Debra Disman

Artist

  •

BOOKS

Worth “A Thousand Words”

By

It was a pleasure to participate in Core New Art Space‘s exhibition: 

Juror, Richard Chamberlain, pursues several lines of work in visual and performing arts and is a published poet as well. He was looking for: “….works that tell a story. Realistically, abstractly or expressionistically inspired by literature and legends, poetry and parables, novels and narratives, myths and metaphors, artworks have their own fictions, fables, folklore or fairytales. Artworks can be worth a thousand words. The exhibited works were judged on overall impact, content, composition and mastery of techniques, as well as attention to creativity and craftsmanship.”

Below are images of the show, including my work, “Window Treatment“, a sculptural artists’ book,
perhaps evoking the film, “Rear Window”.
What stories go on behind these windows?!

 

ZOOM In On Distance Learning 7

By

As everyone keeps saying, 2020 was a year like no other. Well, no-one had seen 2021 yet.

2021 it seems, may also prove to be a year like no other, finding us teaching online, in my case through Zoom, engaging in what is called, “distance learning”. Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues, and even teach some things!

In March 2021, I led an scroll making program in honor of Women’s History Month focused on Celebrating Women Artists, at the Panorama City Branch Library,  part of my artist residency in bookmaking there, through the wonderful Los Angeles Department of Cultural Affairs.


We looked at images and information about three great women artists, Faith Ringgold, Frida Kahlo and Georgia O’Keeffe, and Branch Manager Roman shared some of Faith Ringgold‘s books from the Library!


Participants were invited to cut out the provided  images of the artists, their work, and the information about them, and add them to sheets of brightly colored tag board paper, which they had attached to wooden sticks, or dowels at either end, to create unique scrolls.

Each maker created a different composition with the materials provided in our fun and informative supplies packets.


One young maker added painting to the surface, then his father added images honoring women artists to complete the scroll!


Scrolls could be horizontal or vertical, and rolled up at either end and then unfurled.


Ribbon was provided for participants to keep their rolled scrolls in place if they wished to.
Here Panorama City Branch Library Branch Manager Roman gets into the act!

An honoring of Women’s History Month, Women Artists, specific women artists, the Library, and especially, of human creativity, imagination and ingenuity!
SO needed, especially during this past year and into the current one.

Gratitudes!

It’s all in the C O N T E N T

By

Upon request, I am sharing my artists’ book, “Narrow Bridge”, shown in the CONTENT exhibition

           
at The Artery Gallery in Davis, CA, which runs April 1 – May 1, 2021. 

I am honored to be included in CONTENT, a show of Artists’ Books at The Artery, in Davis, CA.

“Artist Books typically defy classification, definition, and expectations. They are vessels for an artist’s vision. To understand what an artist book is you have to forget your definition of a book.”

According to the Smithsonian Institute Library blog, “An artist’s book is a medium of artistic expression that uses the form or function of ‘book’ as inspiration. It is the artistic initiative seen in the illustration, choice of materials, creation process, layout and design that makes it an art object. …”

“What truly makes an artist’s book is the artist’s intent, and artists have used the book as inspiration in a myriad of ways and techniques, from traditional to the experimental. The book could be made through fine press printing or hand-crafted, the pages illustrated with computer-generated images or cheap photocopies; books became sculptures, tiny and gargantuan; books were sliced up and reconfigured, made from all kinds of materials with unconventional objects incorporated, in unique or limited editions, or produced in multiple copies. With all sorts of ideas behind them, artists continue to challenge the idea, content and structure of the traditional book.”

There is a special guest juror for this exhibition: Nikki Thompson of Deconstructed Artichoke Press.
Nikki Thompson is a book artist (aka Deconstructed Artichoke Press) and poet. With an MFA from the California College of the Arts, her art explores architecture, feminism, and the politics of work through the mixed media of bookmaking, printmaking, and photography. Her work has been awarded First Prize at Gallerie Renee Marie and a Purchase Prize at 23 Sandy Gallery. She has also been nominated for a Pushcart Prize and received the College Book Arts Association Project Assistance Grant. Her work can be seen at www.deconstructedartichokepress.com.

Co-juror: Adele Louise Shaw of Circle A Studio.
Adele is a book artist and a painter. Her career as an artist has been punctuated with wildly diverse artistic explorations but she grew up surrounded by hand-bound books made by her great-grand parents. Her bookbinding studies started with classes in Japan and Thailand. Adele’s book work is squarely focused on a different, newish book form referred to as “Artist Books”. Many of her hand-bound books are derived from her work as a painter. She never ceases to try new methods and materials to actualize her vision. She teaches book classes out of her studio in Davis, California. You can view her work at www.adeleshaw.com.

