Debra Disman

Artist

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Debra Disman

Upcoming Exhibitions 2025

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I am excited to start off the new year with two exhibitions, and appreciate the opportunity to share and commune with others, near and far.

DWELLINGS: An Exhibition of Inhabited Spaces
January 2 – February 2, 2025 at


I am thrilled to participate in the exhibition: “DWELLINGS: An Exhibition of Inhabited Spaces” at ARTLINK, at the Auer Center for Arts and Culture, Fort Wayne, Indiana. I love to get my work involved in events and shows all across the country and in areas not considered major art centers, and off the edges of the US. I find the commitment and caliber of shows, curators/jurors, artists and work to be audacious and  inspiring on all fronts. “For the exhibition DWELLINGS, juried Steve Garst, Artlink invited artists to submit works of any media that involve homes, shelters, forts, nests, burrows, or any other forms of inhabited space used by humans or non-humans. Where a creature lays its head can be a place of refuge, sustenance, and identity.  They are cauldrons of growth, filled with love, hurt, anger, learning, and memory.  Often, homes are constructed and, in turn, end up constructing the lives of those who dwell within them, for better or worse.  Artlink is excited to offer an exhibition exploring the variety of human and non-human places that serve as home, in all its numerous manifestations.” I am showing “Window Treatment”

Window Treatment, 2018, 13 x 38 x 9.25″, mixed media

and close upon DWELLINGS,

The 2025 LA OPEN, at TAG Gallery in Los Angeles
January 8 – February 24, 2025

I am thrilled to show two works in this fun and fantastic annual show!

The Body Politic: Black and Gold, 2024, 8.5 x 23 x 7″, book board, paint, canvas, metal leaf, lace, cord, netting, trim, beads

Hopes and Fears and…, 2020, 24.5 x 16.25″, textile samples, linen thread

Illustrious JUROR: Genie Davis 
Genie Davis is a writer who loves and writes about art as well as a wide range of other subjects as a journalist, biographer, novelist, and WGA-W screen and television writer. You can see her written work in the arts on her own www.diversionsLA.com as well as in past publications of Artillery, Art & Cake, Art Scene, Fabrik, and Riot Material.
She is the curator of 2023’s Leaving Eden, a two-person thematic exhibition at Keystone Art Space; September 2024’s Thresholds, a small group exhibition at Gallery of Hermosa; and upcoming in March 2025, the international exhibition Windswept at Wonzimer Gallery.

Here’s to meeting and marching into the New Year, with courage, bravery, heart and honesty, as much as we can…

 

Making Art Inspired By Great Artists: “Channeling” Louise Nevelson

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It was great fun to work with my girrrrlll power (my moniker) CREST Santa Monica Malibu School District after school programming students for our last meeting of our “Making Art Inspired By Great Artists” class, inspired by extraordinary artist Louise Nevelson.

The girrrllls (from grades 1-5!) used a variety of scrap and other wood object and pieces to create their own sculptural constructions using wood glue. They became designers, planners, builders, engineer and of course, artists and sculptors. Very inspiring!

 

Surface Design Association Instagram “Take-over”!

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The weekend of November 29-December 1 I had the pleasure, the honor and the fun of “taking over” (collaborating with) the Instagram account of the beloved  Surface Design Association or “SDA”, as it is commonly known.

It was so much fun, rewarding and delightful to get responses from and connections to many artists and makers I was not yet aware of, and peruse their beautiful and innovative work.

Thank you SDA, for this lovely opportunity, and for All you do for All of us.

Here are some of my posts (sans videos):
(You can see the whole collaboration, as well as continually added works on the SDA Instagram as well as my own)

Hello and a happy holiday weekend to All. I have the privilege of collaborating with the @surface_design this weekend, an organization I am thrilled to be a part of. SDA offers community, connection, education and wonderful opportunities. I have had the pleasure of participating in several SDA exhibitions, and I am honored to be in the company of other SDA artist members showing around the country! Thank you SDA, for all you do for all of us.

