Debra Disman

Artist

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BOOKS

“MOSTLY MONOCHROME” from WoArt!

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I have been thrilled to be included in the exhibition, Mostly Monochrome, presented online by the loved and respected  WoArt Blog, and curated by WoArtBlog founder,  Christina Massey, offering a strong platform for Women Artists.

November 1 – 30th, 2021

www.woartblog.com.

“Mostly Monochrome” is an online exhibition featuring artists using a mostly monochromatic approach to the creation of their work. Artworks with the reduced variant of color grab their viewers attention instead through their process, materials, composition and tonality.

As one scrolls through the exhibition, you’ll be visually transitioning through subtle shifts in the monochromatic palette and visually stimulated through the juxtaposition of works from minimal color field paintings to extremely detailed and laborious drawings and sculptures.

Viewers are invited to scroll through the wide range of artistic styles and explore the work in the virtual gallery slideshow. Click on the images to get further details and make any purchases of Artworks.

Support the work of Women Artists, shop the online store!

Featuring Artists:

Laura Ahola-Young, Lois Bender, Laurey Bennett-Levy, Angelica Bergamini, Carol Bouyoucos, Clare Burson, Ai Campbell, Jaynie Crimmins, Marianne DeAngelis, Debra Disman, Pauline Galiana, Veronika Golova, Carolynn Haydu, Erin Juliana, Rachel Kohn, Parvathi Kumar, Barbara Laube, Bonny Leibowitz, Seren Morey, Jane Nodine, Judith Ornstein, Dara Oshin, Barbara Owen, Lily Prince, Eve Provost Chartrand, Robin Roi, Andra Samelson, Amy Sands, Mary Shah, Barbara Sherman, Christina Smith, Lauren Smith, Judi Tavill, Jessica Tawczynski, Shira Toren, Ellen Weider, Odeta Xheka, Emna Zghal, Tamar Zinn

I am honored to have two works presented in the show, “Before the Fall”, and “Profusion”, pictured below.

Hear our discussion on Clubhouse!
Artists Who AND…, ”Artists…giving back to the creative community”:  Debra Disman/Lois Bender/Laurey Bender-Levy, Clubhouse, November 17, 2021

2021 INTERNATIONAL ART OF THE BOOK: In Living Color

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THE 2021 ART OF THE BOOK & PAPER SCULPTURE!


“In 2011, we held the first Art of the Book exhibit in honor of the 100th anniversary of the Rochester Public Library. At the time, we wanted to celebrate what has been at the core of libraries for centuries–the book. We marveled over the intricate interpretations of this humble format, and we were thrilled with the response to the exhibit from the community.”

“In subsequent years, the exhibit has grown to include entries from all over the world, featuring well-known artists for their exquisite work. We have built a reputation worldwide among book artists, and we are so pleased to see that reputation upheld.

Books continue to ensnare the imagination, both for their form and content. Artists manipulate those two components to create breathtaking, mind-bending works of art that tease and cajole people to consider the intricacies of paper, ink, words, and meaning.

In commemoration of the 10th Anniversary, we are adding Paper Sculpture as a new category. This new category will celebrate the extraordinary use of paper, in an art form that combines or shapes papers.”

View the CATALOGUE!

View the show!!

NEW WORK in 2021: Red Notebook (“Here’s To The Red, White and Blue”)

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I was happy to finally be able to have Elon Schoenholz Photography in to photographs works completed/created during 2021, which continues to race by.

Part of an ensemble, suite, or installation of works entitled, “Here’s To The Red, White and Blue”, Red Notebook is structured as a “traditional” codex, with covers that open and pages that turn.  Moderately, “red” (hence the “red” element of the “Red, White and Blue” theme-meme-trope?) it contains a great deal of black as well.
In the immortal words of  Mark Rothko, “There is only one thing I fear in life, my friend;  One day, the black will swallow the red.”

Made from a repurposed placemat, hemp cord, linen thread, canvas, and lace, it is 8.5″ high, 12.5″ when opened in full, and 6.5″ at greatest depth and opens left to right, from cover through pages to cover, bound together through a single signature.


The red and back play off each other in all their associations


Sewing, stitching, gluing, knotting, coiling, massing


Amassing, accumulation, the RED in


Up next.

LIMINAL: The Book

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I was thrilled to be included in  the exhibition LIMINAL, at Verum Ultimum Gallery in which artists were invited to explore the theme of liminality in any interpretation, media and form of visual art.

