Debra Disman

Artist

  •

Textile

EXPO 41 at B.J. Spokes Gallery

By

I am thrilled to be included in:


a virtual exhibition of the b.j. spoke gallery

The show was juried by Sewon Kang, Archivist at The Easton/Bourgeois Archive, formerly Curatorial Assistant at the Museum of Modern Art, in New York City, who selected the work of 15 artists. I am honored to be included in this roster of stunning creative makers.

Artists and their selected works can be viewed below. Enjoy

David Acquistapace, Saint Louis, MO
Kat Alyst, Austin, TX
Neville Barbour, Silver Spring, MD
Matthew Barton, New Orleans, LA
Kimberlyn Bloise, Edinboro, PA
Stephen Delaney, Middleton, MA
Debra Disman, Los Angeles, CA		 Eriko Kobayashi, Carbondale, IL
Anthony Adonis Lewis, Ashland, OR
Kambel Smith, Philadelphia, PA
Karen Theisen, Santa Fe, NM
Amy Usdin, Mendota Heights, MN
Jae Yun Yi, Seoul Korea
Dier Zhang, Brooklyn, NY
Foad Seyed Mohammadi, Gainesville FL

I am showing:
Excavation of the Interior, 2021, 12 x 28 x 12.5″, mixed media (wood, canvas, muslin, mulberry paper, hemp cord, linen thread, watercolor paper)

and
Forest Through The Trees, 2021, 15 x 42 x 12″, mixed media (book board, acrylic paint, hemp cord, wood, canvas, typewriter tape, lace, watercolor paper)

ARTIST STATEMENT                                              
 I work in the form of the book, in forms evoked by the book, and in multidimensional media of my own devising. Both as a solo practitioner and in the public sphere of community engagement I push the body and boundaries of the book into new media, materials and meanings to invite altered ways of viewing the world and how we inhabit it. Although much of the work continues to relate to loose definitions of the book as structure, it is moving into other sculptural and conceptual realms where devotion to material labor and a passion for the haptic become powerful motivators and themes. I am fascinated by the parallels between books and buildings in terms of architecture, meaning and utility. Each constructs public and private spaces where stories are “read” on many levels, often revealing more than their makers ever intended. My work seeks to offer places of contemplation, solace and bafflement, while instigating exploration, investigation and examination of what we think we know, and are.

.

Material III at the D’Art Center

By

I am thrilled to be showing in MATERIAL III at the D’Art Center, “an exhibition of original fiber artworks from across the country highlighting the quality and variety of artworks utilizing fiber as a major component, including non-functional, 2D, 3D, fine art, and fine craft in fiber including mixed media works, in a variety of styles, co-curated by gallery manager Amanda Bradley and exhibition juror, Ryan Lytle.”
Kudos to Amanda for hanging my piece, “Before the Fall”  in such a great way!

I am honored to be honorably mentioned!

Congratulations to our award winners:
Honorable Mentions
Debra Disman from Los Angeles, CA for her fiber art sculptural book, Before the Fall.
Statement: Inspired by the book, my work has evolved into a focused material exploration driven by a visceral relationship with cloth, thread, cord and string. I engage the actions of folding, stitching, tearing, cutting and gluing in a continual effort to build and create, tear and break down, heal and repair, as a way of navigating the tension of opposites. While referencing the book as structure, the work has moved progressively into other conceptual realms where devotion to material labor and a passion for the haptic become powerful motivators and themes.

See the Live, In-Person AWARDS EVENT HERE!

Exhibitionista: Material III at d’Art Center

By

I am thrilled to be showing in MATERIAL III, an exhibition of original fiber artworks from across the country highlighting the quality and variety of artworks utilizing fiber as a major component, including non-functional, 2D, 3D, fine art, and fine craft in fiber including mixed media works, in a variety of styles, co-curated by gallery manager Amanda Bradley and exhibition juror, Ryan Lytle.

I am showing “BEFORE THE FALL“, a sculptural book that is hung!

See the Live, In-Person AWARDS EVENT HERE!

EXHIBITIONISTA: EXPO 41 at B.J. Spokes Gallery

By

I am thrilled to be included in:

EXPO 41, a virtual exhibition of the b.j. spoke gallery

Juror: Sewon Kang,  Archivist at The Easton/Bourgeois Archive in NYC. Formerly she served as Curatorial Assistant at the Museum of Modern Art.

