Debra Disman

Artist

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Debra Disman

“Collective Acts of Peace / Actos colectivos de paz” at 18th Street Art Center

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I am thrilled to participate in: Collective Acts of Peace / Actos colectivos de paz, an exhibition of 18th Street Arts Center in the Slipstream Gallery, at the Airport Campus. curated by Frida Cano.

“Artists in residence at 18th Street Arts Center are pleased to present Collective Acts of Peace, a selection of 18th Street projects with the aim of exploring different embraces of the creative mind in the midst of an endless global pandemic. Featuring the work of Alexandra Dillon, Ameeta Nanji, Crystal Michaelson, Daniela Schweitzer, David McDonald,  Debra Disman, Doni Silver Simons, Joan Abrahamson, Joan Wulf,  Julia Michelle Dawson, Labkhand Olfatmanesh, Lola del Fresno, M Susan Broussard, Melinda Smith Altshuler, Rebecca Youssef, and Susie McKay Krieser,  this artist-led project is on view in the Slipstream Galleries 18th Street Arts Center’s Airport Campus (3026 Airport Ave, Santa Monica) from March 14 – June 4, 2022. The exhibition highlights the connections among creatives who strive to make this a better world for all living beings, humans and non-humans alike.”

I am showing my triptych: “RENT WOUND TEAR, MEND HEAL REPAIR” in dialogue with artist Joan Wulf‘s works on view from her “Ruminations” series.


Debra Disman, “Rent Wound Tear, Mend Heal Repair”, 2022. Mixed media: canvas/acrylic paint/hemp cord/string. Exhibition view of “Collective Acts of Peace” at 18th Street Arts Center’s Airport Campus Slipstream Galleries. March 15 – June 4, 2022. Photo by Marc Walker.

Explore the show and accompanying events here!

I will be participating on this panel, with artist David McDonald on May 22nd!

JOIN US!!!!

Celebrate Poetry Month and Honor Earth Day through Bookmaking!

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Please join us online for our final Artist Residency  event of the season!

I will help you create a special handmade “closed spine” accordion book with simple pop-ups  honoring Earth Day and celebrating National Poetry Month!

 

When you sign up you will not only receive the supplies necessary to participate in the program, but a special artmaking materials good bag and Los Angeles Public Library SWAG!
This is an online program.

PLEASE  sign up using the link that we’ve set up: tinyurl.com/34a8nam9  so that we can provide you with the info we’re gathering using the form and also to minimize any questions about supply packets.so that we can provide you with the info we’re gathering using the form and also to minimize any questions about supply packets.

 For ADA accommodations, call (213) 228-7430 at least 72 hours prior to the event.

Para ajustes razonables según la ley de ADA, llama al (213) 228-7430 al menos 72 horas antes del evento.

I Hope To See You There!

Collective Acts of Peace / Actos colectivos de paz

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I am happy to be part of a unique exhibition:

March 14, 2022 – June 4, 2022
at:
18th Street Arts Center (Airport Campus)

“Artists in residence at 18th Street Arts Center are pleased to present Collective Acts of Peace, a selection of 18th Street projects with the aim of exploring different embraces of the creative mind in the midst of an endless global pandemic. Featuring the work of Alexandra Dillon, Ameeta Nanji, Crystal Michaelson, Daniela Schweitzer, David McDonald,  Debra Disman, Doni Silver Simons, Joan Abrahamson, Joan Wulf,  Julia Michelle Dawson, Labkhand Olfatmanesh, Lola del Fresno, M Susan Broussard, Melinda Smith Altshuler, Rebecca Youssef, and Susie McKay Krieser,  this artist-led project is on view in the Slipstream Galleries 18th Street Arts Center’s Airport Campus (3026 Airport Ave, Santa Monica) from March 14 – June 4, 2022. The exhibition highlights the connections among creatives who strive to make this a better world for all living beings, humans and non-humans alike.”

Gallery hours are Monday-Friday 11am-5pm, Saturday 12-5pm

Participating artists:
Institute of United Minds, a manifesto-driven project: Ameeta Nanji, David McDonald, Doni Silver Simons, Joan Abrahamson,  Melinda Smith Altshuler, and Susie McKay Krieser.: Alexandra Dillon: Crystal Michaelson + Rebecca Youssef, Daniela Schweitzer; Debra Disman + Joan Wulf, Julia Michelle Dawson, Labkhand Olfatmanesh, Lola del Fresno, M Susan Broussard

I am showing “RENT WOUND TEAR, MEND HEAL REPAIR“, 2022, a triptych made of canvas, acrylic paint, hemp cord and string.

My work is in dialogue with artist Joan Wulf’s three pieces made of cut-up and repurposed journals: Ruminations 2, 4 and 5

“Our submitted works engage processes of dissembling and weaving together repurposed materials, text and experience in an effort to reconfigure and make meaning of the past and present, find a way through trauma, and achieve clarity in the confusing banality of everyday life.
Through exploring new forms of artmaking we seek transcendence and deeper understanding for ourselves and the viewer. In this way, the proposed dialogue between our works becomes a collaboration of the spirit as well as the material, as we work to imagine and achieve what seems impossible within and without, and invite others to do the same.” — Debra Disman and Joan Wulf

Fantastical….2022!

