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Debra Disman

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Exhibitions

THE CIRCULAR RITUAL OF SPRING

June 27, 2024 By Debra Disman

THE CIRCULAR RITUAL OF SPRING  CURATED BY SUSAN LIZOTTE

bG Gallery proudly announces an expanded version of The Ritual of Spring featuring round artworks from across the country curated by Susan Lizotte, now available on their online viewing room.

I am showing my work: ” I Smile At You With My Eyes”, made of cut, crushed and shaped magazine pages, repurposed cardboard and acrylic paint, created during the pandemic, relating to mask -wearing and faces being covered except for eyes, which became (and maybe always are) a central means of communication and expression as the rest of the face was covered.

Round art is graphic and can represent infinity, completeness, and wholeness. It symbolizes cycles, inclusivity, and unity, serving as a symbol of revolution and growth.

May 10 – July 11, 2024
Please see this Instagram Live interview about my work in the show and more, with Matt Hoffenberg”

This exhibition, and its in-person sister show, “The Ritual of Spring“, are inspired by Lucretius and his 1st century BC poem De Rerum Natura (“On the Nature of Things”) celebrating Spring and  its changing landscapes, the feeling of happiness given by a new season. Spring brings the urge to travel and show outward personal expression and a desire to celebrate a short lived season that echoes our own lives. 

 

Filed Under: ARTISTS, Exhibitions, TEXTILE/FIBER, Work Tagged With: bG Gallery, Contemporary Art in Los Angeles, Goup Show, I Smile At You With My Eyes, LA Art Scene, Matt Hoffenberg, Online Show, Round Art, SANTA MONICA, Susan Lizotte., The Circular Ritual of Spring, The RItual of Spring, work on paper

Boxed Set: Pulp, Paper and Profusion

June 10, 2024 By Debra Disman

I am moved and honored to have my work chosen by the Sebastopol Center for the Arts to grace one of the notecards in a boxed set designed to share about, promote and commemorate the show: Pulp: Book and Paper Arts presented in the Spring of 2024.

Thank  you to SebArts for this opportunity!

 

 

Filed Under: ARTISTS, Artists' Books, AWARDS, BOOKS, CATALOGUES, Exhibitions, MEDIA, Publications/Interviews, TEXTILE/FIBER, Work Tagged With: "Profusion", ARTIST'S BOOKS, award, boxed card set, boxed set, card, card image, Exhbition Card set, Exhibition, honor, Notecards, PULP, PULP: Paper and Book Arts, SebArts, SebArts Store, Sebastapol, Sebastopol Center for the Arts, Sebastopol Center for the Arts Store

In Reflection: “Three Sisters And Their Mother” and more

February 5, 2024 By Debra Disman

I was thrilled to have a solo exhibition last winter at ReflectSpace Gallery, part of Glendale Arts and Culture, in the Glendale Central Library which opened Saturday January 28th and was on view through March 19,2023.
The show, a dream come true that I did not even know I  had, was curated by the wonderful Ara and Anahid Oshagan of The City of Glendale and founders of the gallery..

I was fortunate to have master photographer Gene Ogami document the show.

I share here two images featuring a work entitled, “Three Sisters And Their Mother”, which  engages a concept and presentation I am still exploring.

“Three Sisters and Their Mother” (2022),  made of canvas, acrylic paint, hemp cord, sunlight and gravity, is approximately 30” x 72”. Its dimensions are variable depending on how it is installed, the intervals of space between the components or sections, the way its ever-tangling cord/string wanders across each section, how high or low to the ceiling or the floor it is positioned, and how much in relief from the wall it is hung. As Eva Hesse once said about a work or works of hers… Can it be different every time…? (paraphrase). Naomi Spector writes beautifully about these ideas as regards to Hesse’s work.

Also pictured are: (below and clockwise from “Three Sisters And Their Mother”)
“I Can’t I Won’t I Will I Do”, (The titular work in the show), 2022,13 x 71.5”, repurposed table runner, acrylic paint, linen thread
“Finally”, (can hang on wall in slight relief), 2022, 48 x 19.5”, canvas, lace, hemp cord, sewing thread
“Excavation of the Interior”, 2021, 12″ x 28″ x 12.5″, wood, mulberry paper, canvas, muslin, watercolor paper, hemp cord, linen thread
Our human connections, gossamer though they may seem, form a tangled web that is always changing, and in some ways unfathomable, but there and always mysterious.

 

Filed Under: Exhibitions, New Work, Presentations, TEXTILE/FIBER, Work Tagged With: "Excavation of the Interior", "Finally", "I Can't I Won't I Will I Do", "Tree Sisters and Thier Monther", abstract, abstraction, Anahid Oshagan, Ara Oshagan, Book Festival, BOOK WORKS, Bookmakiing Workshops, Books, City of Glendale, Cord, Curators Ara Oshagan and  Anahid Oshagan, Director of Glendale Library Arts and Culture Gary Shaffer, Eva Hesse, Fiber, Fiber Art, Frida Cano, Gene Ogami, Glendale Arts and Culture, Glendale Central Library, Glendale Library Arts and Culture, Glendale Mayor Ardy Kassakhian, Handmade Books, Hangings, Jennifer Remenchick, Laurey Bennett-Levy, Mark Henry Samuel, Michelle Robinson, Naomi Spector, Rebecca Youseff, RefectSpaceGallery, Senator Anthony L. Portantino, series, Solo Exhibition, Solo Show, Stacie B. London, String, Suzanne Voss, Tapestry, Textile, Textile Art, Textiles, triptych

“String Theory” plays at the Cultural Center of Cape Cod!

