Debra Disman

Artist

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Sculptural Books

Mazur Museum showcases Contemporary Artists Throughout the US

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I am thrilled to participate in “The 62nd Annual Juried Competition” at The Mazur Museum of Art!

The Masur Museum of Art’s Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium. First started in 1964, the Annual Juried Competition is the Masur Museum’s longest-running tradition and one of its best-reviewed exhibitions each year. This year, 1400  artworks were submitted by artists all over the nation, in all styles and media.

Exhibition on view Feb 20 – May 3, 2025
Public Reception: January 20, 2025 5:30 – 7:30 PM

I am honored to show: “The Body Politic: Black and Gold”


2024, 8.5 x 23 x 7″, bk board, paint, canvas, metal leaf, lace, cord, netting, trim, beads

About the Juror
Annemarie Sawkins, PhD, is a Milwaukee-based independent curator, who has curated several exhibitions for the Masur Museum of Art including Kogyo: Japanese Woodblock Prints (2022), Treasures of Art Nouveau (2019) and Afghan War Rugs: The Modern Art of Central Asia (2018). Her more recent projects include Profound Prints: Art by Exceptional Women at the Hilliard Art Museum and A Creative Place at the Trout Museum of Art. From 1999 to 2012, she was a curator at the Haggerty Museum of Art at Marquette University. A frequent juror and portfolio reviewer, Annemarie Sawkins has a MA and PhD in Art/Architectural History from McGill University in Montreal, Canada.
Sponsored by The Northeast Louisiana Arts Council

62nd Annual Juried Competition – Public Reception
5:30 – 7:30 PM
Juror’s talk and awards: 6:30 PM
Receptions at the Masur Museum of Art are free and open to the public. Light food and refreshments are served and ID for alcoholic beverages is required. Parking at the museum is limited so carpooling is suggested.

 

EXHIBITIONISTA: 62nd Annual Juried Competition: Mazur Museum

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I am thrilled to participate in “The 62nd Annual Juried Competition” at  Mazur Museum!

About the Exhibition
The Masur Museum of Art’s Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium. First started in 1964, the Annual Juried Competition is the Masur Museum’s longest-running tradition and one of its best-reviewed exhibitions each year. This year, 1400  artworks were submitted by artists all over the nation, in all styles and media.

Exhibition on view Feb 20 – May 3, 2025
Public Reception: January 20, 2025 5:30 – 7:30 PM

I am honored to show: “The Body Politic: Black and Gold”

2024, 8.5 x 23 x 7″, bk board, paint, canvas, metal leaf, lace, cord, netting, trim, beads

About the Juror
Annemarie Sawkins, PhD, is a Milwaukee-based independent curator, who has curated several exhibitions for the Masur Museum of Art including Kogyo: Japanese Woodblock Prints (2022), Treasures of Art Nouveau (2019) and Afghan War Rugs: The Modern Art of Central Asia (2018). Her more recent projects include Profound Prints: Art by Exceptional Women at the Hilliard Art Museum and A Creative Place at the Trout Museum of Art. From 1999 to 2012, she was a curator at the Haggerty Museum of Art at Marquette University. A frequent juror and portfolio reviewer, Annemarie Sawkins has a MA and PhD in Art/Architectural History from McGill University in Montreal, Canada.

Sponsored by The Northeast Louisiana Arts Council 

 

 

Deep Dive into “DWELLINGS” at Artlink

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I am thrilled to be part of a beautiful and timely show, “DWELLINGS” at Artlink, housed in the Auer Center for Arts and Culture in Fort Wayne, Indiana.

Learn about and view the show HERE!

I love participating in shows all over the country, and see the extraordinary talent, diversity of media, level of skill and and passion for expression manifesting itself across the United States at all times.  This helps me to feel connection, hope and the sense of belonging to a creative force working to resist cruelty, negativity, smallness and isolationism. Brava to the brave and resilient gallerists, curators, organizations, funders, institutions and artists working tirelessly to support the growth of the human spirit into its most elevated aspirations.

“For the exhibition DWELLINGS, juried Steve Garst, Artlink invited artists to submit works of any media that involve homes, shelters, forts, nests, burrows, or any other forms of inhabited space used by humans or non-humans. Where a creature lays its head can be a place of refuge, sustenance, and identity.  They are cauldrons of growth, filled with love, hurt, anger, learning, and memory.  Often, homes are constructed and, in turn, end up constructing the lives of those who dwell within them, for better or worse.  Artlink is excited to offer an exhibition exploring the variety of human and non-human places that serve as home, in all its numerous manifestations.”

My artists’ book “Window Treatment” is in the show and I am proud to be in such good company.

Please see a video of the SHOW HERE!

 

 

EXPO 41 at B.J. Spokes Gallery

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I am thrilled to be included in:


a virtual exhibition of the b.j. spoke gallery

The show was juried by Sewon Kang, Archivist at The Easton/Bourgeois Archive, formerly Curatorial Assistant at the Museum of Modern Art, in New York City, who selected the work of 15 artists. I am honored to be included in this roster of stunning creative makers.

Artists and their selected works can be viewed below. Enjoy

David Acquistapace, Saint Louis, MO
Kat Alyst, Austin, TX
Neville Barbour, Silver Spring, MD
Matthew Barton, New Orleans, LA
Kimberlyn Bloise, Edinboro, PA
Stephen Delaney, Middleton, MA
Debra Disman, Los Angeles, CA		 Eriko Kobayashi, Carbondale, IL
Anthony Adonis Lewis, Ashland, OR
Kambel Smith, Philadelphia, PA
Karen Theisen, Santa Fe, NM
Amy Usdin, Mendota Heights, MN
Jae Yun Yi, Seoul Korea
Dier Zhang, Brooklyn, NY
Foad Seyed Mohammadi, Gainesville FL

I am showing:
Excavation of the Interior, 2021, 12 x 28 x 12.5″, mixed media (wood, canvas, muslin, mulberry paper, hemp cord, linen thread, watercolor paper)

and
Forest Through The Trees, 2021, 15 x 42 x 12″, mixed media (book board, acrylic paint, hemp cord, wood, canvas, typewriter tape, lace, watercolor paper)

ARTIST STATEMENT                                              
 I work in the form of the book, in forms evoked by the book, and in multidimensional media of my own devising. Both as a solo practitioner and in the public sphere of community engagement I push the body and boundaries of the book into new media, materials and meanings to invite altered ways of viewing the world and how we inhabit it. Although much of the work continues to relate to loose definitions of the book as structure, it is moving into other sculptural and conceptual realms where devotion to material labor and a passion for the haptic become powerful motivators and themes. I am fascinated by the parallels between books and buildings in terms of architecture, meaning and utility. Each constructs public and private spaces where stories are “read” on many levels, often revealing more than their makers ever intended. My work seeks to offer places of contemplation, solace and bafflement, while instigating exploration, investigation and examination of what we think we know, and are.

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Sharing the words of Juri Koll

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I am honored to share the words of the artist, curator, filmmaker and fonder/director of Venice Institute of Contemporary Art, Juri Koll:

Thank you Juri, for your time, your care, and your comprehension of my work.

It means a great deal.