Artist in Residence

“Reading Takes You Anywhere!”(2)

July 23, 2018 By Debra Disman

Here is the inaugural workshop at the Granada Hills Branch Library of the LAPL , kicking off my artist residency there: “We Write the Book“, supported by the Department of Cultural Affairs of the City of Los Angeles.

For the Summer Reading Theme: “Reading Takes You Anywhere!” participants created a Travel Journal…an accordion book with pockets and sewn in pages.

Meet the bookmakers!

Three generations of women and girls, making books.

What a message…she came up with this title on her own.

Our lovely helpers Emily and Erica, with two of our younger makers.

Sharing their embellishment!

Three generations of females again…with Grandma and Granddaughter participating in the workshop.

I see a theme here…crossed ribbons marks the spot…

Two beautiful families, one, about to take off for Australia.
A Travel Journal will come in handy…

“Reading Takes You Anywhere!”(1)

July 15, 2018 By Debra Disman

Inaugural workshop at the Granada Hills Branch Library of the LAPL , kicking off my artist residency there: “We Write the Book“, supported by the Department of Cultural Affairs of the City of Los Angeles.

For the Summer Reading Theme: “Reading Takes You Anywhere!” participants created a Travel Journal…an accordion book with pockets and sewn in pages.

Here are some of the results.
TBC in the next post…“Reading Takes You Anywhere! (2)”.

Washi love.

Working on the covers.

Stuck on stickers!

“Mom’s Travel Journal”…an elegant use of decorative butterflies, maps, birds and color. This Mom is headed soon to Australia…and hopefully, her Travel Journal will come in handy.
Bon voyage!

Up next….the book makers behind (or in front of) the books.

Stay tuned!

Elegance…

Story Time

June 6, 2018 By Debra Disman

Story Time: BedTime Story I

I am repeating a bit in this post, lingering in my Studio Residency and show of work at Camera Obscura Art Lab at 1450 Ocean in Santa Monica.

I showed a work titled “BedTime Story I“, featuring, or shall I say employing tiny masks; faces of clay, made by my Mother, the ceramicist Judy Disman.

My Mom had made these tiny faces of clay expressly for me to use in and on my artists’ books, even making tiny holes in them so they could be sewed into and onto the book structures and become integral to them.

The faces were a natural for a piece about “bed”, and made the book into a more literal narrative then I had originally intended. I work fairly abstractly, though still in a loose book format, and the addition of representational elements changed the feeling of the piece. It could then be “read” more literally.

The faces even became interactive, with two of them contemplating each other.

Others became sentinels, gazing benevolently out from their “beds”.

Far from creating an image of sleep, the faces express the experience of being wide awake, perhaps listening to, creating, or becoming a story. A bed time story.

The faces become the actors in the story, played out through the pages of the book. Each viewer will read the story in their own way, and reach their own conclusions about it.

We may wonder what the beings or characters expressed or indicated by the faces are thinking, and if they are having sleepless nights. Perhaps they are worried under their smiling visages. Perhaps they are presenting to us a mask, and there are dreams and roiling emotions, even nightmares, underneath.

Perhaps formal, textural, decorative, haptic or totemic qualities of the work will prevail for some. In any event, BedTime Story I was a pleasure to make.

Again, Mom, thank you for the collaboration, and for creating these tiny pieces for me.
It was great to work with you. Sweet dreams.

NEW WORKS Show at 1450 Ocean

May 31, 2018 By Debra Disman

NEW WORKS Show at 1450 Ocean

April 14, 2018.

Textile artist Huong Nguyen and I shared our work with the Public at the Camera Obscura Art Lab at 1450 Ocean in Santa Monica.

It was a wonderful round-up of our Studio Residency activities which took place January through April, 2018.

This post is a “send-off” of sorts to the Residency, which had a profound impact upon me, my work, and Life. Thank you, 1450 Ocean….

A tour around the Studio, as we prepare for our Show.

The spaciousness of space…tables for materials, and visual reminders, inspirations and cues.

The “spinning book” moved around.

Beautiful light off the Ocean flooded the glassed-in Studio.

I finished, if there is such a thing, filling my “sketch” book here.

“Rapunzel“, Book board, mulberry paper, linen thread, gold thread, untreated canvas; “Window Treatment“, Book board, file folders, hemp cord, watercolor paper, mulberry paper, acrylic paint, waxes.

“The Fall“, Board, untreated canvas, hemp cord, watercolor paper, mulberry paper.

“Throes of the Body“, Book board, untreated canvas, hemp cord, watercolor paper, mulberry paper.

“In the Profusion“, Book board, untreated canvas, hemp cord, watercolor paper, mulberry paper.

“Burning Bush“, Board, thread, linen thread, dental floss, mulberry paper.

“BedTime Story I”, Book board, wood, fabric, hemp cord, watercolor paper, incorporating tiny ceramic “masks, made by my Mom, the ceramicist Judy Disman.
Mom, it was great to work with you.

Pathways to the next Thing.
We are Travelers.

In Resonant Residence (14)

May 9, 2018 By Debra Disman

In Resonant Residence (14)

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th, and completed it Saturday, April 21, 2018. I shared the sunlit space, located within a beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura

Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

My thirteenth workshop, April 7, 2018, Creating Sculptural Books offered participants an opportunity to walk a bit on the wilder side, and create something new while learning some skills in the process.

We began by constructing what I call the “fan book” structure…an accordion folded spine, with front and back covers, and pages added to the same side of each fold.

It is a version of the flag book, invented by renowned book artist Hedi Kyle, but employs full-sized pages that fan out from the spine in the same direction, rather then the zig zig alternating pattern of the endlessly inventive flag book.

Then folks added to that structure, used it as a jumping off point if you will.

Others focused more specifically on embellishment…this was the way “in” for them.

Book artist Rachel Curry made a big “traditional” flag book, and adorned it with patterns using paint pens.

Step-by-step into new territory, in a safe space.

Ingredients for discovery.

In Resonant Residence (13)

May 9, 2018 By Debra Disman

In Resonant Residence (13)

I formally began Studio Residency at the Camera Obscura Art Lab

Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

My twelfth workshop, March 24 2018: Double Flower Fold Book had participants folding forms and attaching them into a chain that folded up into a book that could nestle in your hand. But..when it opened…well, you can see what another name for this structure is “Exploding Book”!

The all-important process of choosing materials!