Northridge Branch Library “Writes the Book”!
Presentations
WOMEN : Defining Our Representation and Making Our Mark
Every Year is the Year of the Woman!
Here are two inspiring Artist Roundtables from two inspiring shows I am proud to be a part of:
Women. Defining Our Representation
Presented by Black House Artist
See and listen to the ARTIST ROUNDTABLE!
My roundtable presentation in good company!
and
Women Artists Making Their Mark
Presented by The O’Hanlon Center for the Arts
See and listen to the ARTIST ROUNDTABLE!
INTERPLAY of Texture, Color, Form and Materials
INTERPLAY, the Surface Design Association exhibition at the The Dairy Barn Arts Center’s O’Bleness Gallery
I am thrilled to participate in INTERPLAY, organized by the SDA!
(The awesome Surface Design Association!)
Presented at the The Dairy Barn Arts Center’s O’Bleness Gallery
8000 Dairy Lane
Athens, OH 45701
June 28 – September 5, 2024
Opening Reception:
June 28, 6 – 8PM
I am showing:
“Rent Wound Tear, Mend Heal Repair”
64 x 68 x .5″, (variable), canvas, paint, hemp cord, string, lace
SEE THE SHOW HERE!
Interplay presents works that explore parallels, synergies, or tensions between two or more ideas. Artworks may examine connections between seemingly unrelated concepts, map relationships between maker and materials, or reflect interactions between maker and tools. Works employ traditional, interdisciplinary, or collaborative methodologies.
Honoring the diverse range of approaches within fiber art and highlighting the rich tapestry of multicultural links, Interplay looks toward a future informed by the past, bringing together ideas for fresh reflection, reinterpretation, and deeper understanding.
Juror:
Due to her inimitable curiosity, Annet Couwenberg has pursued the ongoing conversations between traditional textile production and digital technologies throughout her art and teaching career. Couwenberg’s art, informed by her early work in the fashion industry, is diverse and includes sculptural forms and jacquard weavings as well as work with fish fossils and skeletons inspired by her study with a fish scientist as a Smithsonian Artist Research Fellow at the National Museum of Natural History. Couwenberg’s interdisciplinary work has demonstrated her capacity to create new realms. As a researcher of both traditional textiles and emerging techniques, she embraces a multi-directional knowledge exchange between new and established, creating art that visualizes methodologies to protect and preserve traditional practices while also expanding upon them. Born in The Netherlands, Couwenberg moved to the United States to receive MFA degrees at Syracuse University and Cranbrook Academy of Art. She has worked internationally, including in Korea, Turkey, Germany, Italy, Portugal, Poland, and The Netherlands.
Mark your calendars for Wednesday, July 31, 2PM ET for the Interplay Textile Talk and be on the lookout for our online gallery – links coming soon!
SEE THE SHOW
LISTEN TO AND VEIW THE Interplay: Limitless Connection TEXTILE TALK
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SOLILQUY: Not Just Talking To yourSELF
The Bridge Arts Foundation proudly announces the third edition of its Open Call Exhibition Program. The ‘Soliloquy‘ Open Call Exhibition features 19 talented artists selected from over 100 submissions through a process involving art professionals.
These artists will showcase their work at The Scholart Selection, The Bridge Arts Foundation’s partnered Art Gallery located in Los Angeles from July 13th to August 17th, 2024.
Join Us for the Reception, Saturday July 13, 2-5PM
at The Scholarts Selection
417 South Mission Drive San Gabriel, CA 91776
Opening Reception RSVP
Featured artists include Ryan Bautista, Michele Benzamin-Miki, Ming Chen, Debra Disman, Deanna Dorangrichia, Somaya Etemad, Lanyi Gao, Steve Gavenas, Shanguo Jia, Antonio Kim, Rosie Kim, Hwichan Ko, Vionna Lam, Kai Mao, Janice Nakashima, Isabella Riboni, Isabella Ronchetti, Christopher Lloyd Tucker, and Xiaoxiao Wu.
The 19 featured artists in the exhibition respond to the theme of “soliloquy” through various forms and mediums, presenting their unique journeys of inner exploration.
“Soliloquy” is a solitary discourse with oneself, an intimate dialogue that transcends the confines of external perception. It captures the journey of introspection and self-discovery, where one navigates the labyrinthine corridors of one’s own mind, seeking clarity among the tumult of thoughts and emotions. During their inner reflections, the individuals grapple with existential questions, honestly confronting their fears, desires, and vulnerabilities in solitude.
The 19 artworks showcased in “Soliloquy” also demonstrate the diversity and depth of soliloquy. It is not only a personal dialogue within oneself but also a significant pathway to understanding oneself and the world. Beyond the individual, these artworks collectively underscore soliloquy’s capacity to connect the individual’s inner world with external realities, offering insights that resonate with broader societal issues and enrich human connections.
I am showing: “I Can’t I Won’t I Will I Do”
13 x 71.5″, repurposed cotton table runner, acrylic paint, hemp cord
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READ MY INTERVIEW!