 The Opening Reception will be held on ZOOM – Saturday, March 5th at 7:00pm (EST).

To Attend, Please REGISTER HERE!

View the show HERE!

Tricksters and Transformation…What could be better?

By

There’s a cool new show in town, transforming not through trickery, but with an Open Heart, and wondrous “soft” materials.

“Textiles have the universally demonstrated capacity for holding meaning, establishing connections, and creating healing. As we emerge, on many levels, from the darkness into the light of awareness of isolation and injustice we have an opportunity and obligation to examine the status quo. This exhibition will allow the artist to step into the now and make work that opens doors within themselves, thereby acting as a portal to a collective resurgence into a renewed relationship with the world. This awakening inspires transformation.

There is a deep potential for the artist to act as trickster, agent of change, or boundary crosser. After the pandemic and the social upheaval of the past eighteen months, the artist has gained renewed agency for creating more enlightened definitions of meaning and new ways of seeing.

The pandemic can be a portal, serving as a provocation to transformation.”

I am honored to be showing “Torrent and Tangle: Keep Your House In Order”, in a new, open configuration!





This work begs the question: with all the torrent and inevitable tangle, how DO we “keep our house in order” or keep our house at all?
Also a play on “keeping house” a sort of 1950’s housewifery term to my mind, , which eerily reverbs with the growing rate of homelessness across LA Counbty, the US and the globe.

In the words of revered and beloved LA-based artist Kim Abeles:
“I followed the thread like a stream to find balance.
Textile Arts Los Angeles has presented a rich exhibit juried by Carol Shaw-Sutton at the Helms Bakery space in Culver City. “Tricksters & Transformation” is the show, an artist-in-residency with Carmen Mardonez, and a zoom presentation with Beverly Naidus who provided an inspiring history of some of her many audience-engaged artworks.
It was tempting to photograph every piece because the exhibition is divine with art that offers detail and a tactile emotion. Speaking with hands and care. The title comes in part because of the multiple ways that the artists transform the materials, including post-production remnants and those that would have gone overlooked except for the poetics of art.

And here is a link to the show details: https://textileartsla.org/tricksters-exhibit-1” 

Join us for the
ARTISTS’ RECEPTION: TRICKSTERS & TRANSFORMATION

  •  

Helms Design Center
8745 Washington Blvd. Studio E
Culver City, CA 90232 United States + Google Map
Website:https://textileartsla.org/tricksters-exhibit-1

Exhibitionista: TRICKSTERS & TRANSFORMATION at the Helms Design Center

By

I am thrilled to be participating in “Tricksters and Transformation”, organized by Textile Arts LA, on view at the Helms Design Center, Studio E!

“Textiles have the universally demonstrated capacity for holding meaning, establishing connections, and creating healing. As we emerge, on many levels, from the darkness into the light of awareness of isolation and injustice we have an opportunity and obligation to examine the status quo. This exhibition will allow the artist to step into the now and make work that opens doors within themselves, thereby acting as a portal to a collective resurgence into a renewed relationship with the world. This awakening inspires transformation.

There is a deep potential for the artist to act as trickster, agent of change, or boundary crosser. After the pandemic and the social upheaval of the past eighteen months, the artist has gained renewed agency for creating more enlightened definitions of meaning and new ways of seeing.

The pandemic can be a portal, serving as a provocation to transformation.”

I am showing “Torrent and Tangle: Keep Your House In Order”, in a new configuration!

Juror: Carol Shaw-Sutton

Carol Shaw-Sutton has been exhibiting her fiber sculpture in the U.S. and internationally since the 1970s with the California Design Exhibitions, the Young American Award exhibition at Museum of Art and Design in NYC, three Lausanne Biennales in Switzerland and the Kyoto Museum of Art, Japan.  Her work is included in numerous major museum collections including the Oakland Museum of Art, The DeYoung Museum, The Museum of Art and Design, among others, as well as corporate and private holdings worldwide.  She received three NEA Individual Artist Fellowships, the prestigious Young American Award from the American Craft Council, the United States/Japan and the United States/France Fellowships and many others from her city and university. Shaw-Sutton recently retired from the School of Art at CSULB where she headed their Fiber Program for more than thirty years and is now Professor Emeritus.

Artist -in-residence Carmen Mardonez will be at the gallery. Please email Carrie Burckle or Lesley Roberts if you would like to meet one of us at the gallery to walk-through. Thank you for supporting textile arts in Los Angeles!