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Juried Shows

Showing (love) Around

July 9, 2024 By Debra Disman


We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Juror/Curator: Ed Dixon:   “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself.  These issues are not always mainstream and sometimes are hidden.” Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja
See the SHOW!
See the VIDEO!

It is not only a joy to “show around” in group exhibitions at various venues around the country, it is a gratifying, enriching  experience,  and a heartwarming one at that, to discover, interact with and support so many inspiring and dedicated individuals,  organizations, endeavors, missions and visions. I meet new folks, but also “run into” friends and colleagues that “show up” in some of the same places: showing at some of the the same shows, sharing in some of the same artist talks and panels, featured in some of the same catalogues and publications. It is exciting to connect, and see both not only an overlap of interests materially and thematically, but also how we all approach things differently, and can learn from one another.

For example, I am currently showing at:
Word and Weft: Visualizing the Word, Webster Arts, Webster Groves, MO, Juror: Noriko Yuasa 

Women. Defining Our Representation, Black House Artist, Juror/Curator: Ellen Mattesi (online)  
We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja 
Evidence of Joy, Intersect Arts Center, Saint Louis, MO, Curator: April Parvitz  

Soliloquy, presented by The Bridge Arts Foundation at The Scholarts Selection, San Gabriel, CA
Jurors: Charles Christopher Hill, Xin Song, Curator: Tia Xu  
Whisper, Verum Ultimum Gallery, Portland, OR, Curator: Jennifer Gullia Cutshall  (catalogue)
Interplay, presented by the Surface Design Association at The Dairy Barn Arts Center O’Bleness Gallery, Athens, OH,  Juror: Annet Couwenberg
Northern National Art Competition, Nicolet College Art Gallery, Rhinelander, WI, Juror: Debra Brehmer 

The Circular Ritual of Spring, BG Gallery, Santa Monica, CA, Curator: Susan Lizotte (online)

And earlier this year:
Midway Marvels,ArtBarLA, Los Angeles, CA, Curator: Randi Matushevitz
Materiality Matters, Umpqua Valley Arts, Roseville, OR, Juror Panel: UVA Staff and Pacific NW professionals
Pulp: Book and Paper Arts, Sebastopol Center for the Arts, Sebastopol, CA, Juror: Donna Seager
Fantastic Fibers 2024, Yeiser Art Center, Paducah, KY, Juror: Sandro Tiberi, (catalogue) 
String Theory, The Cultural Center of Cape Cod, South Yarmouth, MA, Curator: Molly Demeulenaere  
Art of the Word, Sasse Museum of Art, Pomona, CA, Jurors: Fatemeh Burnes, Maurice Quillinan, Niamh Cunningham (catalogue)
By the Book,  Artopia Gallery, Arcadia, CA, Curator: Rosie Getz

Through this experience I am able to be exposed to and interact with :
Individuals: artists, curators, critics, collectors, gallery, museum, art center, library and academic/university directors/staff (on all different levels of responsibility and experience and in varying roles,  offices and positions)
Organizations: galleries, museums, art centers, universities/academic institutions, artist studios and alternative spaces (of different sizes, renown, reputation, influence and “status” in the “art world” and world at-large)

I plan to highlight and share about various of these individuals and entities over the next several posts. I will share particularly about Art Centers, which are an enormous source of vitality, creation, care and joy throughout the country and beyond. xxxooo

I begin with Gallerist Ed Dixon, in whose show We Are Doing It All Wrong I am honored to be in.  Presented at the Edward A. Dixon Galleryin Dayton, OH. Of the show says Owner/Curator: Ed Dixon:  “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself.  These issues are not always mainstream and sometimes are hidden.” The illustrious jurors Ed Dixon/Stacy Kranitz/Judith L. Huacuja hold a wealth of knowledge, expertise, care and passion among them in addition to many accomplishments.

In a time of such fraught difference, fear, and loathing, it is heartening and illuminating to see and be a part of all of these individuals and entities, making a difference. I have to feel that that all of our work, no matter what the outcome, does make a difference.

Thank you to You all.

