Extraordinary work by Chinese artist Zhu Jinshi at the Los Angeles County Museum of Art. A must-see.


https://www.youtube.com/watch?v=pAYPvuwoDk4











See more when The Allure of Matter exhibition opens at LACMA later this summer 2019.
Artist
By Debra Disman
Extraordinary work by Chinese artist Zhu Jinshi at the Los Angeles County Museum of Art. A must-see.


https://www.youtube.com/watch?v=pAYPvuwoDk4











See more when The Allure of Matter exhibition opens at LACMA later this summer 2019.
By Debra Disman
Documenting a bit of process, and hopefully progress.
Much harder than posting about teaching artistry, and the work of my wondrous students..
I will try my hand at it, and hopefully find my way, a way.
Time, as usual, is an issue.
Focused meditative time, is needed, and after home and studio, there just isn’t much to spare.
But, nothing ventured, nothing gained.
Pushing into new materials….layering on gossamer cheesecloth onto a structure, because of its weave of threads, needed to coat the whole surface with acid-free PVA/glue, and place the cheesecloth on it, cut around it and trim the excess when surface dried…surprisingly quickly, with the sun and a light breeze coming in through the window.
The light-filled space at 18th Street is perfect for this work, this effort, these discoveries, this journey.

Multiple surfaces, the nature of many book structures comprised of covers, spine and pages compels working one surface at a time, letting it dry and then moving to the next one.

Cheesecloth layered over raw canvas, layered over book board. The cheesecloth is unruly stuff…more like threads kept in place loosely, by the cross weave.

The two pieces of board, AKA, covers, are hinged together with long strands of jute cord, raw jute, so raw it has a fragrance. Strand are threaded through corresponding holes made with the awl in both covers, which move by sliding left and right over the cords. Simple, yet amazingly effective.
The juxtaposition of the materials in layering, adjacency and flow, as regard to interlocking color, differentiated textures and various states of unravel, fascinates me….how does the light get in and travel through, or not, how does the dimensionality affect how we see and respond to the work, sensorily, emotionally, viscerally, how do the materials work together in some kind of harmony, yet buttress up against each other with force at the same time?
Need to push on, need to keep exploring, finding more questions with just the tiniest intimation of any answer in them.
Think I will keep on going.
By Debra Disman
Now that The Sheltering Book and The Big Beach Book are no more, except for fragments, in photos, and in memory, I wanted to look at the one structure/two projects piece in greater depth, and see the different ways the large book co-created in community was used. [Read more…] about Beach, Books and Shelter
By Debra Disman

I was honored to participate in the 2019 LA OPEN at TAG GALLERY December 2018- January 2019
The show ran Tuesday, December 18 – Saturday, January 18
Thank you to curator James Panozzo for including my piece, “Burning Bush”, and with Gallery Director Rakeem Cunningham, putting together a fascination show I was proud to be a part of.

A sense of scale…

Texture


TAG is a wonderful Gallery in the Miracle Mile District of Los Angeles. Cooperatively and artist run, the Gallery presents multifaceted shows in all mediums throughout its upstairs and street level spaces.
Gallery Location: 5458 Wilshire Blvd, Los Angeles, CA 90036
Gallery Hours: Tuesday – Saturday, 11 am – 5 pm
Telephone: 310.829.9556
Email: info@taggallery.net
Check it out!
By Debra Disman
TAG GALLERY Currently Exhibiting:
2019 LA OPEN
My piece “Burning Bush” is in the show.

Tuesday, December 18 – Saturday, January 18
Opening Reception:
Saturday, December 5, 5 – 8 pm
Gallery Hours:
Tuesday – Saturday, 11 am – 5 pm
Telephone: 310.829.9556
5458 Wilshire Blvd, Los Angeles, CA 90036
By Debra Disman

Photograph by Debra Disman
Photography except for top image of !8th Street Arts Center by Salvador Ochoa