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Bold Journey Magazine: “Meet Debra Disman”

August 9, 2023 By Debra Disman

I was honored to be interviewed by BoldJourney Magazine!

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About Bold Journey

Catagory: Resilience

Meet Debra Disman

August 4, 2023

We were lucky to catch up with Debra Disman recently and have shared our conversation below.

Hi Debra, appreciate you sitting with us today to share your wisdom with our readers. So, let’s start with resilience – where do you get your resilience from?
I think resilience is something that you can observe over time, and its level shifts around on a day to day basis, depending on what is going on both internally and externally in the moment. One of the most important factors in my practice is consistent work, showing up at the studio each day, and doing what I can to move things forward. I apply this to my other work too: administrative tasks, online presence, applications, writing, meetings, planning and an array of teaching activities. Especially when something feels daunting, I try to do even the smallest task to move the needle. After a while, this can become a habit, and helps to break down the enormity of all that needs to be done into something more manageable and even fun! Speaking of fun, claiming that which is enjoyable, taking moments to relax and refresh, and even “putting it all down” for a time as my Mother used to say, helps me to clear my mind, gather my thoughts, renew my energy, and come back to work stronger and with greater clarity. All the basics, including exercise, connecting with nature, meditative activities, playful time with loved ones, and especially focusing on the breath, can help offset the overwhelm and eventual burn-out that can happen with constant input, and even inspiration. Sometimes we just have to turn all of that off , focus inward, and return to our most basic selves. Be silly for a second! Paradoxically, that process can allow space not only for new ideas and insights to emerge, but may provide inner direction on the knotty choices and decisions that have to be made in everyone’s life. Make room for joy!

Great, so let’s take a few minutes and cover your story. What should folks know about you and what you do?
Springing initially from the form of the book, specifically the western codex, my work traverses tapestry, installation and sculpture to push the familiar into forms that arrest, baffle and bewilder while simultaneously offering rest, solace and contemplation. I employ the materiality of fiber to engage the senses, and invite altered ways of experiencing the world and how we inhabit it, both soothing and confounding the eye with uneven visual repetition. Through this means of stabilizing and destabilizing, I hope to instigate fundamental questions that encourage an exploration and examination of what we think we know and are.
Devoted to material labor, I love nothing more than to be submerged in material manipulation, which inevitably will yield some kind of distilled meaning. The evocative, visceral and profoundly physical quality of materials drives the action of my work, giving its emotional resonance, vis a vis how they are used. I am compelled to layer, wrap, stitch, knot, tie and glue, as well as paint, draw and write, intuitively layering, complicating and disrupting the surface to add levels of meaning, and ultimately a unity of plane and form.
Often, the meaning becomes clear during or after this process, rather than as a directive before, as if it had been there all along, and simply surfaced during the act of making.

If you had to pick three qualities that are most important to develop, which three would you say matter most?
What is described as generosity is very important. Whether it is as a teaching artist with students and participants, a small business-owner with clients, or an artist with viewers, curators, collectors, or any others in the art “eco-system”, I have found that it is critical to consider others’ needs, what they may be going through, and to support their efforts. This is always a balancing act, and thus the next on the list would reverb back to resilience as discussed earlier, and balance: balance between giving to others and giving to yourself, between giving and taking, between doing /action, and dream space. As mentioned before when discussing resilience, it is critical not to burn out before you have even defined your journey! Break down tasks, even the most abstract or indefinable, into manageable “chunks”, do one thing at a time, take breaks to relax your mind, and engage in non-work activities to nourish yourself both on your own and with others. Finally, continue to learn and grow both individually and in community. I have engaged in numerous learning activities which have been extremely beneficial, often in ways I could not have imagined, including organized certificate programs, joining groups where I met with and learned from and with others, and even online activities. Learning in community can be challenging, but even those challenges can help you to grow, and learn even more.

Is there a particular challenge you are currently facing?
The number one challenge I face at this moment is TIME! How to manage it, what decisions to make about how I spend it and how to claim it for myself as the world gets ever more complex and demanding. There is a saying, “The reward for work is more work”, and I have found this to be true. As I do more, evolve my work, take on more projects, connect with more people, participate in more shows and engage with more opportunities, I have to continue to make more choices about how I spend my time and energy in a shifting landscape.

