Publications/Interviews
Evidence of Joy to be found….
“EVIDENCE OF JOY” was a group exhibition curated by April Parviz, who says:
“…When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy. I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives.
Evidence of Joy Dovetail Reception | 8.6.24 |
by Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,
don’t hesitate. Give in to it. There are plenty
of lives and whole towns destroyed or about
to be. We are not wise, and not very often
kind. And much can never be redeemed.
Still, life has some possibility left. Perhaps this
is its way of fighting back, that sometimes
something happens better than all the riches
or power in the world. It could be anything,
but very likely you notice it in the instant
when love begins. Anyway, that’s often the
case. Anyway, whatever it is, don’t be afraid
of its plenty. Joy is not made to be a crumb.”
SEE THE SHOW VIDEO!
VIEW THE CATALOGUE Below….
“We Write the Book” Artist Residency 2024-25 KICKOFF!
Due to unforeseen circumstances, this event has been rescheduled to Saturday October 5th!
Please join us!

“Adapting through Curiosity and Connection with Debra Disman”: My Podcast with Alyson B. Stanfield/Art Biz Success!
I was thrilled to have this conversation with the one and only Alyson B. Stanfield of Art Biz Success, someone I have admired and followed for a long time!
Some of the points we cover:
“In this episode of The Art Biz, Debra shares her journey, revealing how she has navigated this transition with resilience.
Throughout our conversation, several key themes emerge:
- Debra’s fierce curiosity that drives her to explore and understand her surroundings.
- Her drive to pursue new opportunities, no matter the obstacles.
- The critical role of networking and the connections she’s made along the way.
- The power of making consistent progress, even through small, daily actions.
- The importance of staying adaptable in an ever-changing world.”
Please click the link below to hear, see and read about our conversation. I hope it holds some gold for YOU.
Adapting through Curiosity and Connection with Debra Disman (ep. 202)
“White and Texture (Monochrome Unity)” at the Cultural Center of Cape Cod
I am thrilled to participate in “White & Texture [Monochrome Unity]” at the Cultural Center of Cape Cod!
As they state:
“Artists were invited to explore the profound subtleties and striking complexities of using white as the driving color and how texture within the white can inform the execution and the narrative of an artwork, as well as to to explore the effect of this limitation – without a “conventional” color palette.
When the artist is freed from tradition, from expectation, and from the weight of history, there is an opportunity for release, exploration, and the unexpected. For White and Texture [Monochrome Unity], artworks were sought that find the emotion without using color. Uniformity, tranquility universality, simplicity, purity, or abstraction may all come to the surface and create a beautiful tension between what is missing – color, tradition, and form – and what is gained – innovation and the unexpected.
Our desire from the artist is not the search for simplicity but the discovery of a new way of creating and a different way of expression. We hope Monochrome Unity will drive the artist to look for new solutions to an artistic challenge; to use shades of white and embrace texture to provide the ‘color’ that will then provide the energy and emotion.
The work of such artists as Michael Buthe, Piero Manzoni, Joan Nixon, and ceramic sculptor Maria Barttuszova provide us with a broad template of the experience to create in the Cultural Center.
White & Texture [Monochrome Unity] will fill our galleries, creating a visual harmony and coherence and like never before, give a visitor experience like no other.”
I hope so.
I am showing WHITE ZIP, and look forward to seeing what others present for this unique show. I know i, for one, will be highly engaged.

21.25″ x 20.5″ x .25″, canvas, acrylic paint, lace, zipper, hemp cord, linen thread, wood
Boxed Set: Pulp, Paper and Profusion
I am moved and honored to have my work chosen by the Sebastopol Center for the Arts to grace one of the notecards in a boxed set designed to share about, promote and commemorate the show: Pulp: Book and Paper Arts presented in the Spring of 2024.
Thank you to SebArts for this opportunity!


