Debra Disman

Artist

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String

EXHIBITIONISTA: “String Theory” at the Cultural Center of Cape Cod

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I am thrilled to participate in:
“String Theory” at the Cultural Center of Cape Cod

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Opening Reception Friday, February 9, 5–7pm

Exploring the possibilities within fiber art to showcase the beauty and versatility of the medium.

The exhibition explores the wide range of possibilities within fiber art, including but not limited to weaving, knitting, crocheting, embroidery, and felting. It will showcase the beauty and versatility of fiber as a medium.
SEE THE SHOW HERE!

I will be showing a work that has not yet been exhibited publicly: 
Blue Tapestry (Here’s To The Red, White and Blue), 2021, 18.75 x 6.5″,
repurposed placemat, hemp cord, linen thread

WATCH THE VIDEO OF THE SHOW HERE!

K no W Safe Place

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“K no W  Safe Place”
2023, 60 x 48 x 48″, canvas, netting, hemp cord, nylon cord, cotton cord, lace, ribbon, acrylic paint,  pH neutral adhesive, wooden dowel
and elbow grease, commitment, stick to it ness, imagination, vision, strength and love


K no W Safe Place

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“K no W  Safe Place”
2023, 60 x 48 x 48″, canvas, netting, hemp cord, nylon cord, cotton cord, lace, ribbon, acrylic paint,  pH neutral adhesive, wooden dowel
and elbow grease, commitment, stick to it ness, imagination, vision, strength and love 

EXHIBITIONISTA: “YARN/ROPE/STRING” at the New Bedford Museum of Art

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I am thrilled to be showing “Profusion” in “Yarn/Rope/String” at the New Bedford Museum of Art, organized by Fiber Art Now, and juried by Michael F. Rohde , originally presented in print and online in  Fiber Art Now.



“Profusion“, 2018, 8.5 x 24.5 x 7.75, Book board, mulberry paper, watercolor paper, canvas, hemp cord

Stand, Sit, Hang, Lay….Works Exhibited This and That Way (More)

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I am fascinated by the many ways in which works can be shown. Here are a few…



“Finally and Just for a Minute“, 2022, hanging from the ceiling in my studio at 18th Street Art Center (Olympic Campus) in Santa Monica, CA. (Canvas, burlap, hemp cord, acrylic paint, ribbon) (Pictured, the Los Angeles-based artist Randi Matushevitz)


“Rent Wound Tear, Mend Heal Repair”, 2022,  hanging on wall in slight relief, in the exhibition “Collective Acts of Peace” at the 18th Street Art Center Airport Campus  Slipstream Gallery in Santa Monica, CA. (Canvas, string, hemp cord, lace, acrylic paint)



“Womb”, 2020, hanging from the ceiling in 18th Street Art Center’s Slipstream Gallery, in my studio at 18th Street Art Center’s Olympic Campus, Santa Monica, CA, and in the Arts at Blue Roof Summer Festival,  in the “Please Touch” exhibition at Blue Roof Studios in South Los Angeles. (Plastic hula hoop, raw canvass, jute cord)


“Unfolding Possibilities“, 2021,  on pedestal in the exhibition “Recovery Justice: Being Well“,  at the 18th Street Art Center Airport Campus  Slipstream Gallery
in Santa Monica, CA. (Mulberry paper, sewing thread, gold thread)


“Chromatic Interactions: The Golden Thread“, 2020, hanging on the wall in my studio at 18th Street Art Center (Olympic Campus) in Santa Monica, CA.
(file cards, sewing thread, gold thread,  markers, crayons, pencils)

Studio Notes: Texture Tactility Tactile Textile

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Today I am sharing some explorations into “tactile textiles,”, a term coined, as  understand it, by Anni Albers, tactile textile artist/weaver!

Such works and materials become spaces, places, rooms, lands, terrain, forests…tactile explorations into the unknown, guided by, among other things, the sense of touch, a tactile sensibility.

 

Detail of “Forest Through The Trees”, book board, hemp cord, wood, canvas, acrylic paint, used typewriter ribbon, ribbon

Test piece/sample, paper, jute cord

Detail of “It’s Not Black or White”,  book board, mulberry paper, used typewriter ribbon

Detail of “FruitFull” (in process), textile samples, hemp cord

Stacked pieces of “to the trade” folded textile samples


Stacked pieces of repurposed and folded denim cut from jeans