Contact Info:

  • Website: https://debradisman.com/
  • Instagram: https://www.instagram.com/artifactorystudio/
  • Facebook: https://www.facebook.com/debra.disman
  • Linkedin: https://www.linkedin.com/in/debradisman/ 

     

Image Credits
Photographer: Gene Ogami

 

Filed Under: ARTISTS, MEDIA, New Work, Publications/Interviews, Women Artists, Work Tagged With: "I Can't I Won't I Will I Do", Artist Debra Disman, Artist interview, Artists, Arts online magazine, Bold Journey, Bold Journey Magazine, Debra Disman, Gene Ogami, Interview, Los Angelels-based artist, Los Angeles Artists, Online artist interview, Online Magazine, recognition, Resilience

CanvasRebel Interview: “Meet Debra Disman”

July 11, 2023 By Debra Disman

I was honored to be interviewed by CanvasRebel Magazine!

STORIES & INSIGHTS

Meet Debra Disman

Avatar photoSTORIES & INSIGHTSJUNE 22, 2023
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We’re excited to introduce you to the always interesting and insightful Debra Disman. We hope you’ll enjoy our conversation with Debra below.

Debra, thanks for joining us, excited to have you contributing your stories and insights. We’d love to hear about a project that you’ve worked on that’s meant a lot to you.

I have been privileged to do many wonderful and challenging projects over the years, but I would say the two I am most excited about currently are my book, “CONCURRENCIES: Charlotte Salomon and Eva Hesse: Genius, Trauma and the Creative Imagination”, an exploration through images of the commonalities between the lives and work of artists Charlotte Salomon and Eva Hesse, published by ReflectSpace Gallery/Glendale Arts and Culture in conjunction with my solo show “I Can’t I Won’t I Will I Do” which was held there in 2023; and “The Center Will Not Hold”, a performance piece done as part of “Swept Away: Love Letter to a Surrogate”, which was a community-oriented artistic project that aimed to create a transcontinental heartbeat across America. With two collaborators, I was one of 65 Los Angeles County artists who presented live performances over Earth Day Weekend 2023 at the Santa Monica State Beach near the Annenberg Community Beach House. It was a fantastic experience, and we hope to further develop the piece!

As always, we appreciate you sharing your insights and we’ve got a few more questions for you, but before we get to all of that can you take a minute to introduce yourself and give our readers some of your back background and context?

Born and raised in the Chicago area, the Chicago Art Institute became my second home. I took art classes growing up both in and out of school. In high school, I also started working in community arts as a volunteer and continued this when I went to college at the University of Iowa. I was an art major with a focus on painting but also studied drawing, printmaking, literature and creative writing, and was in the Iowa Undergraduate Writers’ Workshop in Poetry. I have always had a passionate interest in both image and text (“art and writing” as we used to call it!) and their interrelationship, and have sought ways to put them together, as evidenced in the work I do now, which traverses book objects, sculpture, installation and hanging tapestry works.

In college I also studied a year in France, learning the language and traveling extensively, imbibing masterworks, architecture, landscape and craft, which sparked a lifelong love of travel and cultural explorations. I have taught since the very beginning of my career. When I moved to San Francisco after college, I began teaching at the De Young Museum and through their urban outreach program, which has informed my work ever since as a teaching artist for many years in the Bay Area and now across Los Angeles County, engaging diverse communities. Working as both a solo practitioner alone in the studio and in the public sphere of community engagement are interrelated aspects of my practice, and offer a rich life filled with creative challenges and rewards, in which to grow, continue to learn and develop, and thrive.

How can we best help foster a strong, supportive environment for artists and creatives?

I think it is very important to teach entrepreneurial and business skills including budgeting, financial planning, networking and the ability to source and follow-up on opportunities. Studio space is at a premium, and artists are masters of using what is available! It is critical to provide affordable studio space through city, county, state and federal initiatives and budget allocations, and for government at all levels to recognize that investment in the arts is fundamental to create and maintain a healthy and thriving society.
We must recognize and fight unnecessary gatekeeping and bureaucracy, unproductive and restrictive elitism and status issues and unhealthy competitiveness, hierarchy and internalized pecking orders by providing opportunities to students, emerging, mid-career and established artists in the form of education, exhibitions, presentations and gatherings and support systems.
We must continue to address inequities as regards to race, gender and class which can severely limit opportunities and challenge basic functioning in the art world and world-at-large through civil rights activities, legislation and providing opportunities geared to those disregarded by the system.
There are institutional and organizational efforts being made to combat, mitigate and better these conditions, but it is slow-going, and it remains to be seen whether such efforts will continue and grow or whether they will be revealed to be a trend, momentarily capturing our ever-decreasing attention spans.