Showing (love) Around
We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Juror/Curator: Ed Dixon: “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself. These issues are not always mainstream and sometimes are hidden.” Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja
See the SHOW!
See the VIDEO!
It is not only a joy to “show around” in group exhibitions at various venues around the country, it is a gratifying, enriching experience, and a heartwarming one at that, to discover, interact with and support so many inspiring and dedicated individuals, organizations, endeavors, missions and visions. I meet new folks, but also “run into” friends and colleagues that “show up” in some of the same places: showing at some of the the same shows, sharing in some of the same artist talks and panels, featured in some of the same catalogues and publications. It is exciting to connect, and see both not only an overlap of interests materially and thematically, but also how we all approach things differently, and can learn from one another.
For example, I am currently showing at:
Word and Weft: Visualizing the Word, Webster Arts, Webster Groves, MO, Juror: Noriko Yuasa
Women. Defining Our Representation, Black House Artist, Juror/Curator: Ellen Mattesi (online)
We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja
Evidence of Joy, Intersect Arts Center, Saint Louis, MO, Curator: April Parvitz
Soliloquy, presented by The Bridge Arts Foundation at The Scholarts Selection, San Gabriel, CA
Jurors: Charles Christopher Hill, Xin Song, Curator: Tia Xu
Whisper, Verum Ultimum Gallery, Portland, OR, Curator: Jennifer Gullia Cutshall (catalogue)
Interplay, presented by the Surface Design Association at The Dairy Barn Arts Center O’Bleness Gallery, Athens, OH, Juror: Annet Couwenberg
Northern National Art Competition, Nicolet College Art Gallery, Rhinelander, WI, Juror: Debra Brehmer
The Circular Ritual of Spring, BG Gallery, Santa Monica, CA, Curator: Susan Lizotte (online)
And earlier this year:
Midway Marvels,ArtBarLA, Los Angeles, CA, Curator: Randi Matushevitz
Materiality Matters, Umpqua Valley Arts, Roseville, OR, Juror Panel: UVA Staff and Pacific NW professionals
Pulp: Book and Paper Arts, Sebastopol Center for the Arts, Sebastopol, CA, Juror: Donna Seager
Fantastic Fibers 2024, Yeiser Art Center, Paducah, KY, Juror: Sandro Tiberi, (catalogue)
String Theory, The Cultural Center of Cape Cod, South Yarmouth, MA, Curator: Molly Demeulenaere
Art of the Word, Sasse Museum of Art, Pomona, CA, Jurors: Fatemeh Burnes, Maurice Quillinan, Niamh Cunningham (catalogue)
By the Book, Artopia Gallery, Arcadia, CA, Curator: Rosie Getz
Through this experience I am able to be exposed to and interact with :
Individuals: artists, curators, critics, collectors, gallery, museum, art center, library and academic/university directors/staff (on all different levels of responsibility and experience and in varying roles, offices and positions)
Organizations: galleries, museums, art centers, universities/academic institutions, artist studios and alternative spaces (of different sizes, renown, reputation, influence and “status” in the “art world” and world at-large)
I plan to highlight and share about various of these individuals and entities over the next several posts. I will share particularly about Art Centers, which are an enormous source of vitality, creation, care and joy throughout the country and beyond. xxxooo
I begin with Gallerist Ed Dixon, in whose show We Are Doing It All Wrong I am honored to be in. Presented at the Edward A. Dixon Galleryin Dayton, OH. Of the show says Owner/Curator: Ed Dixon: “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself. These issues are not always mainstream and sometimes are hidden.” The illustrious jurors Ed Dixon/Stacy Kranitz/Judith L. Huacuja hold a wealth of knowledge, expertise, care and passion among them in addition to many accomplishments.
In a time of such fraught difference, fear, and loathing, it is heartening and illuminating to see and be a part of all of these individuals and entities, making a difference. I have to feel that that all of our work, no matter what the outcome, does make a difference.
Thank you to You all.
Women. Defining our Representation: SEE THE SHOW!
Women. Defining Our Representation
See the show HERE!
Women. Defining Our Representation
“Women. Defining our Representation” is an exhibition of 31 pieces from 31 woman artists that celebrates the multiplicity of women’s identities, individuality, complexity, and worth. It inspires reflection, understanding and empathy for the diverse and authentic experiences of women by acknowledging accomplishments, reclaiming narratives, exploring gender expression, and sharing personal realities.” – Ellen Mattesi Director, Black House Artist
SEE THE SHOW HERE!
I am showing “Into The Bush”, 11 x 19 x 7 , book board, canvas, sewing thread, acrylic paint
Juror: Ellen Mattesi, Director, Black House Artist
Ellen Mattesi is an artist and entrepreneur. She has been immersed in many facets of the professional art world for over 30 years. Within her own fine art and creative career, she has built and managed art institutions, curated exhibitions, mentored artists in technical expertise and business skills, and fostered creativity for the ethnically and mentally diverse. This experience has culminated in a passion for championing the success and advancement of women artists. With Black House Artist, she continues this mission through education and activism with a network of artists, collectors, curators, and scholars.