Debra Disman

Artist

Sculptural Book

Sharing Shows: Arizona, California, Texas

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Excavation of the Interior, 2021, 12 x 28 x 12.5″ (wood, mulberry paper, hemp cord, canvas, muslin)

 


Chromatic Interactions: The Golden Thread, 2020, 76 x 90 x 1.5″, mixed media installation utilizing file cards written and drawn upon by Craft Contemporary Museum patrons participating in my commissioned interactive artists’ book project: Chromatic Interactions, (File cards, gold thread, pencil and crayon)

 


Rent Wound Tear, Mend Heal Repair, 2022, 64 x 68″ (dimensions variable), Triptych Installation, (canvas, acrylic paint, hemp cord, lace, string)

CONCURRENCIES: Charlotte Salomon and Eva Hesse: The Visitors

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On June 25th, 2022 I held an open studio to share works created for my 2021-22 Santa Monica Artist Project Fellowship:

Charlotte Salomon and Eva Hesse: Genius, Trauma and the Invention of New Forms of Visual Art in Response to the Holocaust

Employing research, artistic production, public engagement, the project investigates, compares and links the lives and the groundbreaking work of Jewish women artists Charlotte Salomon and Eva Hesse on the basis of their shared experience of trauma and loss through the Jewish Holocaust, the remarkably similar intimate traumas of their families (both lost their mothers to suicide), their invention of new forms of visual art through which I posit they respond to and attempt to cope with these traumas,  their early deaths, and the emotional involvement of each with a charismatic and powerful male artist who proved to be influential, even pivotal in the development of their work and artistic/creative breakthroughs.

Themes of the project include being a woman artist, being a Jewish women artist, being an artist during or affected by a profoundly turbulent time in history, the relationship between internal and external turbulence and the creative act and the transformative power of the creative process:  the triumph of the imagination as opposed to the triumph of the will.

On a broader scale, the project examines, through these two geniuses, ways in which the creative process can transform traumatic pasts, and how trauma can elicit the creation of new forms, voices and materials that outlast their makers and continue to reverberate throughout the ages, inspiring posterity.

As part of my Fellowship project commitment, I created a series of works responding to these artists: their oeuvre, their lives, their concurrencies. I was thrilled to welcome friends, colleagues and students to share the works and say hello!  (All images by Steve Hankins Photography)

 




Thank you all, and thank you Steve Hankins, for your beautiful photography and capturing of the event.

CONCURRENCIES: Charlotte Salomon and Eva Hesse: The Works

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On June 25th, 2022 I held an open studio to share works created for my 2021-22 Santa Monica Artist Project Fellowship:

Charlotte Salomon and Eva Hesse: Genius, Trauma and the Invention of New Forms of Visual Art in Response to the Holocaust

Employing research, artistic production, public engagement, the project investigates, compares and links the lives and the groundbreaking work of Jewish women artists Charlotte Salomon and Eva Hesse on the basis of their shared experience of trauma and loss through the Jewish Holocaust, the remarkably similar intimate traumas of their families (both lost their mothers to suicide), their invention of new forms of visual art through which I posit they respond to and attempt to cope with these traumas,  their early deaths, and the emotional involvement of each with a charismatic and powerful male artist who proved to be influential, even pivotal in the development of their work and artistic/creative breakthroughs.

Themes of the project include being a woman artist, being a Jewish women artist, being an artist during or affected by a profoundly turbulent time in history, the relationship between internal and external turbulence and the creative act and the transformative power of the creative process:  the triumph of the imagination as opposed to the triumph of the will.

On a broader scale, the project examines, through these two geniuses, ways in which the creative process can transform traumatic pasts, and how trauma can elicit the creation of new forms, voices and materials that outlast their makers and continue to reverberate throughout the ages, inspiring posterity.

As part of my Fellowship project commitment, I created a series of works responding to these artists: their oeuvre, their lives, their concurrencies, some of which I share here: (All images by Steve Hankins Photography)

Working title: “Concurrencies I“, 2022, repurposed denim, linen thread, gold thread, hemp cord, varnish


Working title: “Concurrencies II“, begun, 2022 (unfinished), repurposed denim, linen thread, gold thread, varnish , to be developed


Working title, “Finally“, 2022, canvas, burlap, acrylic paint, hemp cord


Working title, “Finally“, 2022, canvas, burlap, acrylic paint, hemp cord, (details)


“I Can’t I Won’t I will I Do“, 2022, repurposed cotton table runner, hemp cord, acrylic paint


“It’s Not Black and White“, 2021, Bookboard, mulberry paper, repurposed typewriter tape, canvas, hemp cord, (exterior)


“It’s Not Black and White“, 2021, Bookboard, mulberry paper, repurposed typewriter tape, canvas, hemp cord, (exterior/interior)


“Forest Through The Trees“, 2021, bookboard, hemp cord, watercolor paper, acrylic paint, wood, canvas, repurposed typewriter tape, lace, (exterior)


“Forest Through The Trees“, 2021, bookboard, hemp cord, watercolor paper, acrylic paint, wood, canvas, repurposed typewriter tape, lace, (detail)


Working title: “Charlotte Salomon-Eva Hesse: Concurrencies“, 2022, repurposed family album, burlap, linen thread, collage/paper,  (exterior)

Fantastical….2022!

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I am honored to be participating in FANTASTIC FIBERS, (2022), an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium. It was a wonderful experience to be a part of FANTASTIC FIBERS 2021, and i very much look forward to seeing (albeit online) all the works in this year’s show!

One of Yeiser Art Center’s most engaging, innovative & colorful international exhibits, Fantastic Fibers is an inspirational must-see for fine artists, quilters and textile art enthusiasts across the globe. The exhibition is comprised of contemporary and innovative works created with fiber as the primary medium or concept

The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.

