I was thrilled to participate in Shoebox Arts Call and Response Collaborative Book initiative to be presented at the Start Up LA Art Fair
February 27 – March 1, 2026, presenting my collaborative book created with artist Michelle Robinson, as part of Kristine Schomaker‘s CALL AND RESPONSE initiative, through her organization, Shoebox Arts!
The Kinney Venice Beach | 737 Washington Blvd, Venice, CA 90292 | Room 202
After five years of digital exchanges connecting artists across six continents, Call and Response went physical for the first time.
In October 2025, Shoebox Arts helmed by the extraordinary Kristine Schomocker paired 190 artists to create collaborative books together. Four months later, approximately 90 unique collaborative works have been created: oracle decks, teabag weavings, painted photographs, sculptural volumes, accordion books, visual puzzles and more.
Each book represents a creative conversation between two artists/humans/makers. Participating artists have navigated time zones, shipping logistics, language barriers, and completely different creative approaches to make something neither could create alone.
This is Call and Response at its core: connection, radical trust, real collaboration.
This is collaboration without permission. Connection without barriers. Artists proving quality work doesn’t require institutional blessing—just willingness to make something with another. — Kristine Shoemaker
A project of @shoeboxarts.la
Exhibition: @callandresponseart
“When we embarked on this project together, it felt like a fortuitous pairing. We first met on social media several years ago and shared studio visits in the past, during which we discussed the formal similarities in our work, as well as our commitment to a deeply material practice and content that helps reframe human experience and perception. After a couple of Zoom discussions, our instinct was to combine Debra’s sculptural book forms with Michelle’s photographic collage images, creating a three-dimensional space that both tells a story and challenges our understanding of what a book can be. The viewer is invited to travel “In the Woods” of their own psyche, paradoxically reaching for enlightenment through traversing darkness.” — Debra Disman and Michelle Robinson, Co-creators of “In the Woods”

IN THE WOODS
15 x 20 x 20″ (Dimensions variable)
Materials: Book board, mulberry paper, acrylic paint, bookbinding cloth, archival adhesive, hemp cord, watercolor paper, book repair tape, book hinging tape, archival pigment prints on Moab Entrada rag paper .

Michelle’s resonant prints, combined with my box structure created an immersive environment, inviting viewers to spend time “In the WOODS’ with us. The doors open and shut, but this work does not present an open and shut case.

Three prints, the brightest one in the center, adhered with acid-free adhesive, to three walls of the structure, leading the viewer to the dark house.
Facing darkness by moving through it.

Corners created with accordion folded heavy but foldable acid-free watercolor paper, resurfaced with strips of mulberry paper, overlaid with netted book repait cloth. Thank you to the devine Adrienne Devine for the book repair cloth as a material idea!

Creating an immersive environment, as per Michelle into which the viewer can become lost and found again, through their own journey.”Your dark forest of wonder is a great set of true. I experienced the darkness but its didn’t scare me at all.” — Gala Kovshilosky (@galaverse_art) March 1, 2026, Start up Fair, Los Angeles

In community with other works, each piece becomes something a bit different than the artists’ original intent, for the time they are together.

You have to look.
In Gratitude,
debra and michelle

