“LA Foret I, II and III” Adding complexity with each piece, as a stand alone, and components of a whole. They are made from hundreds of pieces of cord, glued to a raw canvas surface, painted on the reverse, and hanging at a slight remove from the wall.


(a different image of this piece is on Instagram)
“KnoW Safe Place”, 2023, 60 x 48 x 48″, canvas, hemp/nylon/cotton cord, lace, netting, lace, ribbon, acrylic paint, wood, archival adhesive.  Is there no safe place?  Do we ever know safe space?

“The Body Politic: Like White on White”, 2024, 9x16x7
book board, hemp, canvas, hemp/assorted cord, trim, acrylic paint, archival pva
Three dimensions reaching into three dimensions.


A treasured part of my practice is sharing the wealth as a teaching artist across LA County. I teach bookmaking and more in libraries, schools, museums and other venues. I value these collaborations with others such as librarians, whose expertise I respect and learn from! Thank you to the @culture_la and others for the opportunities you afford teaching artists in all disciplines.

Studio shot from the back by André Smits 
@artistintheworld713


Girrrrl powerFUL students from my “Making Art Inspired By Great Artists” class…creating their own textile hangings inspired by Faith Ringgold‘s extraordinary Story Quilts. Age range 1-5th grade, quite a range, and so talented.


It has been an honor to collaborate with the @surface_design over the past three days, and thank you, SDA for inviting me to do so. I leave you with “The Body Politic: Black and Gold“, 2024, 8.5 x 23 x 7”, made of book board, canvas, cord, netting, lace, trim, metallic leaf and beads. A book-inspired object that references the body as well as adornment and asks is what is precious; which can be presented in multiple states of open and closed; hints and glints at secrets, yet contains nothing on its pages except that which we project. Wishing all a healthy and peaceful holiday and strength for the New Year.

MAS Attack at the Torrance Art Museum!

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 Show Up, Share Art, Stand Together

MAS Attack Returns to TAM Dec 13th!

MAS Attack Returns to the Torrance Art Museum (TAM) – Friday, December 13th, 6-9pm
Calling all artists in SoCal—join us for a pop-up exhibition of solidarity!

After a challenging and divisive period, many artists are uncertain about the future. But the future starts now—and we are stronger together. Join us for the return of the Mutual Appreciation Society event—MAS Attack! This one-night-only exhibition invites all artists to share work that reflects these turbulent times, whether political, emotional, or personal. Art that speaks to where we are, and where we are headed. This is an opportunity to show that community counts, and that we are not alone.

How to Participate
No registration or application is required! Artists are invited to drop off their work at TAM from Tuesday, December 10th to Friday, December 13th, 10am-4pm. The opening reception will be Friday, December 13th, 6-9pm. At 9pm, artists can take their work home with them.

What’s at stake?
With recent tensions and the aftermath of a divisive election, many artists are wondering what comes next. We need to reinforce our sense of community—so we can replace grief, anger, and anxiety with hope, resilience, and strength. MAS Attack is about showing up, sharing art, and reminding each other that we are in this together. We invite all forms of art, all styles, and all voices. Your voice matters.

This is just the beginning. Small steps, but important ones. Let’s come together, renew our bonds, and support each other. Join us on Friday, December 13th—and be part of the future.

Spread the word!

Evidence of Joy to be found….

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“EVIDENCE OF JOY” was a group exhibition curated by April Parviz, who says:

“…When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Evidence of Joy Dovetail Reception | 8.6.24 |

by Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often the

case. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.”

SEE THE SHOW PAGE!

SEE THE SHOW VIDEO!

VIEW THE CATALOGUE Below….

Hopes and Fears and…

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From 2020 to the present moment.

I HOPE this is not forever, I FEAR it might be…but I HOPE not.
HOPE springs eternal, FEAR springs infernal.




Hopes and Fears and…, 2020, 24.5 x 16.25″, textile samples, linen thread