Can you tell us about a time you’ve had to pivot?

I had a San Francisco-based entrepreneurial enterprise for 15 years called ArtiFactory Studio, which provided decorative painting, color consultation, surface design and murals to individuals, organizations and businesses, and I really loved it! I continued to teach at this time, and went through the certificate programs of both the Renaissance Entrepreneurship Center in San Francisco and the International Association of Colour Consultants/Designers in San Diego to further develop my skills in those areas. Later, in Los Angeles, I attended the UCLArts and Healing Social and Emotional Arts (SEA) Certificate Program, The Annenberg—Inner-City Arts Professional Development Program and “Creativity” series, and the Cal State Los Angeles/City of LA Department of Cultural Affairs Community Teaching Artist Program to provide resources, information, further skills and support for my teaching. I found gathering with others in learning communities invaluable! Not only for information, but for networking and sharing. I was in Business Network International (BNI) for two years in San Francisco and learned so much being around other professionals in an organized way, and surmounting that learning curve! It really prepared me for the groups I am involved with now. I learned that nothing is that different…all people generally want the same things: kindness, listening, understanding and support.

When I relocated to Los Angeles in 2012, I knew I wanted to recommit to an evolving studio practice and teach in the community. I began proposing bookmaking and other workshops to my local Library, and to my delighted surprise, was able to start teaching almost right away. I had made artists’ books and taught bookmaking in San Francisco, but took the object of the book and the teaching of bookmaking to a whole other level in Los Angeles, which has developed into an ever-widening engagement with materials and multiple formats. There is so much opportunity here in LA if one is ready to work consistently and put oneself out there! By dint of persistent and concentrated effort, I have been able to develop a multi-faceted practice which has allowed me to exhibit my work in galleries, museums, universities and libraries across LA and the US and teach in an array of community settings and institutions. I am honored to be an enthusiastic local artist in residence at 18th Street Arts Center, serve as an artist-in-residence for the City of LA Department of Cultural Affairs, and to have received a Santa Monica Artist Fellowship in 2021. As in all things, the reward for work is more work!

Contact Info:

  • Website: https://debradisman.com/
  • Instagram: https://www.instagram.com/artifactorystudio/
  • Facebook: https://www.facebook.com/debra.disman
  • Linkedin: https://www.linkedin.com/in/debradisman/
  • Other: https://18thstreet.org/artists/debra-disman/

Image Credits
All images: Gene Ogami 2023

Suggest a Story: CanvasRebel is built on recommendations from the community; it’s how we uncover hidden gems, so if you or someone you know deserves recognition please let us know here.

Filed Under: ARTISTS, Artists' Books, New Work, Publications/Interviews, Teaching Artist, TEXTILE/FIBER, Women Artists, Work Tagged With: "I Can't I Won't I Will I Do", Artist Debra Disman, Artist interview, Arts online magazine, CanvasRebel, CanvasRebel: Meet Debra Disman, City of Glendale, Debra Disman, Gene Ogami, Glendale, Glendale Arts and Culture, Glendale Central Library, Hidden gem, Los Angeles Artists, Online artist interview, Online Magazine, recognition, ReflectSpace, Solo Show

Swept Away: “The Center Will Not Hold” II

June 5, 2023 By Debra Disman

My work, “The Center Will Not Hold” was  PERFORMED ON SITE AT THE ANNENBERG COMMUNITY BEACH HOUSE as part of:  Swept Way: Love Letters to a Surrogate, organized by
Warren Neidich, Christina Mossaides Strassfield, Anuradha Vikram and Rene Petropoulos  2022-23
“Swept Away: Love Letter to a Surrogate/s” is a community oriented artistic project that aims to create a transcontinental heartbeat across America. It is hoped that through its combined gestures and performances, a sense of solidarity, so desperately missing today, will emerge with which to confront the ecological catastrophe at our doorstep.”

65 Los Angeles County artists presented live performances over Earth Day Weekend: April 22 and 23, 2023 at the Santa Monica State Beach near the Annenberg Community Beach House on the Pacific Ocean. “The Center Will Not Hold” was one of them.