I am showing:
“Narrow Bridge”, 5.5 x 16 x 3.5″, mixed media
“Narrow Bridge” is an “Artists’ Book”, which can be opened to about 16+” wide, but can be displayed opened to 8-10″, standing upright. It is a flag book structure and is made of board, paper, linen thread, and fabric. It says, “All the world is a narrow bridge, the important thing is not to fear.” (In

20×20 INSIGHT

By

The Cape Cod Museum of Art presents:  INSIGHT.

When spoken, this word can be broadly understood as – Insight, In Sight and Incite. What is Your interpretation?
I am thrilled to be part of this evocative exhibition, taking place in CCMA’s expansive Hope / McClennen exhibition hall. The show is available virtually on the Museum website.

The juror is Grace Hopkins, gallery director at the Berta Walker Galleries in Provincetown, and Wellfleet, MA,  and an international guidance counselor for the arts. In a 2014 review of her own artwork in The Banner, Susan Rand Brown called Hopkins: “A photographer with the eye and soul of a painter,” and said “The images she shoots suggest the sharply angled details of a Franz Kline, geometric shapes and flat colors of her father (Budd Hopkins) or a sudden burst of translucent layers, which could have been – but definitely are not – details from a collage by Robert Motherwell. Suddenly a viewer feels surrounded by the freshness of expressionist imagery and motion, each piece different, each piece allusive yet quite original.”

523 artworks were submitted by 272 artists from 30 states across the country for INSIGHT. Only 65 artworks have been selected from 60 artists in 16 states.

Says Grace Hopkins of selecting the work for this show: 
“Narrowing down the artwork for this exhibition was challenging. I first had to digest all 500+ submissions as a whole before any threads of meaning could be drawn between the works, and a final cohesive subset could be chosen. As a gallery director I am regularly confronted with an aesthetic puzzle. But, when you throw in the added thematic complexity of INSIGHT and the sheer number of works submitted, making a final selection was both a demanding and rewarding exercise in distillation. I want to thank everyone who came forward and placed their artwork into this pool. Another juror, with different values and sensibilities would have solved this very differently. Your collective vision, ability and insight moved me.”

I am showing MAXIMUM SECURITY:  15 x 18 x 10.25″, mixed media (book board, canvas, watercolor paper, acrylic paint, hemp cord, wood)

This show is sure to be InSIGHTful….Looking Forward!

ZOOM In On Distance Learning 6

By

As everyone keeps saying, 2020 was a year like no other. Well, no-one had seen 2021 yet.

2021 it seems, may also prove to be a year like no other, finding us teaching online, in my case through Zoom, engaging in what is called, “distance learning”. Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues, and even teach some things!

In February 2021, I led an accordion book with pockets program at the Panorama City Branch Library,  part of my artist residency in bookmaking there, through the wonderful Los Angeles Department of Cultural Affairs.

Using bright tag board and richly patterned origami papers,


participants learned the accordion/consertina fold,


how to create pockets in their books,


how to cover and embellish their covers,


and how to add hopes and wishes to their pockets!


Whole families, as well as Library staff, got into the act.


Pure Joy.

Gratitudes!

 

ZOOM In On Distance Learning 5

By

As everyone keeps saying, 2020 was a year like no other. Well, no-one had seen 2021 yet.

2021 it seems, may also prove to be a year like no other, finding us teaching online, in my case through Zoom, engaging in what is called, “distance learning”. Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues, and even teach some things!


As part of my artist residency in bookmaking at the West Valley Regional Branch Library through the  Los Angeles Department of Cultural Affairs, participants learned the “double flower fold” technique, and created unique valentines with richly colored and patterned origami papers, which they then placed in paper boxes they unfolded, then folded, to house their creations.


After learning the fold, interestingly challenging over Zoom, the makers learned how to glue them together into an expanding and contracting chain,


which folded up into a 2.5 x 2.5″ square,


and was easily placed in their boxes, to create a one-of-a-kind gift. Participants could then embellish their boxes,


and add words and imagery to their folded “flowers”.


A diverse intergenerational group of enthusiasts worked together happily and supportively.


Branch Manager got into the act, carefully planning the colors of his flower-fold chain.


Children’s Librarian Kristin Peers also created stunning color combinations, and, what a background!

It looks like there may have been some very happy Valentine gift recipients, but maybe not as happy as their makers.
Because making, is the BEST!