 

 

 

Filed Under: ARTISTS, Exhibitions, MEDIA, New Work, Presentations, TEXTILE/FIBER, Women Artists, Work Tagged With: 18th Street Arts Center, American exhibitions, American shows, Annet Couwenberg, April Parvitz, art centers, Art of the Word, art vwnuwa, ArtBarLA, Artopia Gallery, bG Gallery, Black House Artist, Bridge Arts Foundation, Cape Cod Museum of Art, Charles Christopher Hill, Christopher Lloyd Tucker, Contemporary Art, Contemporary Artists, Craft Contemporary, curators, Debra Brehmer, Donna Seager, Ed Dixon, Edward A. Dixon Gallery, Ellen Mattesi, Exhbitions, exhibiting in the US, Fatemeh Burnes, galleries, Group Shows, Intersect Arts, January Arts, Jennifer Gillia Cutshall, Judith L. Huacuja, Juried Shows, jurists, Karina Bennett, libraries, Maurice Quillinan, Molly Demeulenaere, museums, Niamh Cunningham, Nicolet College Art Gallery, Noriko Yuasa, Randi Matushevitz, Rosie Getz, Sandro Tiberi, Sasse Museum of Art, Scholorarts Selection, SDA, Sebastopol Center for the Arts, Shoebox Arts, Shoebox Projects, Shows, Stacy Kranitz, Surface Design Association, Susan Lizotte., The Brand Library and Art Center, The Cultural Center of Cape Cod, The Dairy Barn Arts Center O’Bleness Gallery, The Irvine Fine Arts Center, The Long Beach Museum of Art, The New Bedford Museum of Art, The Yeiser Art Center, Tia Xu, UCLA, Umpqua Valley Arts, universities, Verum Ultimum Gallery, Webster Arts, Xin Song

Sharing Shows: Summer 2023

July 23, 2023 By Debra Disman

I am honored to participate in several shows this summer, and share a bit about them below.


SAFEKEEPING 
SAFEKEEPING Artist Talk


Text/Message

Brand 51


Engulfed
About Engulfed


Contemplating Boundaries


Fiber Art international


Material World: A Contemporary Fiber Exhibition

From Fiber…

Filed Under: ARTISTS, Exhibitions, TEXTILE/FIBER, Women Artists, Work Tagged With: 108 Contemporary Gallery, Anita Fields, Ann Coddington, Ann Johnston, Ara Oshagan, Arts Council of Fayetteville, ARTWORKS Center For COntemporary Art, Brand 51 Annual National Juried Exhibition of Works on Paper, Brand Library and Art Center, Fiber, Fiber Art, From Fiber..., Group Exhibition, Judith Content, Juried Shows, Kristine Schomaker, Material World Exhibition, Material World: A Contemporary Fiber Art Exhibition, Safekeeping, Sarah LaBarre, SCA, SDA, Sebastopol Center for the Arts, Shoebox Projects LA, Springfield Art Association, Surface Design Association, Textile, Textile Art, Textiles

Fantastical….2022!

March 29, 2022 By Debra Disman

I am honored to be participating in FANTASTIC FIBERS, (2022), an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium. It was a wonderful experience to be a part of FANTASTIC FIBERS 2021, and i very much look forward to seeing (albeit online) all the works in this year’s show!

One of Yeiser Art Center’s most engaging, innovative & colorful international exhibits, Fantastic Fibers is an inspirational must-see for fine artists, quilters and textile art enthusiasts across the globe. The exhibition is comprised of contemporary and innovative works created with fiber as the primary medium or concept

The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.

View a video of the show here!

JUROR: Matt Collinsworth
Matt Collinsworth became the new CEO of the National Quilt Museum during the summer of 2021.  Matt attended Georgetown College in central Kentucky and received his MFA from Ohio State.  He has been directing nonprofit organizations since 1998 and museum’s and other cultural organizations since 2003.  Matt has served as Director of the Kentucky Folk Art Center, Senior Director of Cultural Outreach at Morehead State University, Interim Director of the Lexington Art League, and Director of the National Music Museum.  Matt has curated and co-curated dozens of exhibitions that have appeared at museums and galleries across the country, including national and international traveling shows. He also produced numerous major exhibition catalogs, overseen large cultural events, and led several facility renovation projects. Matt lives in Paducah’s Lowertown Arts District with his wife, Kelly, his son, Eli, and (when she’s home from college) his daughter, Brynn.

I am especially thrilled to be showing “Excavation of the Interior”, a work completed in 2021, made of wood, mulberry paper, watercolor paper, muslin, canvas, hemp cord and linen thread.



Artist Amy Usdin photographs the show!


