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Debra Disman

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Artists' Books

California Open

August 1, 2018 By Debra Disman

I am thrilled and honored to be part of the 2018 California Open Exhibition  held this year at the beautiful Tag Gallery  in Los Angeles, near LACMA (The Los Angeles County Museum of Art) August 8-24, with an opening reception Saturday August 11th, 5PM – 8PM.

Beloved and acclaimed LA-based artist  Kim Abeles juried this show, and her statement about it below is telling.

This promises to be  an engaging and eclectic show.  I can’t wait to see it myself.  I am thrilled to know at least three other artist being shown, photographer Marta Feinstein, printmaker and fellow LACMA teaching artist Brooke Sauer, and sculptor Karena Massengill. (Gooo good Women).

Here are the installation images.

Please join us for the opening and enjoy the show.

 

Full list of acceptees
*We highly recommend that guests Uber/Lyft to the reception on Saturday, August 11th, 5-8pm*

My work, “Throes of the Body” will be shown..Mixed Media/Artists’ Book/Sculpture.

 

Filed Under: Artists' Books, Exhibitions, New Work, Work Tagged With: 2018 California Open Exhibition, Artist Book, ARTIST BOOKS, Exhbition Opening, Exhbitions, Exhibition Openings, Kim Abeles, Los Angeles Exhibitions, Sculptural Artists' Books, Sculptural Book Works, Sculpture, Tag Gallery

“Reading Takes You Anywhere!”(2)

July 23, 2018 By Debra Disman

Here is the inaugural workshop at the Granada Hills Branch Library of the LAPL, kicking off my artist residency there:  “We Write the Book“, supported by the Department of Cultural Affairs of the City of Los Angeles.

For the Summer Reading Theme:  “Reading Takes You Anywhere!”  participants created a Travel Journal…an accordion book with pockets and sewn in pages.

Meet the bookmakers!


Three generations  of women and girls, making books.


What a message…she came up with this title on her own.


Our lovely helpers Emily and Erica, with two of our younger makers.


Sharing their embellishment!


Three generations of females again…with Grandma and Granddaughter participating in the workshop.


I see a theme here…crossed ribbons marks the spot…


Two beautiful families, one, about to take off for Australia.
A Travel Journal will come in handy…

Filed Under: Artist in Residence, Artists' Books, Student Work, Teaching Artist Tagged With: Accordion Book, Accordion Book with Pockets, Accordion Fold Book, ARTIST IN RESIDENCE, Artist Residency The Granada Hills Library, ARTIST'S BOOKS, Community Artmaking, Concertina Fold Book, DCA, Department of Cultural Affairs of the City of LA, Family Bookmaking, Handmade Books, Sewn pages, Signatures, THE LOS ANGELES PUBLIC LIBRARY SYSTEM, Travel Journal, Washi Tape

“Reading Takes You Anywhere!”(1)

July 15, 2018 By Debra Disman

Inaugural workshop at the Granada Hills Branch Library of the LAPL, kicking off my artist residency there:  “We Write the Book“, supported by the Department of Cultural Affairs of the City of Los Angeles.

For the Summer Reading Theme:  “Reading Takes You Anywhere!”  participants created a Travel Journal…an accordion book with pockets and sewn in pages.

Here are some of the results.
TBC in the next post…“Reading Takes You Anywhere! (2)”.


Washi love.


Working on the covers.


Stuck on stickers!


“Mom’s Travel Journal”…an elegant use of decorative butterflies, maps, birds and color. This Mom is headed soon to Australia…and hopefully, her Travel Journal will come in handy.
Bon voyage!

Up next….the book makers behind (or in front of) the books.

Stay tuned!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Elegance…

 

Filed Under: Artist in Residence, Artists' Books, Student Work, Teaching Artist Tagged With: Accordion Book, Accordion Book with Pockets, Accordion Fold Book, ARTIST IN RESIDENCE, Artist Residency The Granada Hills Library, ARTIST'S BOOKS, Concertina Fold Book, DCA, Department of Cultural Affairs of the City of LA, Handmade Books, Sewn pages, Signatures, THE LOS ANGELES PUBLIC LIBRARY SYSTEM, Travel Journal, Washi Tape

Like White on White 

July 9, 2018 By Debra Disman

Black and White? (II)

White on white…it never actually is. More like grades, permutations, layers…and levels.

What interest me.


“Hang Out“, (inside), 2017, 10.25″ x 25″ x 8”, Book board, mulberry paper, hemp cord, watercolor paper, canvas


“Profusion” / “In the Profusion“, (inside), 2018, 8.75″ x 24.5″ x 7.75” Book board, mulberry paper, hemp cord, watercolor paper, canvas


“Throes of the Body“, 2018, 13″ x 27″ x 10.25”, (outside),Book board, mulberry paper, hemp cord, watercolor paper, canvas

Moving towards the deeper exploration.

Filed Under: Artists' Books, Exhibitions, New Work, Work Tagged With: ARTIST'S BOOKS, Fiber, Paper, Sculptural Books, Sculpture, The Form of the Book

in the BLACK

July 2, 2018 By Debra Disman

Black and White? (I)

Working in whites and tones of white and white on white…I wanted to see what all BLACK would render.

