Debra Disman

Artist

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Debra Disman

Tunneling Through (2) Too

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Tunneling Through (2) Too

It was fantastic to teach a workshop on Tunnel Books for families, at the Los Angeles County Museum of Art. The Tunnel Book is comprised of two accordion spines, or “sides”, connected by a “backdrop” and “cross pieces” or frames attached to the accordion folds moving “forward” in space.

The images below may explain the process more clearly, because, as we know, a picture is worth…how many words?

Two friends work intently, side by side, cutting shapes and image to add to their theater-like books.

Mother and Daughter attach pink and yellow backdrops to black accordion folded spines…

and add to their stories through color, shapes and texture.

The one half of this Mom and Daughter team sports a Princess Leia hairstyle from the original Star Wars movie! She and her Mom are working in related colors.

A talented and happy Mother and Daughter build out their books.

An imaginative young biy cuts concentric circles to give his book and even greater feeling of depth.

Backed by his supportive Mom, he took it upon himself to take the Tunnel Book project one step further.

Happy mom, and our beautiful art class assistant, Lady, a young Mom herself!

Little hands create big projects..

adding layers of color and shape, creating scenes and stories.

This young artist blew me away with her dedication, commitment and persistence…cutting out all the little yellow windows for her building…a real “mise en scène“…

Speaking of mise en scène…BEHOLD!

The work of this maker looks like she was influenced by the Alexander Calder “stabile” sculptures we looked at outside in the Directors Roundtable Garden as inspiration for our project….

A love of green…

Love Live Life

and…SMILE!

Just the right decorative paper for the waterfall down the mountains…

This young artist took the Degas image of The Little Dancer, and made her into a magical winged creature (fairy?) in what looks to be an enchanted place…the theme of flying is echoed in the large yellow butterfly attached to the upper left of the piece.

Adding layers to the piece…

and completing it…

Concentric circles surrounded by a delightful dash of “Ziegfield Follies‘ esque gold fringe!

 A pièce de résistance indeed!  This is a Masterwork if I ever saw one…blooming out in every direction!

Our fabled family makers….together

In Action!

Clay Play (2)Too

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Clay Play (2) Too

It is joy to work with these amazing (no, I am NOT biased!)  students after school, creating in our CREST Enrichment   “Hand Building with Clay” class.  Above are our pinch pot pieces, drying in my studio.

Below, students  in first through fifth grades learn to roll coils and join them together to create potentially large vessels…adding texture, leaving the texture created by the coils, or flattening out that texture to create a whole other look and feel.

Building up the pots step by step,

by rolling the coils, and pinching the end of one onto the beginning of the next.

Beginning with a spiral to create the bottom or “floor” of the pot.

Building up with coils takes patience, dedication, effort.

Starting with balls of clay, which are then rolled into a simple coil shape between the hands…

students then elongate the “rolls” (coils) on the table, trying not to flatten them out.

One coil is rolled into a spiral to create the bottom of the vessel.

The bottom of the pot can be smoothed out if desired…

and then built upon with the next coils.

How amazing to think that it begins with a deceptively “humble” mound of clay, air-dry clay in our case… and an intention learn, build and create.

I say, Bravo!

 

In Resonant Residence (10)

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In Resonant Residence (10)

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura

1450 Exterior
Vintage Camera Obscura
 
 
 
 
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Eighth  and Ninth Workshops, March 3/10 2018: Working on “The Big Beach Book“, participants collaged, stenciled, stamped, drew and painted on its multitude of people-sized ever evolving surfaces surfaces….

Re-purposing maps, book pages, and even glass bottles to create new stamps…our imaginative workshop participants are creatives extraordinaire.

Just FYI, the flip flops are glued to the surface, and have stayed there…making their way across the proverbial “book beach”!

 

In Resonant Residence (9)

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In Resonant Residence (9)

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura

1450 Exterior
Vintage Camera Obscura
 
 
 
 
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Eighth  and Ninth Workshops, March 3/10 2018: Working on “The Big Beach Book“, participants collaged, stenciled, stamped, drew and painted on its multitude of people-sized ever evolving surfaces surfaces….

Altering book pages…creating “black-out  poetry” and “found writing”…creating books, large and small…

847.866.8173

 

Clay Play

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Clay Play

With CREST Enrichment

I had a blast with a wonderful “Hand Building with Clay” class at Will Rogers Elementary School in Santa Monica. With a span of ages 5-10, kindergarten through fifth grade, the students got along beautifully and created with gusto!

Here is a bit of their journey through painting, pinch pots, coils and slab technique!

In Resonant Residence (8)

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In Resonant Residence (8)

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th.  I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura

1450 Exterior
Vintage Camera Obscura
 
 
 
 
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Sixth and Seventh Workshops, February 17/24, 2018: Working on “The Big Beach Book“, participants stenciled, stamped, drew and painted on its multitude of people-sized ever evolving surfaces surfaces….

A young woman who came to the Beach with her family took brushes and acrylic paints, and created this “goddess of the sea” (?!?) covering the top half of one of The Big Beach Book pages….finishing it off with proud signature.  others then stepped in and added the sailboat, and fishes swimming below. Who knows how this page will develop over the coming weeks…

A trio of friends worked together on the Book’s front cover, using stencils to outline the shapes of the fish, which they then painted in brilliantly.  They were invited to return this coming Saturday to further develop their artwork, and they said they would. Fingers crossed…

A recent arrival to LA visited the the Art Lab with her companion, and elegantly painted a panel of the Book’s accordion spine with stencils and hand-painted arrows…a lovely addition and gift.

Feel the love….