Debra Disman

Artist

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BOOKS

“Torrent and Tangle” in “Turmoil and Transformation”

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I was excited to participate in the “Turmoil and Transformation” show at the Hera Gallery and Educational Foundation, a non-profit, artist-run organization that  has continued to stimulate discussion and challenge perceptions for over 40 years. This creative space has allowed countless artists a place for transformation, exploration, and community with one another,  BRINGING CREATIVITY TO THE COMMUNITY SINCE 1974

“2020 was a year that was filled with worldwide turmoil. The Pandemic. Another reckoning with racism and police brutality. Climate Change, wildfires, hurricanes, and droughts.  The undermining and politicization of science. The widening political divide. An election with voting rights, healthcare, immigration, paid sick leave, income inequality, living wages, reproductive rights, LGBTQIA rights, our environment and the future of democracy at stake.

This begs the question:
Is this turmoil leading to transformation? And what kind of transformation is it going to be?“


Read about the show here !

Hera Gallery/ Hera Educational Foundation presents work that addresses the current turmoil and visions of our future. What are the emotional, physical and spiritual effects of the turmoil and how might they manifest into the transformation? What does our world look like and what might it look like post-2020. Will transformation reflect the multiplicity of voices of America? How will our future be transformed by the current chaos?

The exhibition juror,  Francine Weiss is the Senior Curator at the Newport Art Museum in Rhode Island where she curates exhibitions of contemporary art, photography, and American art. Her recent exhibitions include “Andy Warhol: Big Shot,”  “The Shapes of Birds: Contemporary Art of the Middle East and North Africa,” and “Domestic Affairs” among others. Her past positions include Curator at the Photographic Resource Center (Boston, MA), Acting Assistant Curator in the Department of Photographs at the National Gallery of Art (Washington DC), Curatorial Fellow at the deCordova Sculpture Park & Museum, and Curatorial Fellow of American art at Harvard University Art Museums (both in MA) among others. She has taught art history at Wellesley College, Simmons College, and Boston University (all in MA) and has taught and advised students in the MFA program at the Institute of Art and Design at New England College. Dr. Weiss has a Ph.D. in American studies, specializing in art and photography, from Boston University and a B.A. from Wellesley College in English. She has received fellowships from the Smithsonian Institution (Washington DC), Georgia O’Keeffe Museum and Research Center (NM), Center for Creative Photography (AZ), The Huntington (CA), and Harry Ransom Center (TX). She has published widely on photography and American art.

See the virtual exhibition, and hear the artist talks here!

I was honored to show:
Torrent and Tangle: Keep Your House in Order, (aerial view) 2019, 10.5 x 25 x 18”, mixed media (book board, lace, ribbon, mulberry paper, hemp cord, watercolor paper)

2021 Los Angeles Open at TAG

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TAG Gallery Proudly Presented
The 2021 Los Angeles Open, 
May 11 — June 5

This year, TAG celebrated local area artists with a dedicated showcase from May 11-June 5 in our Sky Gallery in the upstairs loft at TAG.
I was honored to be included.

Participating artists included:
Mariko Bird, Milan DelVecchio, L. Aviva Diamond, Debra Disman, David Emmett, Taz Essa, Pat Shafer Falkner, Tony Gangitano, Daniela Garcia, Kyoung Han, Andy Hann, Gina Herrera, Tom Lasley, Nancy Goodman Lawrence, Monica Marks, J.D. Mathes, Nelson Munares, Vojislav Radovanovic, Brian Reynolds, Emily Sunez, & Michael Usher.

Each artist had 48 inches of linear wall space to highlight their work. In a novel concept, artists collaborate with TAG’s in-house team of artist curators and staff to build each display.


Textile, fiber, zipper string


“Steppin'”, “Facing Darkness”, “White Zip” on wall, and “BedTime Story” (on pedestal).


“Ellipse” with the work of L. Aviva Diamond.

 

 

 

 

The Fantasticalness of Fiber

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I was honored to participate in FANTASTIC FIBERS 2021 at the Yeiser Art Center.
What a fantastic experience!

“One of  Yeiser Art Center’s most engaging and innovative international exhibitions, FANTASTIC FIBERS is showcasing a wide range of outstanding contemporary works related to the fiber medium.”

HISTORY:
The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.  Paducah becomes a Mecca for quilters and quilt enthusiasts each April as more than 30,000 visitors from across the globe attend AQS QuiltWeek. 

