Work
Work in Progress: Studio
Stand, Sit, Hang, Lay….Works Exhibited This and That Way (More)
I am fascinated by the many ways in which works can be shown. Here are a few…
“Finally and Just for a Minute“, 2022, hanging from the ceiling in my studio at 18th Street Art Center (Olympic Campus) in Santa Monica, CA. (Canvas, burlap, hemp cord, acrylic paint, ribbon) (Pictured, the Los Angeles-based artist Randi Matushevitz)
“Rent Wound Tear, Mend Heal Repair”, 2022, hanging on wall in slight relief, in the exhibition “Collective Acts of Peace” at the 18th Street Art Center Airport Campus Slipstream Gallery in Santa Monica, CA. (Canvas, string, hemp cord, lace, acrylic paint)
“Womb”, 2020, hanging from the ceiling in 18th Street Art Center’s Slipstream Gallery, in my studio at 18th Street Art Center’s Olympic Campus, Santa Monica, CA, and in the Arts at Blue Roof Summer Festival, in the “Please Touch” exhibition at Blue Roof Studios in South Los Angeles. (Plastic hula hoop, raw canvass, jute cord)
“Unfolding Possibilities“, 2021, on pedestal in the exhibition “Recovery Justice: Being Well“, at the 18th Street Art Center Airport Campus Slipstream Gallery
in Santa Monica, CA. (Mulberry paper, sewing thread, gold thread)
“Chromatic Interactions: The Golden Thread“, 2020, hanging on the wall in my studio at 18th Street Art Center (Olympic Campus) in Santa Monica, CA.
(file cards, sewing thread, gold thread, markers, crayons, pencils)
Stand, Sit, Hang, Lay….Works Exhibited This and That Way
I have had the opportunity to participate in a number of exhibitions this year, and am fascinated by the many ways in which works can be shown…here are a few!
Table Top: my collaboration with artist Luciana Abait: “drift“, an accordion-fold artists’ book shown in the “ALL MEDIA 2022″ exhibition
at the Irvine Fine Arts Center.
“Excavation of the Interior“, shown in the “Fantastic Fibers 2022” exhibition at the Yeiser Art Center on a pedestal. 
Two works shown in different ways in the “PULP: Paper and Book Arts” exhibition at the Sebastopol Center for the Arts:
“Prairie” shown on the postcard and website, and on a pedestal in the show,
and, “Before the Fall“, suspended from the ceiling in front of a wall!
Finally, “Burning Bush” displayed on a pedestal, on a stand, and under glass in the
“34th Annual McNeese National Works On Paper Exhibition” at McNeese State University.
More to come…the sky…is the limit?!?!?
NEW WORK in 2021: “Forest Through The Trees”
I was happy to finally be able to have Elon Schoenholz Photography in to photograph works completed during 2021… fast away the old year passes…
Here I share “Forest through The Trees“, 15 x 42 x 12”, made of book board, canvas, hemp cord, ribbon, typewriter ribbon, acrylic paint, wood.
It is part of a monochrome series in black, through the colors of “black” are infinite, and change with light, material, juxtaposition, and how the viewer engages with the piece.
Comprised of two accordion-folded “spines”, the “book”, becomes a “box”, with a “door” that opens, expandable “walls”, and painted canvas “pages” held up precariously with wooden dowels. The piece can be presented and contemplated in numerous ways, and begs a tactile connection, through all of us working in book, and perhaps sculptural forms in general grapple with how to do this. How to have viewers engage with the work, participate in it, without having it worn away over time in the process…
We are seekers.
The Journey continues.
Happy New Year.
(exterior, closed)
(exterior, ajar)
(interior/exterior, open)
NEW WORK in 2021: Red Notebook (“Here’s To The Red, White and Blue”)
I was happy to finally be able to have Elon Schoenholz Photography in to photographs works completed/created during 2021, which continues to race by.
Part of an ensemble, suite, or installation of works entitled, “Here’s To The Red, White and Blue”, Red Notebook is structured as a “traditional” codex, with covers that open and pages that turn. Moderately, “red” (hence the “red” element of the “Red, White and Blue” theme-meme-trope?) it contains a great deal of black as well.
In the immortal words of Mark Rothko, “There is only one thing I fear in life, my friend; One day, the black will swallow the red.”
Made from a repurposed placemat, hemp cord, linen thread, canvas, and lace, it is 8.5″ high, 12.5″ when opened in full, and 6.5″ at greatest depth and opens left to right, from cover through pages to cover, bound together through a single signature.
The red and back play off each other in all their associations
Sewing, stitching, gluing, knotting, coiling, massing
Amassing, accumulation, the RED in
Up next.