Debra Disman

Artist

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Debra Disman

“White and Texture (Monochrome Unity)” at the Cultural Center of Cape Cod

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I am thrilled to participate in  “White & Texture [Monochrome Unity]” at the Cultural Center of Cape Cod!
As they state:

“Artists were invited to explore the profound subtleties and striking complexities of using white as the driving color and how texture within the white can inform the execution and the narrative of an artwork, as well as to to explore the effect of this limitation – without a “conventional” color palette.

When the artist is freed from tradition, from expectation, and from the weight of history, there is an opportunity for release, exploration, and the unexpected. For White and Texture [Monochrome Unity], artworks were sought that find the emotion without using color. Uniformity, tranquility universality, simplicity, purity, or abstraction may all come to the surface and create a beautiful tension between what is missing – color, tradition, and form – and what is gained – innovation and the unexpected.

Our desire from the artist is not the search for simplicity but the discovery of a new way of creating and a different way of expression. We hope Monochrome Unity will drive the artist to look for new solutions to an artistic challenge; to use shades of white and embrace texture to provide the ‘color’ that will then provide the energy and emotion.

The work of such artists as Michael Buthe, Piero Manzoni, Joan Nixon, and ceramic sculptor Maria Barttuszova provide us with a broad template of the experience to create in the Cultural Center.

White & Texture [Monochrome Unity] will fill our galleries, creating a visual harmony and coherence and like never before, give a visitor experience like no other.”

I hope so.

I am showing WHITE ZIP, and look forward to seeing what others present for this unique show. I know i, for one, will be highly engaged.

21.25″ x 20.5″ x .25″, canvas, acrylic paint, lace, zipper, hemp cord, linen thread, wood

Joy in Evidence at Intersect Art Center

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“EVIDENCE OF JOY” is a group exhibition at Intersect Arts Center curated by April Parviz, who says:

“Today I went to the doctor. On the sign-in station there sat a small snowman made from an old salt and pepper shaker. His head was a little styrofoam ball. His hat was the lid of the shaker, and inside his little bottle tummy were a bunch of what looked to be miniature cotton-balls. As I waited to be checked in, I observed the fact that someone had made it. She didn’t have to. But she was perhaps feeling the joy of winter, and she wanted to share her joy. The snowman wasn’t sitting in her home, it was sitting here, for me to enjoy. And I did enjoy it. The reflection that she had experienced joy in making it, and the fact that she had done it selflessly, with no expectation of thanks, brought me joy. 

After my reflection on the sweet little snowman, I began to see evidence of someone else’s joy, intentionally being shared with strangers, everywhere I went. The person in the house five doors from mine, has a little jar of complimentary dog treats out on a bird feeder hanger in their yard, right by the sidewalk. People have lovely seasonal wreaths hanging on the outside of their front doors, not on the inside. Painted rocks are mysteriously left in people’s gardens by strangers. I’m sure that now I’m aware of this, I’ll be seeing evidence of joy everywhere. And strangers will discover footprints of my own joy, making their footprints joyful too.

When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! “

The show puts together visual works and text which come together to create and offer Joy.
such as this poem by the inimitable
 Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often thecase. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.” — Mary Oliver, 2017

VIEW THE CATALOGUE to see and read more
SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!

I am thrilled to have two pieces in the show:
Narrow Bridge, 5.5 x 16 x 3.5″, board, paper, fabric, linen thread

and
BedTime Story, 12 x 28 x 8.5″, book board, textiles, cloth, clay, beads, hemp cord, watercolor paper

SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!
VIEW THE CATALOGUE!

Northridge Branch Library “Writes the Book”!

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I am thrilled to work again with the Los Angeles Department of Cultural Affairs Neighborhood Engagement Artist Residency (NEAR) program for 2024-25!

I will be an artist-in-residence at the Northridge Branch Library, conducting bookmaking workshops and events for the local community and library patronage from September 2024 through April 2025 on selected Saturdays as well as during the week after school.

I am honored to be serving the City of Los Angeles again through the DCA. Let the bookmaking begin!
See the INFORMATION HERE!

WOMEN : Defining Our Representation and Making Our Mark

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Every Year is the Year of the Woman!

Here are two inspiring Artist Roundtables from two inspiring shows I am proud to be a part of:

Women. Defining Our Representation
Presented by Black House Artist


See and listen to the ARTIST ROUNDTABLE!
My roundtable presentation in good company!

and

Women Artists Making Their Mark
Presented by The O’Hanlon Center for the Arts


See and listen to the ARTIST ROUNDTABLE!

