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Debra Disman

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TEXTILE/FIBER

White & Texture & Paper & Fiber

October 4, 2024 By Debra Disman

I am thrilled to be participating in two show on opposite coasts which aim to share artworks that center on some of my specific interest in artmaking.

“White & Texture” at the Cultural Center of Cape Cod:
“Subtitled Monochrome Unity, we invited artists to explore the profound subtleties and striking complexities of using white as the driving color and how texture within the white and informs the execution and the narrative of an artwork. We wanted them to explore the effect of this limitation – without a “conventional” color palette.”

“White Zip”

“Paper & Fiber: Fourth Annual Show” at 1202 Contemporary in Gilroy, California:
“1202 Contemporary proudly presents its 4th annual Paper + Fiber show, celebrating two mediums that women artists have traditionally used for centuries, but have always been considered “craft,” or less than fine art.  Uplifting and supporting artists who have worked in textile, fiber, and/or paper mediums, this exhibition centers and hones in on the theme of figure.”

“Into The Bush”

“Profusion”

Filed Under: ARTISTS, Exhibitions, TEXTILE/FIBER, Venues, Women Artists, Work Tagged With: 'women's art mediums, 1202 Contemporary, 4th annual Paper + Fiber show, Cape Cod, Cloth, Contemporary Art, contemporary art using fiber, crocheting, Cultural Center of Cape Cod, Fabric, Fiber, fiber artworks, fiber as a medium, fibert artist, Group Exhibition, Group Show, Joan Nixon, Maria Barttuszova, Michael Buthe, Molly Demeulenaere, Monochrome, Monochrome Unity, nixed media, Paper, Piero Manzoni, String, Tactile, Textile, Textiles, Texture, Thread, Unifying Element, Unity, Weaving, White, Women's Work

“Adapting through Curiosity and Connection with Debra Disman”: My Podcast with Alyson B. Stanfield/Art Biz Success!

September 25, 2024 By Debra Disman

I was thrilled to have this conversation with the one and only Alyson B. Stanfield of Art Biz Success, someone I have admired and followed for a long time!
Some of the points we cover:

“In this episode of The Art Biz, Debra shares her journey, revealing how she has navigated this transition with resilience.

Throughout our conversation, several key themes emerge:

  • Debra’s fierce curiosity that drives her to explore and understand her surroundings.
  • Her drive to pursue new opportunities, no matter the obstacles.
  • The critical role of networking and the connections she’s made along the way.
  • The power of making consistent progress, even through small, daily actions.
  • The importance of staying adaptable in an ever-changing world.”

Please click the link below to hear, see and read about our conversation. I hope it holds some gold for YOU.

Adapting through Curiosity and Connection with Debra Disman (ep. 202)

Filed Under: ARTISTS, MEDIA, Publications/Interviews, Teaching Artist, TEXTILE/FIBER, Work Tagged With: Adapting, Alyson B. Stanfield, Art Biz, Art Biz Success, Art Career, Artist, Collaboration, connections, Conversation, Curiousity, networking, new opportunities, Podcast, Resilience, social practice artist, solo studio artist, The Art Biz Podcast

Flag Book and Variations: Book Structures Workshop with artist Debra Disman

September 3, 2024 By Debra Disman

I am thrilled to partner with Textile Arts LA and the Patricia Sweetow Gallery to teach “Flag Book and Variations: Book Structures Workshop”
on 

September 29 @ 12:00 pm – 4:00 pm

ENJOY BOOKMAKING IN COMMUNITY IN A GALLERY SETTING!

Presented by Textile Arts LA!

In Conjunction with Patricia Sweetow Gallery

In this hands-on workshop, participants will learn how to create the kinetic and versatile “Flag Book” structure, as well as a full-page variant, termed the “Folded Fan”. You’ll learn how to make folded page variations, and how to create one and two-cut apertures and pop-ups. With a focus on textiles and fiber, participants will explore ways to develop, embellish, and adorn their books with texture, color, pattern, and image, as well as how to employ “found writing” to add text.

I will guide you in the methods and extensive applications of the accordion fold in bookmaking, gluing, and collage techniques, ways of adding stitching/sewing, and how to create poetic text effortlessly will also be covered. The last hour of the workshop will be devoted to bringing projects to completion as time permits, how to add techniques from the participants’ chosen art forms and expertise to their books, and sharing completed or in-process books as desired.

Materials Included:

Book board prepared for book covers
Acid-free paper prepared for book spines
Acid free- glue sticks
Neutral pH Adhesive/brushes
Scissors
Folding tools
Awls/punching tools
Hemp and other cord and thread
Drawing and Writing Materials
Print Media (repurposed)
Fabric and paper scrap and samples (repurposed)
Designer wallpaper and textile samples

Materials/Tools to Bring if Desired:

Favorite scissors for cutting paper and fabric
Awl or other “punching” tool
Collage materials (that can be glued with a glue stick or fluid adhesive)
Print Media to cut up and repurpose (magazines/books/brochures/postcards

Purchase Workshop

SUNDAY, SEPTEMBER 29, 2024. 12:00 – 4:00 PM at Patricia Sweetow Gallery 1700 So. Santa Fe Ave. Suite 351, Los Angeles, CA 90021.
parking available

SIGN UP HERE!

