’s To The Red, White and Blue”)

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I was happy to finally be able to have Elon Schoenholz Photography in to photographs works completed/created during 2021, which continues to race by.

Part of an ensemble, suite, or installation of works entitled, “Here’s To The Red, White and Blue”, Red Notebook is structured as a “traditional” codex, with covers that open and pages that turn.  Moderately, “red” (hence the “red” element of the “Red, White and Blue” theme-meme-trope?) it contains a great deal of black as well.
In the immortal words of  Mark Rothko, “There is only one thing I fear in life, my friend;  One day, the black will swallow the red.”

Made from a repurposed placemat, hemp cord, linen thread, canvas, and lace, it is 8.5″ high, 12.5″ when opened in full, and 6.5″ at greatest depth and opens left to right, from cover through pages to cover, bound together through a single signature.


The red and back play off each other in all their associations


Sewing, stitching, gluing, knotting, coiling, massing


Amassing, accumulation, the RED in


Up next.

Preparing for: Crafting our Stories By Hand Online

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I am thrilled to be preparing to teach:
The Art of the Book: Crafting Our Stories By Hand  ONLINE!


Visual Feast…Eye Candy…Material World

Crafting Histories: Bookmaking with Debra Disman –  an Online Workshop Series


Colorful packets of bookmaking materials

The Art of the Book: Crafting Our Stories By Hand is an online workshop series specifically designed by Craft Contemporary and artist Debra Disman for adults over the age of 55. This program is made possible by funding from Aroha Philanthropies and is part of a nationwide campaign to bring thoughtful and specialized programs to a valuable population that is often undeserved by arts institutions.We invite you to register for this cycle’s participant cohort. This 8-session bookmaking series taught by artist Debra Disman will meet through the online platform Zoom, every Friday at 11am – 1pm. Starting August 7 through September 18, 2020. The program will conclude with a final presentation and discussion of works and experiences, participants will also be provided a group document and online presence to share their work with friends and family.


Hemp cord and prepped book pages and covers for sewn book structures, bright tagboard for folded and glued book forms.

Objective: Learn how to create folded, glued and sewn book structures. Learn how to use bookmaking as an expressive vehicle for communication. Learn to share stories through the medium of bookmaking

Participants will be introduced to ideas of storytelling through materials and the handmade. We will explore what the term book means, why books are important, and how they have functioned through time and culture.


Andres‘s helping hands and design eye

Orientation: Friday, August 7
Session 1: Friday, August 14
Session 2: Friday, August 21
Session 3: Friday, August 28
Session 4: Friday, September 4
Session 5: Friday, September 11
Critique & Wrap-up: Friday, September 18
Culminating Event: Friday, September 25

Andres Payan Estrada, Curator of Public Engagement at Craft Contemporary in action, prepping materials packets for participants.

Making Journals at the Granada Hills Branch Library

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It was a pleasure to lead a “journal-making” workshop/program at the Granada Hills Branch Library as part of my Artist Residency there, supported by the wonderful Los Angeles Department of Cultural Affairs.

Who knew creating a journal, traditionally a place to record daily thoughts, ideas, activities, fears, concerns, dreams and wishes would be so salient?


Families joined together to learn how to fold a “signature” (gathering of folded pages),


glue cover and spine boards to white-prepped canvas to create the book structure and “house” the pages,


then sew the signature  into the book through the spine using durable, earthy  hemp cord.


Having exerted this labor to create their book structure,  participants had the glorious pleasure of developing and embellishing their journals with decorative papers, washi tape, markers, beads, and other collage materials. The canvas book covering, functioning as a book cloth is a wonderful surface for painting, stamping, printmaking, stenciling and any other wet or dry media.

May journaling help all and any through this very difficult time we are in.
Journal on!

Story Time

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Story Time: BedTime Story I

I am repeating a bit in this post, lingering in my Studio Residency and show of work at Camera Obscura Art Lab at 1450 Ocean in Santa Monica.

I showed a work titled “BedTime Story I“, featuring, or shall I say employing tiny masks; faces of clay, made by my Mother, the ceramicist  Judy Disman.

My Mom had made these tiny faces of clay expressly for me to use in and on my artists’ books, even making tiny holes in them so they could be sewed  into and onto the book structures and become integral to them.

The faces were a natural for a piece about “bed”,  and made the book into a more literal narrative then I had originally intended. I work fairly abstractly, though still in a loose book format, and the addition of representational elements changed the feeling of the piece. It could then be “read” more literally.

The faces even became interactive, with two of them contemplating each other.

Others became sentinels, gazing benevolently out from their “beds”.

Far from creating an image of sleep, the faces express the experience of being wide awake, perhaps listening to, creating, or becoming a story. A bed time story.

The faces become the actors in the story, played out through the pages of the book. Each viewer will read the story in their own way, and reach their own conclusions about it.

We may wonder what the beings or characters expressed or indicated by the faces are thinking, and if they are having sleepless nights. Perhaps they are worried under their smiling visages. Perhaps they are presenting to us a mask, and there are dreams and roiling emotions, even nightmares, underneath.

Perhaps formal, textural,  decorative, haptic or totemic qualities of the work will prevail for some. In any event, BedTime Story I was a pleasure to make.

Again, Mom, thank you for the collaboration, and for creating these tiny pieces for me.
It was great to work with you. Sweet dreams.