Artists' Books

Traversing the LIMINAL

July 14, 2021 By Debra Disman

I am honored to participate in:
Liminal
An online exhibition curated by Jennifer Gillia Cutshall for
Verum Ultimum Art Gallery, Portland, OR
which tasked artists to define “Liminal” for this first edition of this exhibition.

Liminal is defined as

relating to a transitional or initial stage of a process.
occupying a position at, or on both sides of, a boundary or threshold.

One could argue that artists are conditioned to occupy the liminal state. And a successful studio is a space in flux, poised for adaptation (to projects, challenges, and materials). The focus of the artist is the creative process or the place between the 2 boundaries of “the beginning” and “the outcome or result.”

A gallery benefits from maintaining that liminal state, too (adaptation is a constant).

Verum Ultimum is celebrating it’s eighth year and this exhibition serves to herald the artists unique vision…especially during these challenging times!

“LIMINAL is the word that came to mind when I considered the past year into now. A time of uncertainty, anxiety, the in-between, and also, of possibility. Transition.” Debra Disman

Read all the Artist Statements on “LIMINAL“

View the Show!!!

The Fine Art of Denim

July 9, 2021 By Debra Disman

at Monmouth University Center for the Arts Pollak Gallery
running from June 17 to August 14 , 2021.

It is a fascinating show, showing the emotive, expressive and visceral qualities of denim as a material, and its rich potential and capacity to communicate a range of human experiences, ideas, passions and concepts.

I am honored to be showing two works from my “Reading Color” series which are artists’ books featuring denim as the primary material:

Reading Color Reading Color I, 8.75 x 13.25 x 6.25″, mixed media/artists’ book (denim, acrylic paint, board, hemp cord)

Reading Color VI, 7.5 x 17 x 8″, mixed media/artists’ book (denim, acrylic paint, metal, hemp cord, board, paper)

“Denim, with all its symbols and dualities, is a common item of clothing that unites many around the globe. Dad Jeans, skinny jeans, low riders, bell bottoms, boot leg, wide leg, no leg, 501s, 504s, button fly, stretch jeans, the American dress code writ large across centuries. With so many styles available and ways to accessorize/manipulate the fabric, denim has historically allowed for a freedom of expression representing both individuality and shifts in cultural movements. Denim comes in a wide range of blues and other colors, washes, fades and textures making it a perfect, but not obvious, medium to create fine artwork. Join us now, for a re-imagining of the meaning of denim. Denim that was discarded can open up a new way of looking, a startling way of seeing past the everyday. What we have abandoned, will be presented again, re-purposed from the lives we lived, to moments we experience together “forever in blue jeans.”

Monmouth University’s Center for the Art is exhibiting the work of artists who use recycled denim in new and creative ways in paintings, sculpture, collages, small constructions and wall hangings, etc. from June 17 – August 14 , 2021 in the Pollak Gallery. Works shown use denim as the principal medium of the piece and the fabric are reconstructed from its original form in some way. “

See The Show Here!

“Torrent and Tangle” in “Turmoil and Transformation”

June 25, 2021 By Debra Disman

I was excited to participate in the “Turmoil and Transformation” show at the Hera Gallery and Educational Foundation, a non-profit, artist-run organization that has continued to stimulate discussion and challenge perceptions for over 40 years. This creative space has allowed countless artists a place for transformation, exploration, and community with one another, BRINGING CREATIVITY TO THE COMMUNITY SINCE 1974

“2020 was a year that was filled with worldwide turmoil. The Pandemic. Another reckoning with racism and police brutality. Climate Change, wildfires, hurricanes, and droughts. The undermining and politicization of science. The widening political divide. An election with voting rights, healthcare, immigration, paid sick leave, income inequality, living wages, reproductive rights, LGBTQIA rights, our environment and the future of democracy at stake.

This begs the question:
Is this turmoil leading to transformation? And what kind of transformation is it going to be?“

Read about the show here !

Hera Gallery/ Hera Educational Foundation presents work that addresses the current turmoil and visions of our future. What are the emotional, physical and spiritual effects of the turmoil and how might they manifest into the transformation? What does our world look like and what might it look like post-2020. Will transformation reflect the multiplicity of voices of America? How will our future be transformed by the current chaos?

The exhibition juror, Francine Weiss is the Senior Curator at the Newport Art Museum in Rhode Island where she curates exhibitions of contemporary art, photography, and American art. Her recent exhibitions include “Andy Warhol: Big Shot,” “The Shapes of Birds: Contemporary Art of the Middle East and North Africa,” and “Domestic Affairs” among others. Her past positions include Curator at the Photographic Resource Center (Boston, MA), Acting Assistant Curator in the Department of Photographs at the National Gallery of Art (Washington DC), Curatorial Fellow at the deCordova Sculpture Park & Museum, and Curatorial Fellow of American art at Harvard University Art Museums (both in MA) among others. She has taught art history at Wellesley College, Simmons College, and Boston University (all in MA) and has taught and advised students in the MFA program at the Institute of Art and Design at New England College. Dr. Weiss has a Ph.D. in American studies, specializing in art and photography, from Boston University and a B.A. from Wellesley College in English. She has received fellowships from the Smithsonian Institution (Washington DC), Georgia O’Keeffe Museum and Research Center (NM), Center for Creative Photography (AZ), The Huntington (CA), and Harry Ransom Center (TX). She has published widely on photography and American art.