Exterior/Closed


Interior/Open


Interior/Detail


Exterior/Closed


Exterior/Spine-Back

Filed Under: Uncategorized Tagged With: Amy Usdin, ARTIST BOOKS, Book as Art, Books as Sculpture, Contemporary and innovative works created with fiber, Contemporary Art, Contemporary Art Exhibitions, Contemporary Artist, FANTASTIC FIBERS 2022, Fiber, Fiber Art, Group Show, International Exhibition, Juried Shows, Matt Collinsworth, Sculptural Book, Textile, Textile Art, Textiles, Textles, Yeiser Art Center

EXHIBITIONISTA: FANTASTIC FIBERS 2022

March 18, 2022 By Debra Disman

I am thrilled to be participating in FANTASTIC FIBERS 2022, an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium.

Pictured, my work, “Excavation of the Interior“, 2021

One of Yeiser Art Center’s most engaging, innovative & colorful international exhibits, Fantastic Fibers is an inspirational must-see for fine artists, quilters and textile art enthusiasts across the globe.

Contemporary and innovative works created with fiber as the primary medium or concept were welcome. This exhibition was open to all artists 18 years and over working in the field of fiber art.

The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.

JUROR: Matt Collinsworth
Matt Collinsworth became the new CEO of the National Quilt Museum during the summer of 2021.  Matt attended Georgetown College in central Kentucky and received his MFA from Ohio State.  He has been directing nonprofit organizations since 1998 and museum’s and other cultural organizations since 2003.  Matt has served as Director of the Kentucky Folk Art Center, Senior Director of Cultural Outreach at Morehead State University, Interim Director of the Lexington Art League, and Director of the National Music Museum.  Matt has curated and co-curated dozens of exhibitions that have appeared at museums and galleries across the country, including national and international traveling shows. He also produced numerous major exhibition catalogs, overseen large cultural events, and led several facility renovation projects. Matt lives in Paducah’s Lowertown Arts District with his wife, Kelly, his son, Eli, and (when she’s home from college) his daughter, Brynn.

Tagged With: Contemporary and innovative works created with fiber, COntemporary art exhbition, FANTASTIC FIBERS 2022, Fiber, Fiber Art, Group Show, International Exhibition, Juried Shows, Matt Collinsworth, Textile Art, Textiles, Yeiser Art Center

EXPO 41 at B.J. Spokes Gallery

March 18, 2022 By Debra Disman

I am thrilled to be included in:


a virtual exhibition of the b.j. spoke gallery

The show was juried by Sewon Kang, Archivist at The Easton/Bourgeois Archive, formerly Curatorial Assistant at the Museum of Modern Art, in New York City, who selected the work of 15 artists. I am honored to be included in this roster of stunning creative makers.

Artists and their selected works can be viewed below. Enjoy

David Acquistapace, Saint Louis, MO
Kat Alyst, Austin, TX
Neville Barbour, Silver Spring, MD
Matthew Barton, New Orleans, LA
Kimberlyn Bloise, Edinboro, PA
Stephen Delaney, Middleton, MA
Debra Disman, Los Angeles, CA
Eriko Kobayashi, Carbondale, IL
Anthony Adonis Lewis, Ashland, OR
Kambel Smith, Philadelphia, PA
Karen Theisen, Santa Fe, NM
Amy Usdin, Mendota Heights, MN
Jae Yun Yi, Seoul Korea
Dier Zhang, Brooklyn, NY
Foad Seyed Mohammadi, Gainesville FL

I am showing:
Excavation of the Interior, 2021, 12 x 28 x 12.5″, mixed media (wood, canvas, muslin, mulberry paper, hemp cord, linen thread, watercolor paper)

and
Forest Through The Trees, 2021, 15 x 42 x 12″, mixed media (book board, acrylic paint, hemp cord, wood, canvas, typewriter tape, lace, watercolor paper)

ARTIST STATEMENT                                              
 I work in the form of the book, in forms evoked by the book, and in multidimensional media of my own devising. Both as a solo practitioner and in the public sphere of community engagement I push the body and boundaries of the book into new media, materials and meanings to invite altered ways of viewing the world and how we inhabit it. Although much of the work continues to relate to loose definitions of the book as structure, it is moving into other sculptural and conceptual realms where devotion to material labor and a passion for the haptic become powerful motivators and themes. I am fascinated by the parallels between books and buildings in terms of architecture, meaning and utility. Each constructs public and private spaces where stories are “read” on many levels, often revealing more than their makers ever intended. My work seeks to offer places of contemplation, solace and bafflement, while instigating exploration, investigation and examination of what we think we know, and are.