Videos from “The Center Will Not Hold” tell our story:  gathering the water, stitching the sand, healing the earth, even if The Center Does Not Hold.
Collaborators: Deborah Lynn Irmas and Frida Cano.

All Video Credits: Mick Lorusso April 2023

Our Work is Never Done on This Earth and in This Life

Filed Under: ARTISTS, New Work, Performance, TEXTILE/FIBER, Women Artists, Work Tagged With: "Swept Away: Love Letter to a Surrogate(s)", Annenberg Beach House, Anuradha Vikram, Christina Mossaides Strassfield, Deborah Lynn Irmas, Earth Day, East Hampton, Frida Cano, Healing the Earth, Jeremy Dennis, Jeremy Native, julie McKim, Los Angeles Artists, Main Beach, Mark Henry Samuel, Mick Lorusso, Performance, Rene Petropoulos, SANTA MONICA, Santa Monica Beach, Stitching the earth, Stitching the Sand, Video, Warren Neidich

Swept Away: “The Center Will Not Hold” I

May 29, 2023 By Debra Disman

My work, “The Center Will Not Hold” was  PERFORMED ON SITE AT THE ANNENBERG COMMUNITY BEACH HOUSE as part of:  Swept Way: Love Letters to a Surrogate, organized by
Warren Neidich, Christina Mossaides Strassfield, Anuradha Vikram and Rene Petropoulos  2022-23
“Swept Away: Love Letter to a Surrogate/s” is a community oriented artistic project that aims to create a transcontinental heartbeat across America. It is hoped that through its combined gestures and performances, a sense of solidarity, so desperately missing today, will emerge with which to confront the ecological catastrophe at our doorstep.”

65 Los Angeles County artists presented live performances over Earth Day Weekend: April 22 and 23, 2023 at the Santa Monica State Beach near the Annenberg Community Beach House on the Pacific Ocean. “The Center Will Not Hold” was one of them.

Stills from “The Center Will Not Hold”: gathering the water, stitching the sand.
Collaborators: Deborah Lynn Irmas and Frida Cano.


Image Credit: Mick Lorusso April 2023    Three Women Gather Water Working Silently Together


Image Credit: Mick Lorusso April 2023   Carrying Water to the Blanket of the Four Directions


Image Credit: Mick Lorusso April 2023   Making Their Way to the Blanket of the Fuur Directions Site


Image Credit: Mick Lorusso April 2023   Water is Used to Dampen The Sand To Create Mounds


Image Credit: Mick Lorusso April 2023   Needles Threaded With Hemp Cord Are Used To Stitch 


Image Credit: Mick Lorusso April 2023      Through the Sand  Mounds Creating Lines of Connection


Image Credit: Mick Lorusso April 2023     Hemp Cords Are Threaded Across the Open Circle


Image Credit: Mick Lorusso April 2023     The Center Is Stitched as is the Sand Around the Blanket


Image Credit: Mick Lorusso April 2023     The Work of Mending is Completed for the Moment

Image Credit: Mick Lorusso April 2023     The Work is Never Done on This Earth and in This Life

More to come.

Filed Under: Uncategorized Tagged With: "Swept Away: Love Letter to a Surrogate(s)", Annenberg Beach House, Anuradha Vikram, Christina Mossaides Strassfield, Deborah Lynn Irmas, Earth Day, East Hampton, Frida Cano, Healing the Earth, Jeremy Dennis, Jeremy Native, julie McKim, Los Angeles Artists, Main Beach, Mark Henry Samuel, Mick Lorusso, Performance, Rene Petropoulos, SANTA MONICA, Santa Monica Beach, Stitching the earth, Stitching the Sand, Warren Neidich

“A Common Thread” Artists’ Talk at ArtShare LA!

April 28, 2023 By Debra Disman

Join us for a LIVE, IN-PERSON Artists’ Talk at ArtShare LA, focusing on the fiber-oriented works in the exhibition, “A Common Thread” on view in the ArtShare LA gallery through May 13th.

