“Against the ruin of the world, there is only one defense: the creative act“. —Kenneth Rexroth
Remain defended.
Artist
By Debra Disman
“Against the ruin of the world, there is only one defense: the creative act“. —Kenneth Rexroth
Remain defended.
By Debra Disman
Textile Slam! is a casual, community, conversation-oriented event, and an opportunity for friendly conversation and networking, featuring a rotating slate of presenters, each of whom deliver an informal six-minute (or less!) slide show / improv / show-and-tell presentation.
Attendees are members, artists, designers, architects, educators, and all-around neat thinkers to talk about their work, ideas that interest them, or projects they are exploring or have completed or would like help with
I was honored to join artists Lea Feinstein and Kathy Nida via ZOOM in presenting for the most recent SLAM, the last in 2020, to share current work and how we are creating and moving our work forward during the pandemic.
Click here to enjoy this presentation!
By Debra Disman
It was thrilling to be in conversation with Joe Davich, Executive Director of the Georgia Center for the Book, supported by Ally Wright, Ph.D., Program Assistant, in concert with fellow artists Julie Fordham, Nicole Polonsky (all the way from London), Chris Revelle and Christian Feneck.
Watch and listen here:
By Debra Disman
The exhibition Building Networks of Empathy is the second of a two-part show that asks us to consider the ways in which art empowers not only the artist, but its viewers to transform their most difficult experiences into enlightened outcomes. The first part of the show is an ongoing online-only exhibition entitled Facing Darkness, which encouraged artists in our community to reflect internally on our current moment of pandemic, isolation, and structural inequity laid bare.
For this second part, which will be physically installed in 18th Street Arts Center’s spacious Airport campus hangar galleries, artists were asked to respond to how they have changed as a result of their inner reflections on darkness, and to imagine new futures and societal structures as we see our way out of crisis. Each artist grapples as well with the role that art can play in social reflection, expression, and cultural paradigm shifts as a result of a deeper understanding of each other, and the empathy that follows. The exhibition sees empathy not only as a way to share and understand what others are going through, but also as a natural and endless resource that we can all rely on when crisis and emergency hit, with hopes that we can turn this moment of collective fear into a sublime experience.
“I was commissioned to create an interactive book for Craft Contemporary’s 2017 exhibition, Chapters: Book Arts in Southern California, which opened shortly after the 2016 presidential election. Visitors could choose file cards in an array of colors, draw and write on them, and insert them into the pocketed pages of the book. A range of feelings, responses, and concerns were expressed through the cards, which the Museum Staff saved and gave to me at the end of the show. I stitched them together grouped loosely by theme, to express the network of empathy they depicted, held together by golden thread.”
This exhibition may be viewed by appointment only. Please visit here to sign up to visit the exhibition!
The exhibition will be accompanied by a live Zoom panel featuring Alma Ruiz and Karen Sherman, moderated by Paul Bonin-Rodriguez, on November 12, 2020 at 12pm. For this panel discussion, curators, artists, activists, advocates, and scholars are invited to meet virtually to reflect on the public opening of Facing Darkness, and consider how the show renders a public crisis and artists’ circumstances evident and knowable. Moderated by artist-scholar Paul Bonin-Rodriguez, with talks by curator Alma Ruiz and dancemaker Karen Sherman, (Inter)facing Darkness will frame a dialogue on how artists are operating as second responders, as thought leaders, and resource gatherers at this time. Participants will be invited to speak on their experience of the show at this moment. Register here.
By Debra Disman
“I like the ‘openness’ of the California Open concept,” said juror Kate Mothes, “so in my selections I tried to maintain a diversity of ideas and themes, and to the best of ability with the information at hand, include artists of diverse backgrounds. With this in mind, I also considered the craftsmanship of each work, and included a range of media types. It was a pleasure to review all of the submissions to this year’s open call, and I thank TAG Gallery for inviting me to participate as juror this year!”
“Falling“, 2019, 7″ x 24.5″ x 10.5”, mixed media (book board, mulberry paper, hemp cord, paperboard)
It sold.
By Debra Disman
I was thrilled to be part of the exhibition “TRANSITION“, presented by Tarfest 2020, produced by Launch LA, and juried by the wonderful Holly Jerger, curator for Craft Contemporary.
Tour the show with Founder/Executive Director of Launch LA James Panozzo here.
I showed “Torrent and Tangle: Keep your House in Order“, 2019, 10.5 x 25 x 18”, made of book board, hemp cord, ribbon, lace, mulberry paper, acrylic paint, and neutral PH adhesive.
The piece was created in a bottomless box format,
with two accordion folded joins, or back corners,
and two “front doors” hinged with cloth and surfaced with strips of ribbon, that can be opened,
or kept closed,
with any amount of the hanging internal strings kept in, or emerging, flowing or falling out of the structure,
depending on how the those designing the show wish it to appear.
Hemp cords knotted on one end were threaded through awl-punched holes on three sides,
after the inside surfaces were lined with lace,
tumbling down in a torrent into a tangled heap onto the surface where the piece is placed.
How will we get this all sorted out?
Nobody really knows, but this much is clear, we are in this together. Endemic of contemporary life, torrent and tangle is taken to the extreme by the current pandemic. We will get through this. We have to.