.

Filed Under: Uncategorized Tagged With: ARTIST'S BOOKS, B.J. Spokes Gallery, Conceptual Art, Conceptual Artist, Contemporary Art, Contemporary Artist, EXPO 42, Fiber, Fiber Artist, Group Shows, Juried Shows, Los Angeles Contemporary Artist, Sculptural Books, Sculpture, Sewon Kang, Textile, Textile Artist, The Easton Foundation

The Center for Contemporary Art 2022 International Juried Show

January 18, 2022 By Debra Disman

I am thrilled to participate in the Center for Contemporary Art’s 

International Juried Exhibition

showing “Maximum Security”
made of Book Board, Wood, Mulberry Paper, Paint, Canvas, Watercolor Paper, Hemp Cord

EXHIBITION DATES: January 14, 2022 – February 26, 2022
Opening: Friday, January 14, 2022 at 6:00 p.m. via Zoom

JUROR: Erin Jenoa Gilbert
Erin Jenoa Gilbert is a New York based curator and art advisor, specializing in Modern and Contemporary Art of the African Diaspora. Exploring the relationship between art, power and politics, her curatorial practice examines the physical and psychological connection to land, the trauma of displacement and the Black female body as contested terrain. Gilbert’s intersectional critical analysis exposes the fault lines in the aesthetic regimes that dominate visual culture, specifically by presenting artists whose contributions to the canon have been overlooked, particularly women artists from the “Deep South” and the “Global South”. Most recently the Curator of African American Manuscripts at the Smithsonian Archives of American Art, she has also held positions at The Art Institute of Chicago and The Studio Museum in Harlem.

Over the course of her career she has addressed audiences at The Studio Museum in Harlem, National Gallery of Art, Smithsonian American Art Museum, Howard University, Fashion Institute of Technology and Swann Auction House. Figure and Force, a conversation she moderated between Barbara Chase Riboud and Ilyasah Shabbaz for Solange’s Saint Heron, exemplifies her commitment to expanding the audience for modern and contemporary art.

In July 2021, Gilbert curated A Force For Change, an exhibition presenting 26 contemporary women artists of African descent in New York benefiting UN Women. She is the co-curator of Mary Lovelace O’Neal: Whales Fucking which will open at MoAD in San Francisco, California in November 2022. Since 2015 she has curated several museum and gallery exhibitions in the US and UK including Zohra Opoku: Draped Histories/Beyond Visage, Sienna Shields: Invisible Woman and In The Eye of the Beholder.

Gilbert holds a BA in Political Science and a BA in African and African American Studies from the University of Michigan, and a MA in Contemporary Art from the University of Manchester.  She has published catalog essays on several prominent artists, including Deborah Roberts (Spelman University, 2018); Alma Thomas (Mnuchin Gallery, 2019); Chakaia Booker (ICA Miami, 2021) and Mary Lovelace O’Neal (MoAD, 2022).

Click Here to Read Erin Jenoa Gilbert’s Juror Statement

I am honored to be in the company of wonderful EXHIBITING ARTISTS: Joan Appel, Claude Beller, Bill Brookover, Monica J. Brown, Lionel Carre, Arden Cone, Steven Daiber, Tracy DiTolla, Marvin Eans, Steven Epstein, Tracy Finn, Sandy Furst, Anita Gladstone, Gregory Hennen, Valerie Huhn, Pat Kelly, Karen L. Kirshner, Jack Knight, Shawn Marshall, Monica Mendes, Edward Mills, Myra Joyce Nowlin, David Z. Orban, Clare Parry, Sandi Pfeifer, Robert Reid, Lilly Saywitz, Alireza Vaziri Rahimi, Mark Vogel, Chrissy Wallace

Click Here for Exhibition Price List

ENJOY THE SHOW HERE!

 

 

Filed Under: ARTISTS, Artists' Books, BOOKS, Exhibitions Tagged With: 2022 International Juried Exhbition, Contemporary Art, d’Art Center, Erin Jenoa Gilbert, Group Show, Group Shows, Inrernational Exhibitions, International Shows, Juried Shows, The Center for Contemporary Art

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