Tagged With: Amabelle Aguiluz, Aneesa Shami Zizzo, Antoinette Adams, Art, Art Share, Artists' Talk, ArtShare LA, Baha Danesh, Beth Stryker, Carmen Mardonez, Carolyn Mason, Chloe Cusimano, Common Thread Community Art Venue, Contemporary Artists, Contemporary Los Angeles Artists, Debra Disman, Doris Bittar, Fiber, Fiber Art, Fiber Artists, Group Exhibition, Katie Shanks, Los Angeles Artists, Marie-Jose Njoku-Obi, Michelle Montjoy, Public Event, Textile Art, Textile Artist, TEXTILE ARTISTS, Textiles, Thread, threads, Women Artists, Yasmine Diaz

EXHIBITIONISTA: “Swept Away: Love Letter to a Surrogate(s)”

September 24, 2022 By Debra Disman

 

ON SITE: ANNENBERG COMMUNITY BEACH HOUSE

Annenberg – Swept Way: Love Letters to a Surrogate

Organized by

Warren Neidich, Christina Mossaides Strassfield, Anuradha Vikram and Rene Petropoulos  2022-23

“Swept Away: Love Letter to a Surrogate/s” is a community oriented artistic project that aims to create a transcontinental heartbeat across America. It is hoped that through its combined gestures and performances, a sense of solidarity, so desperately missing today, will emerge with which to confront the ecological catastrophe at our doorstep.”

65 Los Angeles County artists will present live performances over Earth Day Weekend: April 22 and 23, 2023 at the Santa Monica State Beach near the Annenberg Community Beach House on the Pacific Ocean.

I am thrilled to participate in:
Swept Away: Love Letter to a Surrogate(s)
, 
Main Beach, East Hampton, NY / Santa Monica Beach, Santa Monica, CA
Curators: Warren Neidich, Christina Mossaides Strassfield, Anuradha Vikram and Rene Petropoulos  2022-23

The syncopated sound of the surf will provide the background acousmatic. This poetic project in some ways harkens back to the Happenings staged by Allan Kaprow in 1966 all through the South Fork: https://alastairgordonwalltowall.com/2018/02/07/gas-i-am-a-happener-1966-east-hampton/

Artist Warren Neidich co- curated the successful Drive by Art event in 2020.
The “SWEPT AWAY” project is co-curated and co-coordinated by Christina Strassfield, Museum Director/Chief Curator of Guild Hall, Anuradha Vikram, Los Angeles based independent curator, and Los Angeles based conceptual artist Renee Petropoulos, plus administrative coordination by Julie McKim.

65 artists living in on the East End and 65 west coast artists are participating in this community and family-based Art Happening. In the spring the reverse will occur; with East End artists writing love letters to LA artists to be executed at Will Rogers State Beach, Santa Monica in conjunction with the 18th Street Arts Center.

Artists will create ephemeral performative gestures of immateriality or time-based works on the beach. This could be making a sandcastle, singing a song, reciting poetry, dancing, make a sculpture that interacts with the tide, collecting shells, doing a light projection,, picking up garbage on the beach, etc.  The works could be political and deal with global warming and its effects on the water level or could be apolitical and talk about the natural beauty of the real in opposition to the digital and virtual.

The importance of biodegradable, non-toxic materials will be essential as well as leaving the beach pristine after the work.

Each East Coast artist has been linked up to a West Coast artist who will email instructions – a love letter – for a work of art that the local artist will incorporate into their performative piece, acting as a surrogate. In the Spring will occur the reverse, with East Coast Artists sending Love Letters to their West Coast counterparts, who will use it as a springboard to create offerings to happewn at Santa Monica’s Will Rogers State Beach.

The list of East End and West Coast artist pairings is as follows:

