Aires Rising is a six-woman show at the Irvine Fine Arts Center.
I am thrilled to have six works in the show.
Mixed media
“Tenuous Threads” at Atlantic Gallery
I am thrilled to be a part of:
TENUOUS THREADS
Contemporary Work Incorporating Textiles, Fibers, Threads and Mixed Media
January 24th – February 11, 2023
Opening reception of Tenuous Threads: January 26th, 5:30pm-8pm:
Atlantic Gallery, located in the historic Landmark Arts Building in Chelsea NYC, presents the exhibition: Tenuous Threads, juried by Patricia Miranda
All of life is connected through networks, systems, fibers and webs. Communication (visual, verbal, electrical, chemical, and kinetic) enables an exchange of information amongst all life forms. Tenuous Threads alludes to the delicate lines that bring us together and sets us apart; that joins us yet repels us. This show features innovative artworks that utilize textiles, fibers, threads (natural and synthetic) in sculpture, collage, 3D and 2D mixed media that communicates the strength and fragility of what binds all life.
I am showing:
Facing Darkness, 2020, 19 x 18 x .5″, mixed media: canvas, acrylic paint, lace, zipper, wood, hemp cord
Detail
EXHIBITIONISTA: “Aries Rising” at the Irvine Fine Ars Center
I am delighted to participate in:
ARIES RISING
Curated by Virginia Arce
Exhibition:
March 11–May 20
Irvine Fine Arts Center Main Gallery + Gallery 2
Opening Reception:
March 11, 2–4 p.m.
Rooted in the generative characteristics of spring, Aries Rising presents a collection of sculptural and two-dimensional artworks made of metal, fiber, and mixed media whose sensibilities reflect an organic source. Featured artists in the exhibition share a curiosity about human perception as it relates to the environment, both natural and manmade, reflected in their manipulation of material and form.
Artists featured:
Renée Azenaro, Debra Disman, Mirena Kim, Sofia V. Gonzales, Zara Kuredjian, and
Susan Lizotte.
EXHIBITIONISTA: “Tenuous Threads”
TENUOUS THREADS
Contemporary Work Incorporating Textiles, Fibers, Threads and Mixed Media
January 24th – February 11, 2023
Opening reception of Tenuous Threads: January 26th, 5:30pm-8pm:
Atlantic Gallery, located in the historic Landmark Arts Building in Chelsea NYC, presents the exhibition: Tenuous Threads, juried by Patricia Miranda
All of life is connected through networks, systems, fibers and webs. Communication (visual, verbal, electrical, chemical, and kinetic) enables an exchange of information amongst all life forms. Tenuous Threads alludes to the delicate lines that bring us together and sets us apart; that joins us yet repels us. This show features innovative artworks that utilize textiles, fibers, threads (natural and synthetic) in sculpture, collage, 3D and 2D mixed media that communicates the strength and fragility of what binds all life.
NEW WORK in 2021: “Forest Through The Trees”
I was happy to finally be able to have Elon Schoenholz Photography in to photograph works completed during 2021… fast away the old year passes…
Here I share “Forest through The Trees“, 15 x 42 x 12”, made of book board, canvas, hemp cord, ribbon, typewriter ribbon, acrylic paint, wood.
It is part of a monochrome series in black, through the colors of “black” are infinite, and change with light, material, juxtaposition, and how the viewer engages with the piece.
Comprised of two accordion-folded “spines”, the “book”, becomes a “box”, with a “door” that opens, expandable “walls”, and painted canvas “pages” held up precariously with wooden dowels. The piece can be presented and contemplated in numerous ways, and begs a tactile connection, through all of us working in book, and perhaps sculptural forms in general grapple with how to do this. How to have viewers engage with the work, participate in it, without having it worn away over time in the process…
We are seekers.
The Journey continues.
Happy New Year.
(exterior, closed)
(exterior, ajar)
(interior/exterior, open)
NEW WORK in 2021: Red Notebook (“Here’s To The Red, White and Blue”)
I was happy to finally be able to have Elon Schoenholz Photography in to photographs works completed/created during 2021, which continues to race by.
Part of an ensemble, suite, or installation of works entitled, “Here’s To The Red, White and Blue”, Red Notebook is structured as a “traditional” codex, with covers that open and pages that turn. Moderately, “red” (hence the “red” element of the “Red, White and Blue” theme-meme-trope?) it contains a great deal of black as well.
In the immortal words of Mark Rothko, “There is only one thing I fear in life, my friend; One day, the black will swallow the red.”
Made from a repurposed placemat, hemp cord, linen thread, canvas, and lace, it is 8.5″ high, 12.5″ when opened in full, and 6.5″ at greatest depth and opens left to right, from cover through pages to cover, bound together through a single signature.
The red and back play off each other in all their associations
Sewing, stitching, gluing, knotting, coiling, massing
Amassing, accumulation, the RED in
Up next.