“Liminal is the space between. What significance does transition (or the “space between“) have in your work or your artistic voice? Does your work reflect the liminal aspects of our pandemic-impacted world and the adaptation to a post pandemic existence? Does your work represent and or challenge the threshold to a more equitable society? Or, perhaps it reflects a vehicle for expression through pure abstraction.” Curator Jennifer Gillia Cutshall

As with all Verum Ultimum’s calls for art, the curator never seeks to drive the work, the only hope is to unveil unique visions. All mediums and modes of expression have been welcomed from low brow, pop surrealism, realism, abstraction, and more. The term Liminal may be interpreted in many ways, and is not necessarily meant to be a literal elucidation.

Liminal is defined as
1. relating to a transitional or initial stage of a process.
2. occupying a position at, or on both sides of, a boundary or threshold.

​One could argue that artists are conditioned to occupy the liminal state. And a successful studio is a space in flux, poised for adaptation (to projects, challenges, and materials). The focus of the artist is the creative process or the place between the 2 boundaries of “the beginning” and “the outcome or result.”

A gallery benefits from maintaining that liminal state, too (adaptation is a constant).

Verum Ultimum is celebrating it’s eighth year and this exhibition served to herald the artists unique vision…especially during these challenging times!

View the LIMINAL Exhibition

Read LIMINAL Artist Insights

Please see the LIMINAL Exhibition Book


Above: Curator and Verum Ultimum Gallery Founder, Jennifer Gillia Cutshall‘s LIMINAL exhibition statement.


Pictured above is my work in the show:   The Gates, (interior), 2019, 7.5 x 20 x 10.25”, mixed media/sculptural artists’ book.

View the Show!!!

Mostly Monochrome: Limiting the Palette

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I am thrilled to participate in the show  Mostly Monochrome,
November 1 – 30th, 2021, presented by www.woartblog.com and curated by Christina Massey, founder and force of nature behind and in front of WoArt!

“Mostly Monochrome” is an online exhibition featuring artists using a mostly monochromatic approach to the creation of their work. Artworks with the reduced variant of color grab their viewers attention instead through their process, materials, composition and tonality.

Christina says,
“As one scrolls through the exhibition, you’ll be visually transitioning through subtle shifts in the monochromatic palette and visually stimulated through the juxtaposition of works from minimal color field paintings to extremely detailed and laborious drawings and sculptures.”

Viewers are invited to scroll through the wide range of artistic styles and explore the work in the virtual gallery slideshow. Click on the images to get further details and make any purchases of Artworks.

I am honored to be showing “Before the Fall”

and
“Profusion”

Support the work of Women Artists, shop the online store!

Featuring Artists:

Laura Ahola-Young, Lois Bender, Laurey Bennett-Levy, Angelica Bergamini, Carol Bouyoucos, Clare Burson, Ai Campbell, Jaynie Crimmins, Marianne DeAngelis, Debra Disman, Pauline Galiana, Veronika Golova, Carolynn Haydu, Erin Juliana, Rachel Kohn, Parvathi Kumar, Barbara Laube, Bonny Leibowitz, Seren Morey, Jane Nodine, Judith Ornstein, Dara Oshin, Barbara Owen, Lily Prince, Eve Provost Chartrand, Robin Roi, Andra Samelson, Amy Sands, Mary Shah, Barbara Sherman, Christina Smith, Lauren Smith, Judi Tavill, Jessica Tawczynski, Shira Toren, Ellen Weider, Odeta Xheka, Emna Zghal, Tamar Zinn

 

 

Celebrating Día de Muertos with Papel Picado!

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In celebration of  Día de los Muertos (Day of the Dead), I led a bookmaking workshop that featured Papel Picado (The art and craft of decorative cut paper) as part of my artist residency in bookmaking  at the the Panorama City Branch Library, supported by the Los Angeles Department of Cultural Affairs.

Participants learned the Accordion Fold  technique, and used it to create 11″ high  Accordion Fold Books.

They then created simple Papel Picado  designs, exploring paper cutting techniques using tissue paper sheets, and added these  colorful (or black-) works to our books in various ways.

All of the techniques and materials demonstrated online, through Zoom.

The participants were adventurous, good-humored, and supportive of each other as they moved through the process, and created the  beautiful works pictured below.

BRAVO!

This is truly teaching artistry, and learning,  for the 21st Century!

 


Using the simplest techniques, participants used color and cutting to create wondrous designs, which they layered onto to and into their Accordion Fold Books.


Paper cutting using the thin sheets of tissue paper can be demanding under the best of circumstances,. I marveled at what our participants were able to accomplish guided by an online workshop!


Here, black tissue paper is employed to magical and mysterious effect.


Participants also used origami paper to create their Papel Picado designs.


Participants joined the workshop from Arizona, Montreal, and across Los Angeles County, some with grandchildren, demonstrating the potential of the internet and its global reach.


Photographing through a computer screen can be challenging, but the brilliance of these colors and repeated cut-out designs cannot be denied!