See the virtual exhibition, and hear the artist talks here!

I was honored to show:
Torrent and Tangle: Keep Your House in Order, (aerial view) 2019, 10.5 x 25 x 18”, mixed media (book board, lace, ribbon, mulberry paper, hemp cord, watercolor paper)

2021 Los Angeles Open at TAG

June 24, 2021 By Debra Disman

TAG Gallery Proudly Presented
The 2021 Los Angeles Open,
May 11 — June 5

This year, TAG celebrated local area artists with a dedicated showcase from May 11-June 5 in our Sky Gallery in the upstairs loft at TAG.
I was honored to be included.

Participating artists included:
Mariko Bird, Milan DelVecchio, L. Aviva Diamond, Debra Disman, David Emmett, Taz Essa, Pat Shafer Falkner, Tony Gangitano, Daniela Garcia, Kyoung Han, Andy Hann, Gina Herrera, Tom Lasley, Nancy Goodman Lawrence, Monica Marks, J.D. Mathes, Nelson Munares, Vojislav Radovanovic, Brian Reynolds, Emily Sunez, & Michael Usher.

Each artist had 48 inches of linear wall space to highlight their work. In a novel concept, artists collaborate with TAG’s in-house team of artist curators and staff to build each display.

Textile, fiber, zipper string

“Steppin'”, “Facing Darkness”, “White Zip” on wall, and “BedTime Story” (on pedestal).

“Ellipse” with the work of L. Aviva Diamond.

The Fantasticalness of Fiber

June 15, 2021 By Debra Disman

I was honored to participate in FANTASTIC FIBERS 2021 at the Yeiser Art Center.
What a fantastic experience!

“One of Yeiser Art Center’s most engaging and innovative international exhibitions, FANTASTIC FIBERS is showcasing a wide range of outstanding contemporary works related to the fiber medium.”

HISTORY:
The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber. Paducah becomes a Mecca for quilters and quilt enthusiasts each April as more than 30,000 visitors from across the globe attend AQS QuiltWeek.

I showed “PROFUSION” a sculptural Artists’ Book made of book board, mulberry paper, paint, canvas, watercolor paper and hemp cord. It stands upright on a pedestal, shelf, table or another surface parallel to the floor. When opened, it can span up to 24.5″ wide:

JUROR: Sandra Johnson
“My quilt journey started over 30 years ago and I continue to be inspired by the myriad of fabrics and techniques learned over time. I am a passionate teacher who encourages students to create unique fabric creations, whether the end product is a quilt or garment. Creating what is important to the maker is a joyful experience that I try to pass on in my workshops. Wherever you are in your design process my goal is to inspire your creative “genius” and improve your techniques.
Hand sewing with my grandmother started it all. From the beginning, the process of transforming fabric into art struck me as magical. Sewing was the foundation that led me into quilting. What started as a hobby turned my passion into an artistic reality.
I love to hand stitch using the traditional Japanese Sashiko and Boro embroidery styles and incorporating them as a decorative feature into my designs. The concrete, repetitive nature of this work frees my imagination provides many opportunities for happy accidents and grace to influence the finished product.
My core materials for quilting are thread and fabric, however, I often employ recycled denim, yarns, dyed fabrics and stamps to transform the ordinary into the extraordinary. I hold a B.S. in Clothing, Textiles and Design from Arizona State University, Tempe, AZ.
Recently, I discovered modern quilting: simple, crayoned patchworks that resonate deeply with my fiber work. Inspired and invigorated by a renewed sense of continuity, and awed by the mystery of how creation occurs, my process allows me to explore visions to enable my creative work to evolve and grow.”

TOUR THE SHOW!!!!

Worth “A Thousand Words”

June 7, 2021 By Debra Disman

It was a pleasure to participate in Core New Art Space‘s exhibition:

Juror, Richard Chamberlain, pursues several lines of work in visual and performing arts and is a published poet as well. He was looking for: “….works that tell a story. Realistically, abstractly or expressionistically inspired by literature and legends, poetry and parables, novels and narratives, myths and metaphors, artworks have their own fictions, fables, folklore or fairytales. Artworks can be worth a thousand words. The exhibited works were judged on overall impact, content, composition and mastery of techniques, as well as attention to creativity and craftsmanship.”

Below are images of the show, including my work, “Window Treatment“, a sculptural artists’ book,
perhaps evoking the film, “Rear Window”.
What stories go on behind these windows?!