View a video of the show here!

JUROR: Matt Collinsworth
Matt Collinsworth became the new CEO of the National Quilt Museum during the summer of 2021.  Matt attended Georgetown College in central Kentucky and received his MFA from Ohio State.  He has been directing nonprofit organizations since 1998 and museum’s and other cultural organizations since 2003.  Matt has served as Director of the Kentucky Folk Art Center, Senior Director of Cultural Outreach at Morehead State University, Interim Director of the Lexington Art League, and Director of the National Music Museum.  Matt has curated and co-curated dozens of exhibitions that have appeared at museums and galleries across the country, including national and international traveling shows. He also produced numerous major exhibition catalogs, overseen large cultural events, and led several facility renovation projects. Matt lives in Paducah’s Lowertown Arts District with his wife, Kelly, his son, Eli, and (when she’s home from college) his daughter, Brynn.

I am especially thrilled to be showing “Excavation of the Interior”, a work completed in 2021, made of wood, mulberry paper, watercolor paper, muslin, canvas, hemp cord and linen thread.



Artist Amy Usdin photographs the show!


Exterior/Closed


Interior/Open


Interior/Detail


Exterior/Closed


Exterior/Spine-Back

An Open Book

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When one book closes…another one opens…
or, something like that.

I was thrilled to be a part of the 2020 California Open Exhibition at TAG Gallery in LA.

“I like the ‘openness’ of the California Open concept,” said juror Kate Mothes, “so in my selections I tried to maintain a diversity of ideas and themes, and to the best of ability with the information at hand, include artists of diverse backgrounds. With this in mind, I also considered the craftsmanship of each work, and included a range of media types. It was a pleasure to review all of the submissions to this year’s open call, and I thank TAG Gallery for inviting me to participate as juror this year!”


“Falling“,  2019, 7″ x 24.5″ x 10.5”, mixed media (book board, mulberry paper, hemp cord, paperboard)


It sold.

Staying OPEN

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It is an honor to be participating in the 2020 CALIFORNIA OPEN Exhibition at TAG Gallery.
You can visit the show live and in-person by appointment:
TAG Gallery 5458 Wilshire Blvd, Los Angeles, CA 90036
310.829.9556 | gallery@taggallery.net | 11am -5pm, Tue-Sat

TAG Gallery is thrilled to share the 15th Annual 2020 CALIFORNIA OPEN  Exhibition, featuring unique art pieces from 99 artists from around the United States.

Juror Kate Mothes , accomplished founder of Young Space @yngspc and Dovetail Magazine @dovetail.mag thoughtfully selected nearly 1000 works submitted from our national call for art to assemble what is a uniquely incredible show.

She says,

“Much has already been written about the unprecedented time we find ourselves in,” explains juror Kate Mothes. “As I reviewed the submissions for the California Open, I had a raised awareness of the circumstances and time period during which much of the work had been made.”

“I like the ‘openness’ of the California Open concept,” continues Mothes, “so in my selections I tried to maintain a diversity of ideas and themes, and to the best of ability with the information at hand, include artists of diverse backgrounds. With this in mind, I also considered the craftsmanship of each work, and included a range of media types. It was a pleasure to review all of the submissions to this year’s open call, and I thank TAG Gallery for inviting me to participate as juror this year!”

View the 2020 California Open Exhibition  here!
ENJOY the Artist Chat:
Wednesday, September 23, 3pm – California Open 2020 Artist Chat via Zoom (sign up on Facebook required)

2020 CALIFORNIA OPEN PARTICIPATING ARTISTS

Troy Aiken, Norman Aragones, Sarah Arnold, Louis Balicki, Jenny Balisle, Michele Benzamin-Miki, Reiko Berg, Allegra Bick-Maurischat, Raydel Blanco, Alessia Bothorel, Nancy Byrnes, Julie Carcione Cavaz, Chung-Ping Cheng, Michael Chesler, Jonathan Crow, Laurie Curran, Jaren Dahlstrom, Debra Disman, Lee Dollison, Laurence Elias, Mims Ellis, Robert Esau, Mumtaz Essa, Astrid Francis, Rinaldo Frattolillo, Gail Glikmann, Aspen Golann, Leslie Goldenberg, Bart Goldman, Emily Gomez, Keri Haarhoff, Andy Hann, Debra Hintz, Gary Hong, Cathy Immordino, Federico Imperiale, Marta Jaremko, Joan Karp, Sassoon Kosian, Faina Kumpan, Esther Kwan, JJ L’Heureux, Julie La Rue, Bonnie Lambert, John Langdon, Michelene Laski, Tom Lasley, Nancy Goodman Lawrence, Nakyung Lee, Andrew Leventis, Roberta Levitow, Whitman Lindstrom, Janet Manalo, Don Manderson, Carmen Mardonez, Andrew Martin, Melissa McClellan, Janet Milhomme, Zachary Miller, Eliza Ann Mitchell, Joseph Moreno, Nelson Munares, Perola Navarro, Bryan Northup, Joe A. Oakes, Cara Park, James Parlin, Nora Pineda, Sherry Pollack Walker, Justin Prough, Manaz Raiszadeh, Michael Roy, Gigi Salij, David Shannon, Ashley Shellhause, Sam Shokati, Jen Solomon, Tianyi Sun, Emily Sunez, Pam Sutherland, Viviana Svidler, Ariel Swartley, Robin Tripaldi, Michael Usher, Paul Valadez, Crystal Vicars, Amy Vidra, Catherine Walker, Sheldon Walker, Emily Wallerstein, Eric Welch, Mira White, Debbie Wolf, Wendy Widell Wolff, Travis Worden, Miss Art World, Amy Wright, Shingo Yamazaki, Jim Zver

CALIFORNIA OPEN INFORMATION