Debra Disman

Artist

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Work

Drawing Spirit Drawing

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Looking back on still relevant drawings….

Although these drawings/mixed media works were done over 20 years ago, I am still looking at them, and they relate to my current work as regards to texture, palette, and the themes of energy, transformation, new media/materials and mixed media,. They feel very related to the work I am doing now. I currently work in the form of the book, in forms inspired by the book, and in new sculptural media of my own devising. Although the work remains tethered to loose definitions of the book as structure, it is moving progressively into other sculptural and conceptual realms where labor, repetition and a passion for the haptic become powerful motivators and themes.

“Fertile World“, 1994, ink/colored pencil, 15 x 11”

“Insert With Care“, 1994, acrylic/collage/mixed media, 5 x 7”

“Pound With Energy“, 1994, ball point pen/collage/mixed media, 11.25 x 4.25 x 1.5”

 

Exhibitionista: Fresh Art

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Fresh Art

November 7  – November 30 , 2019

I was excited to participate in the exhibition “FRESH ART” juried by Donna Seager of
Seager/Gray Gallery, Mill Valley, CA. Donna is known to show Artists’ Books, and is a supporter of the form.
A native of New Orleans, Donna Seager’s education was at the University of Texas where she received her degree in Art History and English. She began in the art business in 1978, working in galleries in New Orleans and was the director of the Marlborough Gallery in Boston before moving to California in 1989. In 2001, she partnered with Suzanne Gray to form Seager/Gray Gallery in Mill Valley, now a cornerstone of the Marin arts community. Donna Seager has distinguished herself for her discerning eye and commitment to the arts. She has served on the board of the San Francisco Art Dealers’ Association and the San Francisco Center for the Book and is currently a member of the Marin County Cultural Commission.  Seagergray.com.

Tour the Show!

“How do you define “Fresh Art”? Something new and different, new to one’s experience, not encountered before, or a new approach to your art. Artwork that is forward or bold, expressive, engaging, stimulating, creative, infused with imagination….”

I showed “Maximum Security”, a mixed media, sculptural Artists’ Book, pictured below.

And though I could not make it to the Opening, I appreciate dear Marin/Sonoma Bay Area friends who did…Laurelyn and Dianna, Thank you!

 

 

 

Exhibitionista: “Book and Paper Arts”

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I wish I could see this show!
I am honored to be included.


Downtown Gallery
102 N Main St. , IN
Kokomo, IN 46901 United States + Google Map
Phone: 765-455-9426

The juror is Anita Garza (b.1959, Chicago, USA) is a multidisciplinary artist and writer, who works with handmade paper, photography, collage, found objects, assemblage and handmade books. She holds a Bachelor’s degree in art and creative non-fiction writing, and an MFA in Interdisciplinary Book and Paper Arts. She has exhibited work internationally and is published in limited edition journals. She served as Assistant Director and Director of Community Programs at the Center for Book and Paper Arts, at Columbia College Chicago.  Her latest work with organic material binds nature and the material world into disparate, yet symbiotic relationships. Her work is playful, quirky, whimsical and curious or abruptly turns into a vexing, literal statement—provoking introspection and contemplation. She serves as art editor for the international literary and arts journal, Burningword.

I am showing “BedTime Story“, visible below under the “dc” logo, to the right!

Image may contain: indoor
The piece features tiny clay faces made by my Mom, Judy Disman.

The work in the show looks stunning.

Gratitudes!

Exhibitionista: “The Artful Book” xxxooo

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The Artful Book Exhibition just opened at The Long Beach Museum of Art.

It is an exciting exhibition that among other things aims also to educate the public about the nature and role and diversity of book arts in the present day.

Tour the exhibition!

The video provides a fascinating glimpse into the displayed works.  One of the challenges of showing work that is in book form is how to share all its surfaces, spaces, elements and facets. Most of the works in the show are under cases. One is accompanied by a pair of white gloves for viewers to don and turn its pages. One hangs from the ceiling, and others are on the wall.

My beloved Mark Henry Samuel,  enjoying a well-deserved moment, after an intense drive through Friday night rush our traffic from Santa Monica to Long Beach. What a gorgeous night!

Wonderful to see mentor, colleague, teach and friend,  Sue Ann Robinson, Curator Emerita of the LBMA, and devoted member of the California Chapter of the Guild of BookWorkers


Love this broadside by Jean Gillingwators.


Sue Ann’s great work Chisholm Hours.


Great to see Andres Payan Estrada, Curator of Public Engagement at the LA jewel, Craft Contemporary.

Proud to show and share my work in this beautiful venue alongside wondrous artists and makers and lovers of the Book,
in all its forms.

Gratitudes.

Exhibitionista: on “Brand”

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So thrilled to be part of the Brand Library and Art Center‘s Brand 47 Works On Paper show, current iteration of this concept.

Juried by Alma Ruiz, former curator at MOCA.

I showed Burning Bush, 2018, 7.5 x 11 x 5.5″, board, sewing thread, mulberry paper, linen thread

 

Gratitudes.

Exhibitionista: “All Stitched up” with everywhere to go…

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Thank you to my sister Susan, for attending the opening of the “All Stitched Up” show in the Collins Library at the University of Puget Sound, on September 14th. Too far for me to travel in this moment, especially as were driving back from the Bay Area at that time!

“To stitch is to join together, to mend, or fasten as with stitches – to sew. To stitch is to bring together fabric, paper, wounds of the body, or cultural divides. Stitching can be an act of healing, hope, practicality, creativity, and revolution. All Stitched Up recognizes and celebrates the work of book artists’ where stitching has become an integral part of the visual design.” — Curators Catherine Alice Michaelis, Jane A. Carlin, and Diana Weymar  

Susan took some great pictures, which is critical, as artist books, indeed, any kind of book, is challenging to display, being composed of so many different parts, all of which cannot be seen at the same time. Such is the magic and mystery of this old technology, the book.

Judging from this shelf, the show was themed in different ways, including color and materials.

Hey Susan…thank you! (Great haircut too…)

Susan even took a shot of my page in the catalog. Cool!  I ordered the catalog, a great effort put together by Curator Catherine Alice Michaelis.  Great way to support the show and celebrate the works it brought together.

Gratitudes!