Here we go…

Black Hang Out, 2017
Book board, canvas, hemp cord, watercolor paper, acrylic paint

Maximum Security, 2018
Book board, canvas, hemp cord, watercolor paper, ink, acrylic paint, wood

In the Thicket of It, 2018
Book board, canvas, hemp cord, watercolor paper, acrylic paint, wood

Night time. Mystery. Enticing. Forbidding. Absolute. Lost. Found. Again.

Continuing.

Filed Under: Artists' Books, New Work, Work Tagged With: ARTIST'S BOOKS, Black, Black Art Work, Black Sculpture, Fiber, Mixed media, Sculptural Books, Sculpture, Texture

In “FORMATION”

June 26, 2018 By Debra Disman

In “FORMATION”

I am honored to be a part of  Formation, the Guild of Book Workers triennial members’ exhibition, which has just begun a  two year national tour! The GBW says it best:

Simply defined by Merriam Webster as “an act of giving form or shape to something,” formation can insinuate process, history, creation, change, beginnings, an arrangement, botany and landscape, personal narratives and impersonal storytelling. What makes us into the artists we are? How does our creative process influence the final product? What pushes us to continue to create? People, events, memories all combine to influence the art we make about the world around us, even if our work isn’t explicitly autobiographical.  The Guild of Book Workers’ 2018-2019 exhibition encouraged members to consider how the act of formation spoke to their artistic process.

The Formation Exhibition features 51 works from 46 members that will travel across the U.S. from June 2018 through October 2019. The show opens at the Minnesota Center for Book Arts in Minneapolis, Minnesota. It will be held at MCBA until the Guild of Book Workers’ annual Standards of Excellence Seminar in October 2018. Formation will tour the country, stopping at the Robert C. Williams Papermaking Museum in Atlanta, GA, UCLA’s Charles E. Young Research Library, the North Bennet Street School in Boston, MA, and the University of the Arts in Philadelphia, PA. A complete tour schedule is online at guildofbookworkers.org.

An accompanying printed exhibition catalog, published this year as a special edition of the Guild of Book Workers’ Journal, will be available for sale at the venues and online at guildofbookworkers.org. The catalog features full color photographs and complete descriptions of each work; biographies of the artists; remarks from jurors Coleen Curry, Graham Patten, and Sarah Smith; and essays by Formation curator Jackie Scott and Guild of Book Workers President Bexx Caswell.

The Formation Exhibition honors the legacy of the book workers’ craft and celebrates some of the finest examples of book arts today. Founded in 1906, the Guild of Book Workers has over 900 members today and is the only national organization dedicated to all of the book arts, including bookbinding, conservation, printing, papermaking, calligraphy, marbling, and artists’ books. At a time when the masses are considering the materiality of the book and its presence or absence as a physical object, it is exciting to showcase the many hand crafts of the book form. The work presented in the Formation Exhibition is a vibrant and dynamic collection of Artists’ Books, Fine Bindings, Fine Press Printing, Calligraphy, and Sculptural Book Works that showcase both the history of the Book Worker’s craft, as well as contemporary interpretations of the book form. The Guild of Book Workers promotes interest in and awareness of the tradition of the book and paper arts by maintaining high standards of workmanship, hosting educational opportunities, and sponsoring exhibits.

Exhibition Schedule:

Minnesota Center for Book Arts
Minneapolis, MN
June 15–October 21, 2018

Robert C. Williams Papermaking Museum
Atlanta, GA
November 1, 2018–March 7, 2019

University of California, Los Angeles
Charles E. Young Research Library Lobby Gallery
Los Angeles, CA
March 15–May 25, 2019

North Bennet Street School
Boston, MA
June 5–July 27, 2019

University of the Arts
Philadelphia, PA
August 1–October 30, 2019

My contributions to the exhibition:

“Hang Out” , 2017. 10.25 x 25 x 8″, mixed media (Book board, canvas, watercolor paper, mulberry paper, hemp cord)

“Black Hang Out“, 2017, mixed media (Book board, canvas, watercolor paper, mulberry paper, hemp cord, acrylic paint)

I am gratified and privileged to participate and look forward to seeing the show when it is at the 
Charles E. Young Research Library Lobby Gallery, University of California, Los Angeles  March 15–May 25, 2019.

Join Us!

Filed Under: Artists' Books, Exhibitions, New Work, Work Tagged With: ARTIST'S BOOKS, Calligraphy, Charles E. Young Research Library Lobby Gallery, Fine Bindings, Fine Press Printing, FORMATION, Guild of Book Workers, Guild of Book Workers Formation Book Arts Exhibition, Guild of Book Workers Formation Book Arts Exhibition Begins Two Year National Tour, Los Angeles, Minnesota Center for Book Arts, North Bennet Street School, Robert C. Williams Papermaking Museum, Sculptural Book Works, the Guild’s triennial members’ exhibition, University of California, University of the Arts

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