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I am honored to be participating in FANTASTIC FIBERS, (2022), an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium. It was a wonderful experience to be a part of FANTASTIC FIBERS 2021, and i very much look forward to seeing (albeit online) all the works in this year’s show!

One of Yeiser Art Center’s most engaging, innovative & colorful international exhibits, Fantastic Fibers is an inspirational must-see for fine artists, quilters and textile art enthusiasts across the globe. The exhibition is comprised of contemporary and innovative works created with fiber as the primary medium or concept

The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber.

View a video of the show here!

JUROR: Matt Collinsworth
Matt Collinsworth became the new CEO of the National Quilt Museum during the summer of 2021.  Matt attended Georgetown College in central Kentucky and received his MFA from Ohio State.  He has been directing nonprofit organizations since 1998 and museum’s and other cultural organizations since 2003.  Matt has served as Director of the Kentucky Folk Art Center, Senior Director of Cultural Outreach at Morehead State University, Interim Director of the Lexington Art League, and Director of the National Music Museum.  Matt has curated and co-curated dozens of exhibitions that have appeared at museums and galleries across the country, including national and international traveling shows. He also produced numerous major exhibition catalogs, overseen large cultural events, and led several facility renovation projects. Matt lives in Paducah’s Lowertown Arts District with his wife, Kelly, his son, Eli, and (when she’s home from college) his daughter, Brynn.

I am especially thrilled to be showing “Excavation of the Interior”, a work completed in 2021, made of wood, mulberry paper, watercolor paper, muslin, canvas, hemp cord and linen thread.



Artist Amy Usdin photographs the show!


Exterior/Closed


Interior/Open


Interior/Detail


Exterior/Closed


Exterior/Spine-Back

35th Annual McNeese National Works on Paper

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I am thrilled to be part of this exciting SHOW!

I am honored to have two pieces in the 35th Annual McNeese National Works on Paper exhibition, opening Thursday March 24, 2022 juried by Jennifer Dasal, creator and host of ArtCurious Podcast, a podcast about art history, and previously Associate Curator of Contemporary Art, North Carolina Museum of Art.

Stop by if you are in the area!

I am showing:

Prairie, 10.25″ x 47″ x 15.25″, Mixed Media: Book Board, Paper Board, Watercolor Paper, Tissue Paper, Jute Cord

(Exterior/Front Cover)
(Interior/Open)
(Exterior/Open)

Burning Bush,  7.5 x 11 x 5.5″, Mixed Media: Repurposed Journal (board), Mulberry Paper, Linen Thread, Sewing Thread

(Interior/Open)

(Exterior/Open)

(Interior Detail)

Listen to juror Jennifer Dasal’s talk HERE!
“Walk” through the show HERE!
View all the wonderful works in the show HERE!

EXPO 41 at B.J. Spokes Gallery

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I am thrilled to be included in:


a virtual exhibition of the b.j. spoke gallery

The show was juried by Sewon Kang, Archivist at The Easton/Bourgeois Archive, formerly Curatorial Assistant at the Museum of Modern Art, in New York City, who selected the work of 15 artists. I am honored to be included in this roster of stunning creative makers.

Artists and their selected works can be viewed below. Enjoy

David Acquistapace, Saint Louis, MO
Kat Alyst, Austin, TX
Neville Barbour, Silver Spring, MD
Matthew Barton, New Orleans, LA
Kimberlyn Bloise, Edinboro, PA
Stephen Delaney, Middleton, MA
Debra Disman, Los Angeles, CA		 Eriko Kobayashi, Carbondale, IL
Anthony Adonis Lewis, Ashland, OR
Kambel Smith, Philadelphia, PA
Karen Theisen, Santa Fe, NM
Amy Usdin, Mendota Heights, MN
Jae Yun Yi, Seoul Korea
Dier Zhang, Brooklyn, NY
Foad Seyed Mohammadi, Gainesville FL

I am showing:
Excavation of the Interior, 2021, 12 x 28 x 12.5″, mixed media (wood, canvas, muslin, mulberry paper, hemp cord, linen thread, watercolor paper)

and
Forest Through The Trees, 2021, 15 x 42 x 12″, mixed media (book board, acrylic paint, hemp cord, wood, canvas, typewriter tape, lace, watercolor paper)

ARTIST STATEMENT                                              
 I work in the form of the book, in forms evoked by the book, and in multidimensional media of my own devising. Both as a solo practitioner and in the public sphere of community engagement I push the body and boundaries of the book into new media, materials and meanings to invite altered ways of viewing the world and how we inhabit it. Although much of the work continues to relate to loose definitions of the book as structure, it is moving into other sculptural and conceptual realms where devotion to material labor and a passion for the haptic become powerful motivators and themes. I am fascinated by the parallels between books and buildings in terms of architecture, meaning and utility. Each constructs public and private spaces where stories are “read” on many levels, often revealing more than their makers ever intended. My work seeks to offer places of contemplation, solace and bafflement, while instigating exploration, investigation and examination of what we think we know, and are.

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