EAST END ARTISTS  > LOS ANGELES ARTISTS
Pamella Allen > Jade Gordon + Megan Whitmarsh
Suzanne Anker > Margarethe Drexel
Elena Bajo  > Jasmine Orpilla
Lillian Ball > Dana Duff
Monica Banks > Jamie Ross
Dianne Blell > Lisa Anne Auerbach
Scott Bluedorn > Robby Herbst
Sanford Biggers > Sterling Wells
Megan Chaskey > Lionel Popkin
Scott Chaskey > Kathryn Andrews
Philippe Cheng > David Horvitz
Andrea Cote > Nina Waisman
Ivana Dama > Rodrigo Arruda
Peter Dayton > Anita Pace
Katrina Del Mar > Taisha Paggett + Meital Yaniv
Jeremy Dennis > Debra Disman
Sabra Moon Elliot > Rochelle Fabb
Carol Edwards > Pamela Hudson
Eva Faye > Patty Chang + David Kelly
Saskia Friedrich > Fran Siegel
Margaret Garrett > Susan Kleinberg
Veronica Gonzales > Cassandra Marketo
Kimberly Goff > Cheri Gaulke + Xochi Maberry-Gaulke
Jeremy Grosvenor > Vincent Johnson
Jerelyn Hanrahan > Andrew Berardini
Candace Hill Montgomery > Anna Joy Springer
Virva Hinnemo > Sam Shoemaker
Alice Hope > Krysten Cunningham
Erica-Lynn Huberty > Sandeep Mukherjee
Terri Hyland > Joseph Mosconi
Ruby Jackson > Alice Könitz
Ilya + Emelia Kabakov > Carolyn Castano
Carlos Lama > Elisabeth Houston
Laurie Lambrecht > May Sun
Joseph Liatela > Badly Licked Bear
Donald Lipski > Raul Baltazar
Sutton Lynch > Yrneh Gabon Brown
Josephine Meckseper > Jiayun Chen
Paul Miller > Lucia Santini Ribisi
Tanya Minhas > Allison Wyper
Richard Mothes > Kristin Calabrese
Michelle Murphy > Sarah Beadle
Jill Musnicki > Victoria Vesna
Eileen O’Kane Kornreich > Iman Person
Dalton Portella > Ryat Yezbick
Jaanika Peerna > Marcus Kuiland Nazario
Toni Ross > Sharon Barnes
David Rothenberg > Beatriz Cortez
Will Ryan > Jody Zellen
Sara Salaway > Melinda Altshuler
Matthew Satz > Katie Grinnan
Bastienne Schmidt > Jisoo Chung
Barry Schwabsky > David Schafer
Christine Sciulli > Karen Lofgren
Arlene Slavin > Jenny Yurshansky
Janice Stanton > Kearra Gopee
Christina Sun > Catherine Scott
Carol Szymanski  > Xiouping
Sara VanDerBeek > Alicia Serling
Ryan Wallace > Joshua Aster
Ross Watts > Justine Harari
Allan Wexler > Dan Kwong
Nina Yankowitz > Francesca Gabbiani
Darius Yektai > Barbara McCarren + Jud Fine
Almond Zigmund > Marissa Mandler


ABOUT WARREN NEIDICH

Warren Neidich uses written texts and neon-light sculptures to create cross-pollinating conceptual works that reflect upon situations at the border zones of art, science, and social justice. His performative and sculptural work Pizzagate Neon (2018), recently on display at the Venice Biennale 2019, analyzed, through a large hanging neon light sculpture, fake news and the post-truth society. Selected exhibitions include the Whitney Museum of American Art, PS1 MOMA, White Columns, Walker Art Center MIT List Visual Art Center, (Cambridge), Los Angeles County Museum of Art, National Museum of American Art (Washington D.C., US), Museum Ludwig (Köln, Germany), Haus Der Kunst (Munich), Zentrum für Kunst and Media (Karlsruhe, Germany), ICA London, Palais Tokyo (Paris, France), Villa Arson (Nice, France) and Kunsthaus Zürich. He has been a visiting lecturer in the Departments of Art at Brown University, GSD Harvard University, Columbia University, Princeton University, University of California, Los Angeles, the Sorbonne in Paris, France; and the University of Oxford and Cambridge University in the UK. His work has been the subject of over 150 magazine and newspaper articles, including The New York Times, Time Magazine, Artforum, Art in America, Kunstforum International, The Art Newspaper, Smithsonian Magazine, The Chicago Tribune, Hyperallergic, Artnet, GQ, Forbes, Vogue IT, Monopol, Performance Art Journal, , Time Out, The New Yorker, New York Magazine, Los Angeles Times, The Village Voice, and Frieze.

 

Tagged With: "Swept Away: Love Letter to a Surrogate(s)", Annenberg Beach House, Anuradha Vikram, Christina Mossaides Strassfield, Deborah Lynne Irmas, Earth Day, East Hampton, Frida Cano, Healing the Earth, Jeremy Dennis, Jeremy Native, julie McKim, Los Angeles Artists, Main Beach, Performance, Rene Petropoulos, SANTA MONICA, Santa Monica Beach, Stitching the earth, Stitching the Sand, Warren Neidich

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