Studio spotlight on:
WHITE WEDDING
2023
15 x 21.5 x 10.75″,
materials: book board, canvas, muslin, watercolor paper, hemp cord, string, linen thread
What does the term “white wedding” mean to YOU?
Artist
By Debra Disman
Studio spotlight on:
WHITE WEDDING
2023
15 x 21.5 x 10.75″,
materials: book board, canvas, muslin, watercolor paper, hemp cord, string, linen thread
What does the term “white wedding” mean to YOU?
By Debra Disman
I was happy to finally be able to have Elon Schoenholz Photography in to photographs works completed/created during 2021, which continues to race by.
Part of an ensemble, suite, or installation of works entitled, “Here’s To The Red, White and Blue”, Red Notebook is structured as a “traditional” codex, with covers that open and pages that turn. Moderately, “red” (hence the “red” element of the “Red, White and Blue” theme-meme-trope?) it contains a great deal of black as well.
In the immortal words of Mark Rothko, “There is only one thing I fear in life, my friend; One day, the black will swallow the red.”
Made from a repurposed placemat, hemp cord, linen thread, canvas, and lace, it is 8.5″ high, 12.5″ when opened in full, and 6.5″ at greatest depth and opens left to right, from cover through pages to cover, bound together through a single signature.
The red and back play off each other in all their associations
Sewing, stitching, gluing, knotting, coiling, massing
Amassing, accumulation, the RED in
Up next.
By Debra Disman
Join us for this art and bookmaking online workshop, source your own materials, and create your own exploratory masterpiece! Details in the flier below.
Presented by The California Chapter of the Guild of Book Workers, part of the national Guild of Book Workers, this workshop is a point of departure for anyone at any skill level who has a desire to explore the world of book arts in a safe, supportive and fun online environment.
Please contact me through the site contact form with any questions.
Hope to see you there!!!!
By Debra Disman
The California Chapter of the Guild of Book Workers presents:
A workshop led by Debra Disman
Saturday, June 5, 2021
1:00 – 4:00 pm, Pacific Time
Presented live via Zoom
The “Folded Fan Book,” Debra Disman’s personal name for this fun and versatile book structure, is comprised of
an accordion spine, two covers, and full size pages which “fan out” when the book is opened.
This structure can be treated as a traditional codex or built into a sculptural form limited only by the
ingenuity, creativity, and innovation of the maker.
Students will gather their own materials based on the supplies list provided and determine the size and content of their books,
inspired by examples of different ways this structure can be developed, reimagined, and used.
We will spend the first part of the workshop creating the basic structure, then take off into unexplored territory
where students can utilize their chosen materials to transform their books into personal explorations of their own histories
or potential futures. Will YOUR BOOK become a container of memory, visualization of an intention, a container of dreams, an excavated artifact?
Whatever participants choose to create, this book can become a vehicle for imagination, experimentation, and play.
Materials: Participants will supply and source tools and materials. The use of existing materials in your living/work space is encouraged.
A list of supplies will be sent one month before the workshop. The Zoom link will be sent the week of the workshop.
Skill Level: Open to all levels of experience
Registration: $50.00 USD for GBW members,
$60.00 USD for non-members.
Please register by May 15, 2021. The workshop will not be recorded.
There is a cancellation fee of 10% of the registration fee up to 30 days before the workshop. No refunds are given for
cancellations made within 30 days prior to the workshop. Registrations may not be shared and are non-transferable.
Please direct questions to
[email protected].
Debra Disman is a Los Angeles-based artist working
primarily in the form of the book, both as a solo
practitioner and in the public sphere of community
engagement. She creates work and projects which
push the boundaries of the book into new forms and
materials. Her work is shown in museums, galleries,
universities, and libraries across the U.S.
debradisman.com
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