Artist
Studio at 18th Street Arts Center…in process.
Older work…still under scrutiny.
making of the walls leading to the closet a Gallery.
This makes it easy to continue to peruse this work.
Earlier work: handmade books, artists’ books, sculptures.
Supplies, materials, material, samples, readymades, and student clay works, next to, and below.
Air dry clay dries fast in the Studio.
Material world…
and worlds.
From whence we go, denim.
OnWards.
I became a local artist in residence at 18th Street Arts Center in Santa Monica the third week in September, 2018. My posts, while a chronicle of sorts of the experience, won’t necessarily , nor summarily, begin at the beginning.
Works in various states of completion.
Love lots of Light. Let There Be Light in the studio.
A work begun during my studio residency at the Art Lab at 1450 Ocean (in Santa Monica)
Like a book, or any work, this is a process. The beginning, can be seen from many viewpoints.
Canvas, hemp cord, found cord, book board, watercolor paper.
Like life, work ifs filled with loose ends.
Spine
Sometimes these can be beautiful.
Page turner
We turn the page.
Moving through, loose ends, unraveling, stitching, keeping it together.
Something new emerges. just that slightly different then the before.
Moving on.
It has been exciting to lead programs at the Granada Hills Branch Library of the LAPL, as part of my Artist in Residency there: “We Write the Book“, supported by the Los Angeles Department of Cultural Affairs
In honor of Native American Heritage Month, participants created multi-dimensional “Tunnel Books“, theatre-like structures comprised of a backdrop attached to an accordion-folded “spine” on either side.
Makers then added their own “cross-pieces” , cutting out strips in the shapes of mountains and more, and attaching them to the spines so that they traversed the width of the book, creating a place to add figures and other images to create their unfolding story, tableau or diorama.
As usual, attendees wowed with their use of color, shape and materials, imagination and creativity!
It is a materials world.
Families work together.
Attention to detail.
Making is an active sport.
Careful cutting.
Focus.
Sketching out the concept.
Use of feathers animate the image.
Majestic purple…
Showing off the completed book!
Creating a beautiful place to be.
Was this maker hungary? He created an ice-cream shop…
Fun use of materials.
Brilliant colors, black framing and carefully chosen use of select materials make this piece a stunner.
If you are in the area, join us for a Winter Community Celebration at the Granada Hills Branch Library on December 19th from 1:30 – 5PM.
There will be “Envelope Bookmaking”, refreshments, sharing of works, and lots of fun!
Using the term “white” very broadly.
It is really the layering of similar hued discrete textures and materials and the richness, emotions and feelings this creates…thread on paper, paper on cloth, cord on cloth, paper on board. Cord, string and thread falling to the tabletop, gathering, bunching, tangling, hanging or stitched, taut, linear.
“Texō“…”I weave.” Texture, textile, text, context.
Endless combinations, permutations, variations.
A simple post sharing about a simply lovely program I was privileged to lead at the Bell Library one of the many fine Los Angeles County Libraries serving their patrons with devotion, commitment and love!
Parents, children and Library Staff participated. The wonderful Library provides programs every week, so if you are in their vicinity, please check them out and take advantage!
We had a beautiful creative group. Many participants knew each other, and had fun chatting during the program.
Mother and daughter duo, doing.
The younger brother in a family of four sibs, this young artist reveled in all of the materials, and the opportunity to create.
A beautiful soul creates a beautiful book, heartfelt.
I am thrilled and honored to be included in: Blackout, Ashton Gallery / Art on 30th‘ s National Show, which promises to feature, “ the best pieces from all over the country that include the color black: seductive, powerful, elegant, formal, prestigious, and mysterious.”
Image identifying the show
The show was juried by Daniel Foster, who “has an extensive 30-year career in arts and museum leadership in San Diego and Southern California. He is the past Executive Director of the Oceanside Museum of Art (2012-15) and the Riverside Art Museum (2003-08), in addition to past positions with the San Diego Art Institute, UC San Diego Visual Arts Dept., San Francisco Art Institute, and the Headlands Center for the Arts. Additionally, Foster founded and launched the North County Arts Network in 2014 and the Arts Council for San Bernardino County in 2012 (when he was the President/CEO of The Community Foundation). Foster is a conceptual and multi-disciplinary visual artist and poet.”
I will be showing my work, “Maximum Security“, (2018) a black on black on black “sculptural book”, made from book board, wood, mulberry paper, paint, canvas, watercolor paper and hemp cord. It stands upright on a pedestal, shelf, table or other surface parallel to the floor. When opened, it can span up to 18″ wide. 5″ x 18″ x 10.25″
I look forward to seeing images of other pieces in the show…and hope it is such a intriguing exhibition that viewers all but faint.
Kidding… (almost…)
If you are in or around San Diego, check it out!