Debra Disman

Artist

  •

visual art

Evidence of Joy to be found….

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“EVIDENCE OF JOY” was a group exhibition curated by April Parviz, who says:

“…When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Evidence of Joy Dovetail Reception | 8.6.24 |

by Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often the

case. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.”

SEE THE SHOW PAGE!

SEE THE SHOW VIDEO!

VIEW THE CATALOGUE Below….

Joy in Evidence at Intersect Art Center

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“EVIDENCE OF JOY” is a group exhibition at Intersect Arts Center curated by April Parviz, who says:

“Today I went to the doctor. On the sign-in station there sat a small snowman made from an old salt and pepper shaker. His head was a little styrofoam ball. His hat was the lid of the shaker, and inside his little bottle tummy were a bunch of what looked to be miniature cotton-balls. As I waited to be checked in, I observed the fact that someone had made it. She didn’t have to. But she was perhaps feeling the joy of winter, and she wanted to share her joy. The snowman wasn’t sitting in her home, it was sitting here, for me to enjoy. And I did enjoy it. The reflection that she had experienced joy in making it, and the fact that she had done it selflessly, with no expectation of thanks, brought me joy. 

After my reflection on the sweet little snowman, I began to see evidence of someone else’s joy, intentionally being shared with strangers, everywhere I went. The person in the house five doors from mine, has a little jar of complimentary dog treats out on a bird feeder hanger in their yard, right by the sidewalk. People have lovely seasonal wreaths hanging on the outside of their front doors, not on the inside. Painted rocks are mysteriously left in people’s gardens by strangers. I’m sure that now I’m aware of this, I’ll be seeing evidence of joy everywhere. And strangers will discover footprints of my own joy, making their footprints joyful too.

When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! “

The show puts together visual works and text which come together to create and offer Joy.
such as this poem by the inimitable
 Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often thecase. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.” — Mary Oliver, 2017

VIEW THE CATALOGUE to see and read more
SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!

I am thrilled to have two pieces in the show:
Narrow Bridge, 5.5 x 16 x 3.5″, board, paper, fabric, linen thread

and
BedTime Story, 12 x 28 x 8.5″, book board, textiles, cloth, clay, beads, hemp cord, watercolor paper

SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!
VIEW THE CATALOGUE!

EXHIBITIONISTA: “Evidence of Joy” at Intersect Arts Center

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“EVIDENCE OF JOY” is a group exhibition curated by April Parviz, who says:

“Today I went to the doctor. On the sign-in station there sat a small snowman made from an old salt and pepper shaker. His head was a little styrofoam ball. His hat was the lid of the shaker, and inside his little bottle tummy were a bunch of what looked to be miniature cotton-balls. As I waited to be checked in, I observed the fact that someone had made it. She didn’t have to. But she was perhaps feeling the joy of winter, and she wanted to share her joy. The snowman wasn’t sitting in her home, it was sitting here, for me to enjoy. And I did enjoy it. The reflection that she had experienced joy in making it, and the fact that she had done it selflessly, with no expectation of thanks, brought me joy. 

After my reflection on the sweet little snowman, I began to see evidence of someone else’s joy, intentionally being shared with strangers, everywhere I went. The person in the house five doors from mine, has a little jar of complimentary dog treats out on a bird feeder hanger in their yard, right by the sidewalk. People have lovely seasonal wreaths hanging on the outside of their front doors, not on the inside. Painted rocks are mysteriously left in people’s gardens by strangers. I’m sure that now I’m aware of this, I’ll be seeing evidence of joy everywhere. And strangers will discover footprints of my own joy, making their footprints joyful too.

When I look at the current world of art, I feel like I see a lot of evidence of many inspiring things, but not always so much joy.  I know in my own art practice, I am often fueled by loud palpable emotions like pain and confusion. Perhaps if I begin practicing using joy as fuel, I will begin to do it more habitually. Perhaps if we practice seeing joy more we can become habitual joy detectives. 

Show me all the joy! I want to see and share artwork made in joy, artwork made upon discovering evidence of joy, and work that is just pure joy to look at! “

Evidence of Joy Dovetail Reception | 8.6.24 |

by Mary Oliver, 2017
“If you suddenly and unexpectedly feel joy,

don’t hesitate. Give in to it. There are plenty

of lives and whole towns destroyed or about

to be. We are not wise, and not very often

kind. And much can never be redeemed.

Still, life has some possibility left. Perhaps this

is its way of fighting back, that sometimes

something happens better than all the riches

or power in the world. It could be anything,

but very likely you notice it in the instant

when love begins. Anyway, that’s often the

case. Anyway, whatever it is, don’t be afraid

of its plenty. Joy is not made to be a crumb.”

