Debra Disman

Artist

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Artists' Books

Surface Design Association Instagram “Take-over”!

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The weekend of November 29-December 1 I had the pleasure, the honor and the fun of “taking over” (collaborating with) the Instagram account of the beloved  Surface Design Association or “SDA”, as it is commonly known.

It was so much fun, rewarding and delightful to get responses from and connections to many artists and makers I was not yet aware of, and peruse their beautiful and innovative work.

Thank you SDA, for this lovely opportunity, and for All you do for All of us.

Here are some of my posts (sans videos):
(You can see the whole collaboration, as well as continually added works on the SDA Instagram as well as my own)

Hello and a happy holiday weekend to All. I have the privilege of collaborating with the @surface_design this weekend, an organization I am thrilled to be a part of. SDA offers community, connection, education and wonderful opportunities. I have had the pleasure of participating in several SDA exhibitions, and I am honored to be in the company of other SDA artist members showing around the country! Thank you SDA, for all you do for all of us.

“LA Foret I, II and III” Adding complexity with each piece, as a stand alone, and components of a whole. They are made from hundreds of pieces of cord, glued to a raw canvas surface, painted on the reverse, and hanging at a slight remove from the wall.


(a different image of this piece is on Instagram)
“KnoW Safe Place”, 2023, 60 x 48 x 48″, canvas, hemp/nylon/cotton cord, lace, netting, lace, ribbon, acrylic paint, wood, archival adhesive.  Is there no safe place?  Do we ever know safe space?

“The Body Politic: Like White on White”, 2024, 9x16x7
book board, hemp, canvas, hemp/assorted cord, trim, acrylic paint, archival pva
Three dimensions reaching into three dimensions.


A treasured part of my practice is sharing the wealth as a teaching artist across LA County. I teach bookmaking and more in libraries, schools, museums and other venues. I value these collaborations with others such as librarians, whose expertise I respect and learn from! Thank you to the @culture_la and others for the opportunities you afford teaching artists in all disciplines.

Studio shot from the back by André Smits 
@artistintheworld713


Girrrrl powerFUL students from my “Making Art Inspired By Great Artists” class…creating their own textile hangings inspired by Faith Ringgold‘s extraordinary Story Quilts. Age range 1-5th grade, quite a range, and so talented.


It has been an honor to collaborate with the @surface_design over the past three days, and thank you, SDA for inviting me to do so. I leave you with “The Body Politic: Black and Gold“, 2024, 8.5 x 23 x 7”, made of book board, canvas, cord, netting, lace, trim, metallic leaf and beads. A book-inspired object that references the body as well as adornment and asks is what is precious; which can be presented in multiple states of open and closed; hints and glints at secrets, yet contains nothing on its pages except that which we project. Wishing all a healthy and peaceful holiday and strength for the New Year.

Open Studio Take 2

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Thrilled to have my nephew Sam visiting and here for our Open Studios at 18th Street.

Thanks to Henry Graham Murray for the images!


Flag Book and Variations: Book Structures Workshop with artist Debra Disman

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I am thrilled to partner with Textile Arts LA and the Patricia Sweetow Gallery to teach “Flag Book and Variations: Book Structures Workshop”
on 

September 29 @ 12:00 pm – 4:00 pm

ENJOY BOOKMAKING IN COMMUNITY IN A GALLERY SETTING!

Presented by Textile Arts LA!

In Conjunction with Patricia Sweetow Gallery

In this hands-on workshop, participants will learn how to create the kinetic and versatile “Flag Book” structure, as well as a full-page variant, termed the “Folded Fan”. You’ll learn how to make folded page variations, and how to create one and two-cut apertures and pop-ups. With a focus on textiles and fiber, participants will explore ways to develop, embellish, and adorn their books with texture, color, pattern, and image, as well as how to employ “found writing” to add text.