January 30, 2024 By Debra Disman

I am thrilled to be participating in “String Theory“, an exhibition focusing on the versatility and creative potential of fiber, at the Cultural Center of Cape Cod.

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Opening Reception Friday, February 9, 5–7pm

Exploring the possibilities within fiber art to showcase the beauty and versatility of the medium.

FIBER ART can be see as both a new and an old form of art. The use of fibrous materials—woven, knitted, printed, wrapped, tied, sculpted, etc.—has long been a part of human culture. Traditionally, fibrous materials emerged as functional objects but in the aftermath of the World War II and with further investigation into the nature of an art object, fiber art slowly became a force and a movement in its own right. 

DURING THE 1950s, as artists received recognition, the term “fiber art” was coined to help describe and categorise their work. During this period, the contribution of craft artists—not just in fiber but in clay, ceramics, and other media—inspired a number of weavers to begin binding fibers into non-functional and non-objective forms to create works of art. The two decades that followed, the 1960s and the ’70s brought an international revolution in fiber art. With the rise of the women’s movement, and the consequences of feminist art, along with the birth of postmodernism theory, fiber art was reinforced and popularized.

FORMS OF FIBER ART include sewing, quilting, needle point, macrame, weaving, felting, crocheting, knitting, embroidery, rug-making, basket weaving and many more. As the years pass, different forms of fiber art have increased and decreased in popular artist interest. Macrame, for example, became very popular during the Victorian era, faded out of focus, then regained popularity in the 1970s. Today fiber art, in all its increasingly varied forms and styles, is more popular than ever and os one of the fastest-growing art forms of the 21st century.

The exhibition explores the wide range of possibilities within fiber art, including but not limited to weaving, knitting, crocheting, embroidery, and felting. It will showcase the beauty and versatility of fiber as a medium.

I will be showing a work that has not yet been exhibited publicly: 

Blue Tapestry (Here’s To The Red, White + Blue), 2021, 18.75 x 6.5″
a hanging textile work made of hemp cord, linen thread and repurposed plastic placemat material.
This work is part of a three piece series, which also includes “Red Notebook” and “White Album”,  created in response to the re-evaluation of our national identity provoked by recent and historical events and conditions, and resulting turmoil.


VIEW THE SHOW VIDEO!

Filed Under: ARTISTS, Exhibitions, TEXTILE/FIBER, Work Tagged With: Cape Cod, Cape Cod Culture, Contemporary Art, contemporary art using fiber, Contemporary works engaging fiber, Craft, crocheting, Cultural Center of Cape Cod, embroidery, felting, Feminist, Fiber, fiber artworks, fiber as a medium, fibert artist, Group Show, knitting, Molly Demeulenaere, Paper, Red White and Blue, Stitching, String, String Theory, Textiles, The Cultural Center of Cape Cod, Thread, Weaving, Women's Work

CONCURRENCIES Charlotte Salomon and Eva Hesse: Genius, Trauma and the Creative Imagination

January 22, 2024 By Debra Disman

Thanks to Ara and Anahid Oshagan, Helena Grigorian, ReflectSpace Gallery, Glendale Central Library. Glendale Library Arts and Culture, and the City of Glendale for this deeply gratifying opportunity.

     

Filed Under: ARTISTS, Artists' Books, BOOKS, CATALOGUES, Exhibitions, New Work, Women Artists, Work

ARTISTS TALK at the IRVINE FINE ARTS CENTER!

January 4, 2024 By Debra Disman

In May of 2023 I was privileged to participate in an

IRVINE FINE ARTS CENTER

ARTISTS PANEL DISCUSSION

 about the exhibitions NORTH NODE and ARIES RISING exhibitions

It was fun, it was fascinating, it was fitting!

If you would like to see and hear it, please go to:

ARTISTS PANEL

and use the
PASSWORD: !5V@zPur

I was one of six women artists in

ARIES RISING
Curated by Virginia Arce

March 11–May 20, 2023
Irvine Fine Arts Center Main Gallery + Gallery 2

“Rooted in the generative characteristics of spring, Aries Rising presents a collection of sculptural and two-dimensional artworks made of metal, fiber, and mixed media whose sensibilities reflect an organic source. Featured artists in the exhibition share a curiosity about human perception as it relates to the environment, both natural and manmade, reflected in their manipulation of material and form.”

Artists featured:
Renée Azenaro, Debra Disman, Mirena Kim, Sofia V. Gonzales, Zara Kuredjian, and
Susan Lizotte.

Filed Under: ARTISTS, Artists' Books, BOOKS, Exhibitions, New Work, Presentations, Women Artists, Work Tagged With: Aries Rising, Art By Women, Art of the Book, Art of Women, Artists in Discussion, ARTISTS' Panel Discussion, Artists' Talk, City of Irvine, Clay, Debra Disman, Exhibition, Fiber, Group Show, Installation, Irvine, Irvine Fine Arts Center, Los Angeles Contemporary Artists, Metal, Mirena Kim, Mixed media, North Node, Painting, Renée Azenaro, Sculptural, Sculpture, small group show, Sofia V. Gonzales, Susan Lizotte., Virginia Arce, Women Artists, Women-identifying Artists, Zara Kuredjian

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