I am thrilled to have two pieces in the show:

Narrow Bridge, 5.5 x 16 x 3.5″, board, paper, fabric, linen thread
and
BedTime Story, 12 x 28 x 8.5″, book board, textiles, cloth, clay, beads, hemp cord, watercolor paper

SEE THE SHOW PAGE!
SEE THE SHOW VIDEO!
VIEW THE CATALOGUE!

 

 

 

EXHIBITIONISTA: 37th Annual Northern National Art Competition

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I am thrilled to show, “Hopes and Fears and…” in this exhibition at the  Nicolet College Art Gallery !

24.5 x 16.25″, textile samples, linen thread

The 37th Northern National Art Competition will be held in Rhinelander, Wisconsin, from June 13 – July 27, 2024, at the Nicolet College Art Gallery. Began in 1987, this show is a cooperative venture between Nicolet College Arts & Enrichment and the Northern Arts Council (NAC). The Northern National Art Competition strives to showcase a cross section of contemporary art in a variety of two-dimensional mediums. Each year, hundreds of artists nationwide submit work to be considered for inclusion in this exhibition, and the art is always both visually exciting and intellectually stimulating.

View the show!

CURATORIAL STATEMENT

Many people wonder what goes on in the selection process of a juror for an art competition. I suspect that most of the work to which a juror responds resonates with that person for a variety of reasons, and yet we are all programmed with certain pre-dispositions.

The numerous entries for the Northern National competition represented a huge range of work with about two-thirds being representational. My eye moved toward work in diverse media, work that had texture, and anything that found a way to address current environmental or global concerns with a certain indirectness.

I like to get a sense of both the pleasure and struggle in an art-making process. When an artist seems to reach, experiment, and allow their work to be less buttoned-up or seamlessly complete, it becomes infused with energy. Drawing, painting, and photography have dominated our realm for a long time. There is still much to be explored in these areas. But in the past decade or less, textiles and fiber art have fully entered into the contemporary art world, bringing a freshness of exploration and a reevaluation of histories. We can now look to craft traditions around the world and contemplate how they inspired later art movements, or how the domestic work and pastimes of women actually parallel the fine arts world more closely than we had previously allowed. We are in a time of diversification in the art world, where artists of color, women, and LBGTQ artists are addressing important issues of identity, cultural oppression, and the occlusions of history. And while this is going in, it is prying open ways of seeing the world and providing access to more means of expression to discuss pertinent issues.

The art world has never been better or more confused than it is now. We are called upon to think more broadly. If you are a landscape artist making beautiful watercolor paintings of rivers and fields, can you push your thinking? Can you ask yourself hard questions? Why am I making this? What does it mean? More importantly, what does it mean now, in the context of this era?

If you are a photographer seeking beauty in the sky or national parks, is there a way to address both the beauty and the dire needs of land conservancy and resource protection? Not all art needs to be political. But it should have a tug. It should nudge the viewer toward curiosity and wonder.”
Debra Brehmer

View the show!

More than the Surface: Surface Design Association Southwest Regional Exhibition

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I am thrilled to be participating in this show at the Tubac Center for the Arts,  juried by artist Annie Lopez.

Current SDA members in Arizona, Colorado, Nevada, New Mexico, Oklahoma, Southern California, Texas, and Utah were invited to submit work for the juried SDA Southwest Regional Exhibition. The exhibition was juried by Arizona artist, Annie Lopez who selected 56 works.

I am showing, “Excavation of the Interior”, 2021, 12 x 28 x 12.5″, mixed media (wood, mulberry paper, canvas, watercolor paper, hemp cord, muslin)

September 30-November 13, 2022 at
Tubac Center of the Arts
9 Plaza Road, Tubac, AZ 85646

“Be Part of the Story”: VAPA Students Make Books

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At a recent series of bookmaking workshops at Verdugo Hills High School, Visual and Performing Arts  (VAPA) students in VAPA Art and English classes learned to make their own books which they then shared with others in the school library, in  a singular exhibition and reading.

Thus we engaged visual, literary and performing/presentational art forms in a single four part series,.


“Be You”, an important message of the series.


Student artists set up their own books in the school library.


Then presented their works to an audience of other students, who had also participated in the program.


Some went up in pairs…(safety in numbers?),


While some braved it alone…


All expressed pride,


and absolute individuality.

I only wishg we had longer. It was incredibly fun, and gratifying to see these Visual Art and English students take off with the forms learned, and skills attained through the program.

Many thanks go out to Amanda  Swann, VAPA Coordinator and theater educator, Amy Lesserman VAPA English class teacher, Tina Staley, Art teacher, and Lisa Cheby, school librarian, who worked closely with me to make this experience happen.

Kudos and gratitudes!