Filed Under: ARTISTS, Artists' Books, BOOKS, Presentations, Teaching Artist, TEXTILE/FIBER, Work Tagged With: BOOK STRUCTURE, book structure variations, Book Structures, Bookmaking, bookmaking at 1700 Santa Fe, Bookmaking in Los Angeles, bookmaking in public space, bookmaking in the gallery, Carrie Burckle, Fiber, Flag Book, Folded Fan Book, Folded Fan Flag Book Variation, Found Poetry, Found Writing, Hands on bookmaking, Making Books By Hand, Patricia Sweetow, Patricia Sweetow Gallery, Print Media, TALA, Textile Arts LA, Textiles

Joy in Evidence at Intersect Art Center

August 19, 2024 By Debra Disman

“EVIDENCE OF JOY” is a group exhibition at Intersect Arts Center curated by April Parviz, who says:

“Today I went to the doctor. On the sign-in station there sat a small snowman made from an old salt and pepper shaker. His head was a little styrofoam ball. His hat was the lid of the shaker, and inside his little bottle tummy were a bunch of what looked to be miniature cotton-balls. As I waited to be checked in, I observed the fact that someone had made it. She didn’t have to. But she was perhaps feeling the joy of winter, and she wanted to share her joy. The snowman wasn’t sitting in her home, it was sitting here, for me to enjoy. And I did enjoy it. The reflection that she had experienced joy in making it, and the fact that she had done it selflessly, with no expectation of thanks, brought me joy. 

After my reflection on the sweet little snowman, I began to see evidence of someone else’s joy, intentionally being shared with strangers, everywhere I went. The person in the house five doors from mine, has a little jar of complimentary dog treats out on a bird feeder hanger in their yard, right by the sidewalk. People have lovely seasonal wreaths hanging on the outside of their front doors, not on the inside. Painted rocks are mysteriously left in people’s gardens by strangers. I’m sure that now I’m aware of this, I’ll be seeing evidence of joy everywhere. And strangers will discover footprints of my own joy, making their footprints joyful too.

When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! “

The show puts together visual works and text which come together to create and offer Joy.
such as this poem by the inimitable
 Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often thecase. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.” — Mary Oliver, 2017

VIEW THE CATALOGUE to see and read more
SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!

I am thrilled to have two pieces in the show:
Narrow Bridge, 5.5 x 16 x 3.5″, board, paper, fabric, linen thread

and
BedTime Story
, 12 x 28 x 8.5″, book board, textiles, cloth, clay, beads, hemp cord, watercolor paper

SEE THE SHOW PAGE!

SEE THE SHOW VIDEO!
VIEW THE CATALOGUE!

Filed Under: ARTISTS, Artists' Books, BOOKS, Exhibitions, TEXTILE/FIBER, Work Tagged With: April Parvitz, Art and Writing, Connection, Contemporary Art Exhibition, Dovetal Reception, Evidence of Joy, Group Exhibition, Group Show, Intersect Arts Center, Joy, Mary Oliver, Megan Kenyon, Positivity, Saint Louis, Text and Image, visual art, Written works

Northridge Branch Library “Writes the Book”!

August 13, 2024 By Debra Disman

I am thrilled to work again with the Los Angeles Department of Cultural Affairs Neighborhood Engagement Artist Residency (NEAR) program for 2024-25!

I will be an artist-in-residence at the Northridge Branch Library, conducting bookmaking workshops and events for the local community and library patronage from September 2024 through April 2025 on selected Saturdays as well as during the week after school.

I am honored to be serving the City of Los Angeles again through the DCA. Let the bookmaking begin!
See the INFORMATION HERE!

Filed Under: Artist in Residence, Artists' Books, AWARDS, BOOKS, LIBRARIES, Presentations, Student Work, Teaching Artist, TEXTILE/FIBER, Work Tagged With: Artist Residency, Book, Book as Art, Book Structures, BOOKBINDING, Bookmaking, Books made by Hand, Community Artmaking, COMMUNITY BOOKMAKING, DCA LA, DCA-funded artist residency, Handmade Books, Intergenerational Arts workshops, LAPL, Librarians, Los Angeles Public Library, Making Books Together, mixed media books, NEAR Residency, Neighborhood Engagement Artist Residency, Northridge, Northridge Branch Library, Self-expression, Sewn book, The Department of Cultural Affairs of the City of Los Angeles, THE LOS ANGELES PUBLIC LIBRARY SYSTEM

WOMEN : Defining Our Representation and Making Our Mark

August 8, 2024 By Debra Disman

Every Year is the Year of the Woman!

Here are two inspiring Artist Roundtables from two inspiring shows I am proud to be a part of:

Women. Defining Our Representation
Presented by Black House Artist


See and listen to the ARTIST ROUNDTABLE!
My roundtable presentation in good company!

and

Women Artists Making Their Mark
Presented by The O’Hanlon Center for the Arts


See and listen to the ARTIST ROUNDTABLE!

 

Filed Under: All She makes, ARTISTS, Artists' Books, Exhibitions, Presentations, TEXTILE/FIBER, Women Artists, Work Tagged With: Arc Gallery, Art By Women, Artist Roundtable, artists who identify as female, Black House Artist, Cic WOmen, Cis female, Contemporary Female Artists, Donna Seager, Ellen Mattesi, Erma Murphy, Female, Female Artist, Female Artists, female identity, Gender Equality, Group Exhibition, O'hanlon, O’Hanlon Center for the Arts, Online Show, Priscilla Otani, Representation, Seager Gray Gallery, Women, women artist, Women Artists, WOMEN ARTISTS MAKING THEIR MARK 2024

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