Fiber
EXHIBITIONISTA: “YARN/ROPE/STRING” at the New Bedford Museum of Art
I am thrilled to be showing “Profusion” in “Yarn/Rope/String” at the New Bedford Museum of Art, organized by Fiber Art Now, and juried by Michael F. Rohde , originally presented in print and online in Fiber Art Now.
“Profusion“, 2018, 8.5 x 24.5 x 7.75, Book board, mulberry paper, watercolor paper, canvas, hemp cord
Southwest Surfaces at Tubac Center of the Arts
I was thrilled to be part of:
Surface Design Association’s Southwest Regional Exhibition at Tubac Center of the Arts!
Annie Lopez, Juror
Exhibiting Artists
Elizabeth Abaravich, Amie Adelman, Lisa Jean Allswede, Jim Barry, Keri Bas, Julie Bates, Daiva Bergman Harris, Blair Cahill, Jan Caldwell, Cael Chappell, Claudia Cocco, Vicki Conley, Sue Conner, Beth Cunningham, Debra Disman, Diana Fox, Dellis Frank, Amelia Greco-Welden, Michele Hardy, Jackie Heupel, Stephanie Hilvitz, Dong Kyu Kim, Molly Koehn, Julie Kornblum, Mary-Ellen Latino, Karon Leigh, Nancy Lemke, Christine LoFaso, Viviana Lombrozo, Jeannie Mehl, Christine Miller, Jaya Miller, Kathy Nida, Marty Ornish, Nancy Peterson, Michael Rohde, Connie Rohman, Tamara Scott-Anderson, Danielle Shelley, Asher Sinclaire, Bonnie Smith, Karen Smith, Nancy Jo Smith, Karin Soderholm, Meredith Strauss, Sheila Tymon, Shelly White,Peggy Wiedemann, Emily Yarborough
I showed:
Excavation of the Interior”, 2021, 12 x 28 x 12.5″, wood, mulberry paper, watercolor paper, hemp cord, canvas, muslin
Annie Lopez, Juror
Annie Lopez creates narrative work presenting a dialogue about racism, stereotypes, the local art world, personal relationships and family. Most known for cyanotype work, she’s based in Phoenix, AZ.
Juror’s Statement
I was privileged to see some incredible art and had many “why didn’t I think of that?” moments.
Selecting work was challenging. My approach was for the exhibition to have a personality, not a theme. The final selections resonated with me; made a statement or displayed unusual approaches with words, design, or techniques. These works showcase the artist’s imagination through a variety of technical skills, and each provide insight into the maker
“I Can’t I Won’t I Will I Do”…the story of our life
I Can’t I Won’t I Will I Do, 2022, 13 x 71.5″, mixed media
Wending our way…moving through the barriers, the resistance, the refusal, to the
Yes I Can.
YES WE CAN.
We Have To.
Sharing Shows: Arizona, California, Texas
Excavation of the Interior, 2021, 12 x 28 x 12.5″ (wood, mulberry paper, hemp cord, canvas, muslin)
Chromatic Interactions: The Golden Thread, 2020, 76 x 90 x 1.5″, mixed media installation utilizing file cards written and drawn upon by Craft Contemporary Museum patrons participating in my commissioned interactive artists’ book project: Chromatic Interactions, (File cards, gold thread, pencil and crayon)
Rent Wound Tear, Mend Heal Repair, 2022, 64 x 68″ (dimensions variable), Triptych Installation, (canvas, acrylic paint, hemp cord, lace, string)
EXHIBITIONISTA: “50 Years of Fiber”
The annual Fiber Artists of San Antonio 2022 Art Exhibition will be held November 6 through December 9, at the Kelso Art Center, University of Incarnate Word, San Antonio, TX. The theme of the exhibit, “50 Years of Fiber Art,” celebrates the organization’s half century history. The show presents fiber artists from across the U.S. considering each decade since the 1970s as inspiration for their fiber art work.
*DEFINITION OF FIBER, as extracted from Merriam-Webster Dictionary: 1. A thread or structure or object resembling a thread; 2. A slender and greatly elongated natural or synthetic filament) such as wool, cotton, gold, asbestos, glass or rayon) which typically can be spun into yarn; 3. Material made of fibers (includes paper), fabric, plastic or metal fibers, tapestry, art cloth.
The exhibition is juried by Paula Owen.
Owen, president emerita of Southwest School of Art, began her tenure in1996, following 11 years as the Director of the Visual Arts Center in Richmond, Virginia. Under her leadership the school’s size, scope, and reputation grew significantly, and in 2014 a Bachelor of Fine Arts degree program was added. In 2022 Southwest School of Art and University of Texas at San Antonio announced a merger to create a new and expanded school of art.
Owen has served as curator of numerous exhibits and on national and regional boards and panels, including the Pew Artist Fellowships, the Bush Foundation Fellowships, and the National Endowment for the Arts. She is a published arts writer and co-authored the book, Objects and Meaning: New Perspec5ves on Art and Craft:, published by Scarecrow Press. Most recently, her essay “Fabrication and Encounter: When Content is a Verb,” was published in Maria Elena Buzcek’s book, Extra/Ordinary: Craft and Contemporary Art.
Owen earned an MFA in painting and printmaking from Virginia Commonwealth University and continues to show her work in group and solo shows throughout the nation.