Debra Disman

Artist

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Debra Disman

Watch AROHA Philanthropies: CREATIVE AGING in Action!

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I have been so honored to participate in AROHA Philanthropies Creative Aging initiative, and to work  with  with LA’s beloved Craft Contemporary museum, Curator of Public Engagment Andres Payan Estrada, and Museum Director, Suzanne Isken.

It has been my great joy to teach the AROHA Bookmaking classes for Seniors through Craft Contemporary. I have been so moved to hear and see our participants’ stories expressed through their book projects, and to witness their extraordinary creativity with materials, expression and craft. The opportunity for these students to come together, share about their lives, and weave their personal histories into their projects has been so meaningful, not only for the students, but for myself and the Craft Contemporary Staff. I have been continually amazed at the richness and depth of our participants’ life experiences and their hunger to share them with others.

Our spring workshop series in bookmaking was held in-person, at the Craft Contemporary. When the pandemic hit, we had to pivot to online learning and delivery, and despite the inevidable challenges, our online class community proved to be just as creative, supportive, connective and energetic as our in-person group. An incredible and indelible experience that I will carry with me moving forward.

Russ Haan, owner of After Hours Creative, directed the creation of the following videos sharing about and documenting the process of AROHA’s programming. They are inspiring, moving and energizing to watch. ENJOY!
Creative Aging: The Essentials
Creative Aging: Why Teaching Artists?
Creative Aging: Untapped Opportunity
Creative Aging: Isolation to Connection
Creative Aging: In-Person to Online 

Zoom In On Distance Learning 4

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As everyone keeps saying, 2020 was a year like no other.
Well, no-one had seen 2021 yet.

2021 it seems, may also prove to be a year like no other, finding us teaching online, in my case through Zoom, engaging in what is called, “distance learning”. Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues, and even teach some things!


Here are some highlights fronm our 2021 Calendar-making program at the Panorama City Branch Library,  part of my artist residency in bookmaking there, through the wonderful Los Angeles Department of Cultural Affairs.


Creating the calendar structure, using a side-stab/side-bound stitch, at the top, to produce a vertical format.


Honoring KOBE.


Sketchbook ideas for calendar.


Forging on with the project, even without a materials packet!

Here’s to a better 2021.  Thumbs up as we Zoom on.

Zoom In On Distance Learning 3

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As everyone keeps saying, 2020 was a year like no other. Well, no-one had seen 2021 yet.

2021 it seems, may also prove to be a year like no other, finding us teaching online, in my case through Zoom, engaging in what is called, “distance learning”. Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues, and even teach some things!

Here are some highlights from our 2021 Calendar-making program at the West Valley Regional Branch Library,  part of my artist residency in bookmaking there, through the wonderful Los Angeles Department of Cultural Affairs.


Participans learned a “side-stab” or side-bound stitch, and used it to create vertically-hanging, fully-functional 2021 calendars.


They used their own stickers, markers and other embellishment materials to develop their calendar covers and pages,


highlighting special dates for their year.


Calendar cover,


and “March” 2021 page.

Here’s to a better 2021. Zoom on.

ZOOM in on Distance Learning 2

By

As everyone keeps saying, 2020 was a year like no other.

One of the ways it has been a year like no other, is teaching online, in my case through Zoom, engaging in what is called, “distance learning”.

Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues and even teach some things!

Here are some highlights, with further posts illuminating specific projects, classes and workshops.

Enjoy. From the expression on these faces and the works they created, these makers did!


Envelope bookmaking for the holidays, and LAPL love!


“Folded Fan” bookmaking.


LAPL Librarians get into the act.

Here’s to a better 2021.
To Your Health.

ZOOM in on Distance Learning

By

As everyone keeps saying, 2020 was a year like no other.

One of the ways it has been a year like no other, is teaching online, in my case through Zoom, engaging in what is called, “distance learning”.

Well, you can’t beat the commute and clean-up time, and I found there are indeed ways to connect significantly with students and colleagues and even teach some things!

Here are some highlights, with further posts illuminating specific projects, classes and workshops.

Enjoy. From the expression on these faces, these makers did!

Here’s to a better 2021.
To Your Health.

Darkness and Empathy

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A two part exhibition at 18th Street Arts Center  explores artists’ reactions to the pandemic and document their experience of it, while offering coping mechanisims and beacons of hope. I have been honored to participate.

FACING DARKNESS
July 27, 2020 – June 30, 2021
Online

The role of the artist is exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see.
– James Baldwin

“Art’s role in healing trauma, restoring a sense of self, and bringing together a community has led us to realize how artists are our second responders. Artmaking is a necessary part of life, and core to processing, expressing, reckoning, and healing. In a time of worldwide heartbreak, we are recognizing our interconnectedness to one another, and creation of art is one way we deepen our empathic networks. The selected works by these artists engage with worldwide feelings of darkness and loss, using art as a path to communal processing and healing.”

Collective – “The only way out is through”


“Hopes and Fears and…”, 2020. Textile samples and linen thread. 24.5” x 16.5”. Courtesy of the artist.

“Hopes and Fears and…” describes a state where the mind obsessively repeats what it fears, cloaked in the mantle of hope. Such a process is a way of dealing with darkness. Are not hope and fear intrinsically linked as two sides of the same coin? We fear, then we hope that the realization of our fears does not manifest. All the hopes and fears stitched into this work are born of the state of our world, planet, society, and culture, and are voiced by many across the globe. This piece gives voice to those voices as well as my own.

BUILDING NETWORKS OF EMAPTHY
October 26, 2020 – December 15, 2020

The exhibition Building Networks of Empathy is the second of a two-part show that asks us to consider the ways in which art empowers not only the artist, but its viewers to transform their most difficult experiences into enlightened outcomes. The first part of the show is an ongoing online-only exhibition entitled Facing Darkness, which encouraged artists in our community to reflect internally on our current moment of pandemic, isolation, and structural inequity laid bare.

For this second part, which will be physically installed in 18th Street Arts Center’s spacious Airport campus hangar galleries, artists were asked to respond to how they have changed as a result of their inner reflections on darkness, and to imagine new futures and societal structures as we see our way out of crisis. Each artist grapples as well with the role that art can play in social reflection, expression, and cultural paradigm shifts as a result of a deeper understanding of each other, and the empathy that follows. The exhibition sees empathy not only as a way to share and understand what others are going through, but also as a natural and endless resource that we can all rely on when crisis and emergency hit, with hopes that we can turn this moment of collective fear into a sublime experience.

Visit the 360 tour of the exhibition, created by Dollhouse here

“Chromatic Interactions: The Golden Thread”, 2020. File cards, pencils, crayons, thread. Installation. 76 x 90 inches. Photo by Debra Disman. Courtesy of the artist.

I was commissioned to create an interactive book for Craft Contemporary’s 2017 exhibition, Chapters: Book Arts in Southern California, which opened shortly after the 2016 presidential election. Visitors could choose file cards in an array of colors, draw and write on them, and insert them into the pocketed pages of the book. A range of feelings, responses, and concerns were expressed through the cards, which the Museum Staff saved and gave to me at the end of the show. I stitched them together grouped loosely by theme, to express the network of empathy they depicted, held together by golden thread.