Thrilled to have my nephew Sam visiting and here for our Open Studios at 18th Street.
Thanks to Henry Graham Murray for the images!
Artist
By Debra Disman
Thrilled to have my nephew Sam visiting and here for our Open Studios at 18th Street.
Thanks to Henry Graham Murray for the images!
By Debra Disman
I will guide you in the methods and extensive applications of the accordion fold in bookmaking, gluing, and collage techniques, ways of adding stitching/sewing, and how to create poetic text effortlessly will also be covered. The last hour of the workshop will be devoted to bringing projects to completion as time permits, how to add techniques from the participants’ chosen art forms and expertise to their books, and sharing completed or in-process books as desired.
Book board prepared for book covers
Acid-free paper prepared for book spines
Acid free- glue sticks
Neutral pH Adhesive/brushes
Scissors
Folding tools
Awls/punching tools
Hemp and other cord and thread
Drawing and Writing Materials
Print Media (repurposed)
Fabric and paper scrap and samples (repurposed)
Designer wallpaper and textile samples
By Debra Disman
“EVIDENCE OF JOY” is a group exhibition at Intersect Arts Center curated by April Parviz, who says:
“Today I went to the doctor. On the sign-in station there sat a small snowman made from an old salt and pepper shaker. His head was a little styrofoam ball. His hat was the lid of the shaker, and inside his little bottle tummy were a bunch of what looked to be miniature cotton-balls. As I waited to be checked in, I observed the fact that someone had made it. She didn’t have to. But she was perhaps feeling the joy of winter, and she wanted to share her joy. The snowman wasn’t sitting in her home, it was sitting here, for me to enjoy. And I did enjoy it. The reflection that she had experienced joy in making it, and the fact that she had done it selflessly, with no expectation of thanks, brought me joy.
After my reflection on the sweet little snowman, I began to see evidence of someone else’s joy, intentionally being shared with strangers, everywhere I went. The person in the house five doors from mine, has a little jar of complimentary dog treats out on a bird feeder hanger in their yard, right by the sidewalk. People have lovely seasonal wreaths hanging on the outside of their front doors, not on the inside. Painted rocks are mysteriously left in people’s gardens by strangers. I’m sure that now I’m aware of this, I’ll be seeing evidence of joy everywhere. And strangers will discover footprints of my own joy, making their footprints joyful too.
When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy. I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives.
Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! “
The show puts together visual works and text which come together to create and offer Joy.
such as this poem by the inimitable
Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,
don’t hesitate. Give in to it. There are plenty
of lives and whole towns destroyed or about
to be. We are not wise, and not very often
kind. And much can never be redeemed.
Still, life has some possibility left. Perhaps this
is its way of fighting back, that sometimes
something happens better than all the riches
or power in the world. It could be anything,
but very likely you notice it in the instant
when love begins. Anyway, that’s often thecase. Anyway, whatever it is, don’t be afraid
of its plenty. Joy is not made to be a crumb.” — Mary Oliver, 2017
VIEW THE CATALOGUE to see and read more
SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!
I am thrilled to have two pieces in the show:
Narrow Bridge, 5.5 x 16 x 3.5″, board, paper, fabric, linen thread
and
BedTime Story, 12 x 28 x 8.5″, book board, textiles, cloth, clay, beads, hemp cord, watercolor paper
SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!
VIEW THE CATALOGUE!
By Debra Disman
By Debra Disman
By Debra Disman
Says Owner and Curator Jennifer Gillia Cutshall:
“…when the murmur from art echoes beyond the walls & settles somewhere secret. And “Whisper” with an exclamation may signal contradictions or dualities. The term carries symbolism pertinent to the momentous occasion, but it also carries mystery to be filled in by artists’ interpretations. Verum is open to all perceptions of this theme. Delicate expressions are presented, as are bold, and the term WHISPER may be framed in many ways, not necessarily meant to be a literal elucidation. All mediums and modes of expression were welcomed.. Verum Ultimum Gallery tasks artists to define this inaugural exhibition to herald in Verum’s new space in Southeast Portland this summer of 2024!”
She shares further “There are whispers everywhere, they arrive in our dreams, at a bus stop, museums, and beyond. Original works of art carry whispers. The whispers from the artists mingle with the viewers subconscious, and a connection is made!…The idea of the “whisper” may be inextricably attached to the importance of the unknown or the hidden. A degree of reverence may be ingrained in our collective psyche around all things art. For me, perhaps it began when I first entered museum spaces as a young girl (in NYC), I remember adults turning to children with their pointer fingers glued to pursed lips. They were signaling that hushed tones (and respect) were the order. And anticipation is in order, like the closed curtains and the dimming of lights in the theater, the collective whisper commands our attention toward these 38 provocative works. They whisper far beyond the bounds of literal elucidations.”
There are 38 artists and 38 unique, original works of art in this inaugural exhibition in the new space!
I am thrilled to show “Excavation of the Interior“ (shown closed and open below)
12 x 28 x 12.5″, wood, paper, cloth, hemp cord, linen thread