 

INTERPLAY of Texture, Color, Form and Materials

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INTERPLAY, the Surface Design Association exhibition at the The Dairy Barn Arts Center’s O’Bleness Gallery

I am thrilled to participate in INTERPLAY, organized by the SDA!
(The awesome Surface Design Association!)
Presented at the The Dairy Barn Arts Center’s O’Bleness Gallery
8000 Dairy Lane
Athens, OH 45701
June 28 – September 5, 2024
Opening Reception:
June 28, 6 – 8PM
I am showing:
“Rent Wound Tear, Mend Heal Repair”
64 x 68 x .5″, (variable), canvas, paint, hemp cord, string, lace

SEE THE SHOW HERE!

Interplay presents works that explore parallels, synergies, or tensions between two or more ideas. Artworks may examine connections between seemingly unrelated concepts, map relationships between maker and materials, or reflect interactions between maker and tools. Works employ traditional, interdisciplinary, or collaborative methodologies.

Honoring the diverse range of approaches within fiber art and highlighting the rich tapestry of multicultural links, Interplay looks toward a future informed by the past, bringing together ideas for fresh reflection, reinterpretation, and deeper understanding.

Juror:
Due to her inimitable curiosity, Annet Couwenberg has pursued the ongoing conversations between traditional textile production and digital technologies throughout her art and teaching career. Couwenberg’s art, informed by her early work in the fashion industry, is diverse and includes sculptural forms and jacquard weavings as well as work with fish fossils and skeletons inspired by her study with a fish scientist as a Smithsonian Artist Research Fellow at the National Museum of Natural History. Couwenberg’s interdisciplinary work has demonstrated her capacity to create new realms. As a researcher of both traditional textiles and emerging techniques, she embraces a multi-directional knowledge exchange between new and established, creating art that visualizes methodologies to protect and preserve traditional practices while also expanding upon them. Born in The Netherlands, Couwenberg moved to the United States to receive MFA degrees at Syracuse University and Cranbrook Academy of Art. She has worked internationally, including in Korea, Turkey, Germany, Italy, Portugal, Poland, and The Netherlands.

Mark your calendars for Wednesday, July 31, 2PM ET for the Interplay Textile Talk and be on the lookout for our online gallery –  links coming soon!

SEE THE SHOW
LISTEN TO AND VEIW THE Interplay: Limitless Connection TEXTILE TALK

Interplay: Limitless Connections
Surface Design Association

THIS TEXTILE TALK
Join us as we celebrate three exhibitions highlighting the very best contemporary fiber art. We’ll hear from Interplay award winners Lyndsi Schuesler and Ji Young Kim, along with exhibition juror Annet Couwenberg. Interplay honors the diverse range of approaches within fiber art and looks toward a future informed by the past while bringing together ideas for fresh reflection, reinterpretation, and deeper understanding. Held in conjunction with Interplay, Echoes: A Solo Exhibition by Rena Wood pays tribute to textile histories and past makers. Rena will give us an inside look into the ways she imagines repetitive hand work and its connection to time. Moderated by Nora McGinnis, Interplay: Limitless Connections features artists who encourage us to think in new ways while also honoring tradition.

 

WOMEN ARTISTS MAKE THEIR MARK

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WOMEN ARTISTS MAKING THEIR MARK 2024
Co-Juried by Donna Seager of Seager Gray Gallery
and Priscilla Otani of Arc Gallery. 

SEE THE SHOW!

July 23 – Oct 1

Tuesday, July 30 at 4 pm Pacific Time
Zoom Roundtable with Jurors

Download Exhibit Catalog (PDF)

I am delighted to have two works shown in this exhibition:

K no W Safe Place, 2023, 60 x 48 x 48″ canvas, netting, hemp/nylon/cotton cord, lace, ribbon, paint, wood

Torrent and Tangle: Keep Your House In Order, 2019, 10.5 x 25 x 18, book board, hemp cord, paper, paint, lace, ribbon

Please see my works on Page 6 of the Exhibit Catalog

Continuing their annual show devoted to women artists, O’Hanlon Center for the Arts is committed to bringing more gender equity to the world of art. This 16th year we extend our reach around the globe to artists who identify as female.

The works in the exhibition are all created by persons who identify as female.
1103 works were submitted and 79 works were selected for this exhibition.

The curation and presentation of the selected work are exceptional. The  O’Hanlon Center for the Arts  promotes the artists through social media, print media and email outreach.  Please see the printable Exhibit Catalog and the online shows are archived.

Visit their website to see examples of other online shows: https://www.ohanloncenter.org/exhibits/current/

O’Hanlon Center for the Arts emphasizes the creative process and the continued pursuit of meaning and authenticity through observation, exploration, and experimentation.