Sasse Museum of Art

WHOSMUSEUM presents the “Visual Language of Modernity” at the Sasse Museum

January 16, 2025 By Debra Disman

I am honored to participate in the upcoming exhibition:

“Visual Language of Modernity” is visioned to be a resourceful group exhibition showcasing contemporary artworks by international artists. The artworks have been chosen to provide a unique lens at the complexities and modernity of multi-cultural backgrounds and identities in globalization and diaspora. The exhibition will showcase a wide range of art forms, medias and materials, from traditional techniques to digital work and installation art. The exhibition has been designed to reflect the multi-aspects of modern creation.

In collaboration with Whosmuseum and Sasse Museum of Art, the “Visual Language of Modernity” will take place in the Sasse Museum of Art located in the diverse-cultural Downtown Pomona Arts Colony at 300 S. Thomas St., Pomona.
The exhibition will run from February 1st to February 22nd, 2025.

“Visual Language of Modernity,” a juried exhibition masterfully curated by Shuai Xu, emerges as a groundbreaking showcase of contemporary artworks that challenges our understanding of identity in an increasingly interconnected world. This international exhibition brings together artists whose works navigate the complex intersection of tradition, displacement, and cultural evolution in our globalized society.” —Sasse Museum of Art

The local art community and world-wide art lovers are encouraged to experience this dynamic exploration of art, culture, and aesthetic presentations emerging from multi-cultural artists’ communities, their artistic languages integrated with innovation and modernity.

I am pleased to be showing:

“Concurrencies I: Charlotte Salomon Eva Hesse”, 2022, 58 x 19.5″, denim, varnish, hemp cord, gold thread

I am looking forward to seeing all the other works in the show, and how they work together, I am sure, in good company.

EXHBITIONISTA: “Visual Language of Modernity” with WHOSMUSEUM at the Sasse Museum

January 3, 2025 By Debra Disman

I am looking forward to participating in the upcoming exhibition “Visual Language of Modernity“

“Visual Language of Modernity” a juried exhibition masterfully curated by Shuai Xu, emerges as a groundbreaking showcase of contemporary artworks that challenges our understanding of identity in an increasingly interconnected world. This international exhibition brings together artists whose works navigate the complex intersection of tradition, displacement, and cultural evolution in our globalized society.”–Sasse Museum of Art

In collaboration with WHOSMUSEUM and Sasse Museum of Art, the “Visual Language of Modernity” will take place in the Sasse Museum of Art located in the diverse-cultural Downtown Pomona Arts Colony at 300 S. Thomas St., Pomona.
The exhibition will run from February 1st to February 22nd, 2025.
The local art community and world-wide art lovers are encouraged to experience this dynamic exploration of art, culture, and aesthetic presentations emerging from multi-cultural artists’ communities, their artistic languages integrated with innovation and modernity.

I am very happy to be showing:
“Concurrencies I: Charlotte Salomon Eva Hesse”, 2022, 58 x 19.5″, denim, varnish, hemp cord, gold thread

Showing (love) Around

July 9, 2024 By Debra Disman

We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Juror/Curator: Ed Dixon: “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself. These issues are not always mainstream and sometimes are hidden.” Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja
See the SHOW!
See the VIDEO!

It is not only a joy to “show around” in group exhibitions at various venues around the country, it is a gratifying, enriching experience, and a heartwarming one at that, to discover, interact with and support so many inspiring and dedicated individuals, organizations, endeavors, missions and visions. I meet new folks, but also “run into” friends and colleagues that “show up” in some of the same places: showing at some of the the same shows, sharing in some of the same artist talks and panels, featured in some of the same catalogues and publications. It is exciting to connect, and see both not only an overlap of interests materially and thematically, but also how we all approach things differently, and can learn from one another.

For example, I am currently showing at:
Word and Weft: Visualizing the Word, Webster Arts, Webster Groves, MO, Juror: Noriko Yuasa
Women. Defining Our Representation, Black House Artist, Juror/Curator: Ellen Mattesi (online)
We Are Doing It All Wrong, Edward A. Dixon Gallery, Dayton, OH, Jurors: Ed Dixon/Stacy Kranitz/Judith L. Huacuja
Evidence of Joy, Intersect Arts Center, Saint Louis, MO, Curator: April Parvitz
Soliloquy, presented by The Bridge Arts Foundation at The Scholarts Selection, San Gabriel, CA
Jurors: Charles Christopher Hill, Xin Song, Curator: Tia Xu
Whisper, Verum Ultimum Gallery, Portland, OR, Curator: Jennifer Gullia Cutshall (catalogue)
Interplay, presented by the Surface Design Association at The Dairy Barn Arts Center O’Bleness Gallery, Athens, OH,  Juror: Annet Couwenberg
Northern National Art Competition, Nicolet College Art Gallery, Rhinelander, WI, Juror: Debra Brehmer
The Circular Ritual of Spring, BG Gallery, Santa Monica, CA, Curator: Susan Lizotte (online)

And earlier this year:
Midway Marvels,ArtBarLA, Los Angeles, CA, Curator: Randi Matushevitz
Materiality Matters, Umpqua Valley Arts, Roseville, OR, Juror Panel: UVA Staff and Pacific NW professionals
Pulp: Book and Paper Arts, Sebastopol Center for the Arts, Sebastopol, CA, Juror: Donna Seager
Fantastic Fibers 2024, Yeiser Art Center, Paducah, KY, Juror: Sandro Tiberi, (catalogue)
String Theory, The Cultural Center of Cape Cod, South Yarmouth, MA, Curator: Molly Demeulenaere
Art of the Word, Sasse Museum of Art, Pomona, CA, Jurors: Fatemeh Burnes, Maurice Quillinan, Niamh Cunningham (catalogue)
By the Book, Artopia Gallery, Arcadia, CA, Curator: Rosie Getz

Through this experience I am able to be exposed to and interact with :
Individuals: artists, curators, critics, collectors, gallery, museum, art center, library and academic/university directors/staff (on all different levels of responsibility and experience and in varying roles, offices and positions)
Organizations: galleries, museums, art centers, universities/academic institutions, artist studios and alternative spaces (of different sizes, renown, reputation, influence and “status” in the “art world” and world at-large)

I plan to highlight and share about various of these individuals and entities over the next several posts. I will share particularly about Art Centers, which are an enormous source of vitality, creation, care and joy throughout the country and beyond. xxxooo

I begin with Gallerist Ed Dixon, in whose show We Are Doing It All Wrong I am honored to be in. Presented at the Edward A. Dixon Galleryin Dayton, OH. Of the show says Owner/Curator: Ed Dixon: “The exhibition is a challenge to artists and viewers to recognize, react and learn about the many ways humanity continually fails itself. These issues are not always mainstream and sometimes are hidden.” The illustrious jurors Ed Dixon/Stacy Kranitz/Judith L. Huacuja hold a wealth of knowledge, expertise, care and passion among them in addition to many accomplishments.

In a time of such fraught difference, fear, and loathing, it is heartening and illuminating to see and be a part of all of these individuals and entities, making a difference. I have to feel that that all of our work, no matter what the outcome, does make a difference.

Thank you to You all.