I will guide you in the methods and extensive applications of the accordion fold in bookmaking, gluing, and collage techniques, ways of adding stitching/sewing, and how to create poetic text effortlessly will also be covered. The last hour of the workshop will be devoted to bringing projects to completion as time permits, how to add techniques from the participants’ chosen art forms and expertise to their books, and sharing completed or in-process books as desired.

Materials Included:

Book board prepared for book covers
Acid-free paper prepared for book spines
Acid free- glue sticks
Neutral pH Adhesive/brushes
Scissors
Folding tools
Awls/punching tools
Hemp and other cord and thread
Drawing and Writing Materials
Print Media (repurposed)
Fabric and paper scrap and samples (repurposed)
Designer wallpaper and textile samples

Materials/Tools to Bring if Desired:

Favorite scissors for cutting paper and fabric
Awl or other “punching” tool
Collage materials (that can be glued with a glue stick or fluid adhesive)
Print Media to cut up and repurpose (magazines/books/brochures/postcards

SUNDAY, SEPTEMBER 29, 2024. 12:00 – 4:00 PM at Patricia Sweetow Gallery 1700 So. Santa Fe Ave. Suite 351, Los Angeles, CA 90021.
parking available

SIGN UP HERE!

Joy in Evidence at Intersect Art Center

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“EVIDENCE OF JOY” is a group exhibition at Intersect Arts Center curated by April Parviz, who says:

“Today I went to the doctor. On the sign-in station there sat a small snowman made from an old salt and pepper shaker. His head was a little styrofoam ball. His hat was the lid of the shaker, and inside his little bottle tummy were a bunch of what looked to be miniature cotton-balls. As I waited to be checked in, I observed the fact that someone had made it. She didn’t have to. But she was perhaps feeling the joy of winter, and she wanted to share her joy. The snowman wasn’t sitting in her home, it was sitting here, for me to enjoy. And I did enjoy it. The reflection that she had experienced joy in making it, and the fact that she had done it selflessly, with no expectation of thanks, brought me joy. 

After my reflection on the sweet little snowman, I began to see evidence of someone else’s joy, intentionally being shared with strangers, everywhere I went. The person in the house five doors from mine, has a little jar of complimentary dog treats out on a bird feeder hanger in their yard, right by the sidewalk. People have lovely seasonal wreaths hanging on the outside of their front doors, not on the inside. Painted rocks are mysteriously left in people’s gardens by strangers. I’m sure that now I’m aware of this, I’ll be seeing evidence of joy everywhere. And strangers will discover footprints of my own joy, making their footprints joyful too.

When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! “

The show puts together visual works and text which come together to create and offer Joy.
such as this poem by the inimitable
 Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often thecase. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.” — Mary Oliver, 2017

VIEW THE CATALOGUE to see and read more
SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!

I am thrilled to have two pieces in the show:
Narrow Bridge, 5.5 x 16 x 3.5″, board, paper, fabric, linen thread

and
BedTime Story, 12 x 28 x 8.5″, book board, textiles, cloth, clay, beads, hemp cord, watercolor paper

SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!
VIEW THE CATALOGUE!

Northridge Branch Library “Writes the Book”!

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I am thrilled to work again with the Los Angeles Department of Cultural Affairs Neighborhood Engagement Artist Residency (NEAR) program for 2024-25!

I will be an artist-in-residence at the Northridge Branch Library, conducting bookmaking workshops and events for the local community and library patronage from September 2024 through April 2025 on selected Saturdays as well as during the week after school.

I am honored to be serving the City of Los Angeles again through the DCA. Let the bookmaking begin!
See the INFORMATION HERE!

WOMEN : Defining Our Representation and Making Our Mark

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Every Year is the Year of the Woman!

Here are two inspiring Artist Roundtables from two inspiring shows I am proud to be a part of:

Women. Defining Our Representation
Presented by Black House Artist


See and listen to the ARTIST ROUNDTABLE!
My roundtable presentation in good company!

and

Women Artists Making Their Mark
Presented by The O’Hanlon Center for the Arts


See and listen to the ARTIST ROUNDTABLE!