I showed “PROFUSION”  a sculptural Artists’ Book made of book board, mulberry paper, paint, canvas, watercolor paper and hemp cord. It stands upright on a pedestal, shelf, table or another surface parallel to the floor. When opened, it can span up to 24.5″ wide:

JUROR:  Sandra Johnson
“My quilt journey started over 30 years ago and I continue to be inspired by the myriad of fabrics and techniques learned over time. I am a passionate teacher who encourages students to create unique fabric creations, whether the end product is a quilt or garment. Creating what is important to the maker is a joyful experience that I try to pass on in my workshops. Wherever you are in your design process my goal is to inspire your creative “genius” and improve your techniques. 
Hand sewing with my grandmother started it all. From the beginning, the process of transforming fabric into art struck me as magical. Sewing was the foundation that led me into quilting. What started as a hobby turned my passion into an artistic reality.
I love to hand stitch using the traditional Japanese Sashiko and Boro embroidery styles and incorporating them as a decorative feature into my designs. The concrete, repetitive nature of this work frees my imagination provides many opportunities for happy accidents and grace to influence the finished product.
My core materials for quilting are thread and fabric, however, I often employ recycled denim, yarns, dyed fabrics and stamps to transform the ordinary into the extraordinary. I hold a B.S. in Clothing, Textiles and Design from Arizona State University, Tempe, AZ.
Recently, I discovered modern quilting: simple, crayoned patchworks that resonate deeply with my fiber work. Inspired and invigorated by a renewed sense of continuity, and awed by the mystery of how creation occurs, my process allows me to explore visions to enable my creative work to evolve and grow.” 

TOUR THE SHOW!!!!

Worth “A Thousand Words”

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It was a pleasure to participate in Core New Art Space‘s exhibition: 

Juror, Richard Chamberlain, pursues several lines of work in visual and performing arts and is a published poet as well. He was looking for: “….works that tell a story. Realistically, abstractly or expressionistically inspired by literature and legends, poetry and parables, novels and narratives, myths and metaphors, artworks have their own fictions, fables, folklore or fairytales. Artworks can be worth a thousand words. The exhibited works were judged on overall impact, content, composition and mastery of techniques, as well as attention to creativity and craftsmanship.”

Below are images of the show, including my work, “Window Treatment“, a sculptural artists’ book,
perhaps evoking the film, “Rear Window”.
What stories go on behind these windows?!

 

Unfolding the Possibilities: Bookmaking with Self-Compassion 2

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I was honored to have led “Bookmaking with Self-Compassion” on
Saturday, May 15, 2021, a workshop which invited participants to:

“Make an artist book celebrating their own creative growth”.

This program was presented through 18th Street Art Center’s Arts Learning Lab, with support from the County of Los Angeles Department of Mental Health‘s campaign We Rise LA. WE RISE encourages wellbeing and healing through art, connection, community engagement and creative expression and takes/took place during May: Mental Health Awareness Month.  It is part of artist Sara Daleiden’s artist project  RECOVERY JUSTICE: BEING WELL. 

Participants discovered how to create the beautiful, fun and versatile Flower Fold book into which they could add wishes, hopes, prayers and dreams. This post celebrates our MATERIALS!

Participants received “art kits” containing origami papers, ribbon, railroad board, stickers, markers, and glue sticks.

The beautiful origami papers were folded into smaller shapes containing “hidden” folds…

then glued together to create a longer book that could be folded up into a square, unfolded into a sculptural shape,

or hung as a chain!

“Found” words and images were added to the “pages”, as well as stickers drawing, collage and more…

and a whole now expressive artwork was created!

Unfolding the Possibilities: Bookmaking with Self-Compassion 1

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I was honored to have led “Bookmaking with Self-Compassion” on
Saturday, May 15, 2021, a workshop which invited participants to:

“Make an artist book celebrating their own creative growth”.

This program was presented through 18th Street Art Center’s Arts Learning Lab, with support from the County of Los Angeles Department of Mental Health‘s campaign We Rise LA. WE RISE encourages wellbeing and healing through art, connection, community engagement and creative expression and takes/took place during May: Mental Health Awareness Month.  It is part of artist Sara Daleiden’s artist project  RECOVERY JUSTICE: BEING WELL. 

Participants discovered how to create the beautiful, fun and versatile Flower Fold book into which they could add wishes, hopes, prayers and dreams.

These works could become a chain to hang in their homes,

give as a gift,

or remain  an individual document of self-expression

exploring what the pandemic has meant to  them,

while learning new skills and creating a unique expression of renewal and rebirth during the spring season.

Makers used origami Papers,  glue sticks, railroad board, cardstock, ribbon,  stickers and items
they found in their immediate environment to create their books.

The results were stunning…beautiful, expressive, evocative, and telling of the past year.

It is a joy to share these self-compassionate bookworks….

These works shall remain powerful and poignant

of a never to be forgotten experience, that lingers and informs our present moment.

Kudos to filmmaker and videographer Jeny Amaya for her stellar documentation.