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Luciana Abait

EXHIBITIONISTA: BRAND 53: National Juried Show of Works on Paper

May 29, 2025 By Debra Disman

I am thrilled to have my artists’ book, “THIN ICE” made in collaboration with artist Luciana Abait, shown in Brand 53: Annual National Juried Exhibition of Works on Paper

Opening Date: July 19, 2025 

The Associates of Brand Library & Art Center in Glendale, California host its 53rd Annual National Juried Exhibition of Works on Paper this summer. All works in the show will be on view in the beautiful Brand Library’s Gallery and in both printed and online exhibition catalogs. 

This year’s juror, Sigrid Burton, considers color and drawing as the foundation of her artistic practice and is noted for her works in oil on canvas or linen and mixed media on paper. She explores the natural world both literally and figuratively, with the intention of making light and depth tangible and visible on a two-dimensional picture plane. Burton captures the phenomenological occurrence of reflection and refraction of light, in particular, water, sky and deep space. Her studies of the art of the Indian subcontinent and its ancient and sophisticated aesthetic theory have influenced her thinking that the importance of a work of art is the response that the work evokes from the viewer. Within this context, color is understood to have great expressive and communicative power.

 

Tagged With: ARTIST'S BOOKS, Associates of Brand, brand, Brand 53: Annual National Juried Exhibition of Works on Paper, Brand Gallery, Brand Library and Art Center, Collaboration, Contemporary Art, Contemporary Artists, Debra Thompson, Glendale, Glendale Arts and Culture, Los Angeles, Luciana Abait, Paper, Sigrid Burton, Steohanie Sherwood, Thin Ice, Tina Demirdjian, Works on paper, works on paperr, Works using paper

Open Studios October 20th at 18th Street Arts Center!

October 7, 2024 By Debra Disman

Join us to attend 18th Street Art Center‘s  Change the Future event and Artist Open Studios on Sunday, October 20th from 3-7 PM.
I am thrilled to open my studio and participate!

Olympic Campus: Artist Open Studios
Sunday, October 20 | 3-7 PM
18th Street Arts Center Olympic Campus
1639 18th Street, Santa Monica, CA 90404

Free + Open to the Public

The artists at 18th Street Arts Center Olympic Campus are opening their studios to the public on Sunday, October 20th from 3 to 7 PM as part of our Change the Future event.

Participating Artists: David McDonald, Diana Taylor, Anne Krinsky, Debra Disman, Dan Wang, Ara Oshagan, Labkhand Olfatmanesh, Luciana Abait, Les Guthman, Susan Kleinberg and Yvette Gellis

Sign up below (as part of our Change the Future event) to RSVP and receive automatic reminders about this event! Pre-registration is appreciated, but not required to attend.

18th Street Arts Center Logo
We’re just over two weeks away from our Change the Future event including Artist Open Studios on Sunday, October 20th from 3-7 PM.

This all-ages event blends creativity, technology and environmental action. Explore interactive installations, fly a giant augmented reality kite over Santa Monica, participate in hands-on workshops, and tour artist studios, all while discovering ways to protect our planet.

FREE & OPEN TO THE PUBLIC. ALL AGES WELCOME!

I’ll Be There!

A Peek Inside: 

Anne Krinsky combines painting, print, photography and video with archival and geographical research. She is fascinated by the passage of time and the ephemeral nature of the physical world. Since 2018, she has been working on an international project about vulnerable wetlands and climate change.
Diana Taylor works across painting, textiles and print media, exploring notions of time, loss and ruin in visual culture. Recurring motifs that reflect her interests are appropriated from museum catalogues, architectural reference books, craft kits, botanical guides, books on geology, ancient ruins, domestic patterns and other print ephemera.
David McDonald works in both sculpture and painting. The visual qualities of his work vary, but they are connected through a belief in process and intuition as a way of developing work. He believes all things in the natural world are interdependent, and creates situations within his work where this is true.
Debra Disman is a Los Angeles-based artist known for her work inspired by the book, which traverses textiles, installation, sculpture and performance to push the familiar into forms that arrest and baffle, while simultaneously offering places of contemplation and solace.

 

 

 

 

 

Tagged With: 18th Street Arts Center, An Earth Twin at the Digital Dawn, An Earth Twin at the Digital Dawn: Tom Van Sant, Anne Krinsky, Ara Oshagan / Labby, Dan Wang, David McDonald, Debra Disman, Diana Taylor, GeoSphere Project, Les Guthman/ Susan Kleinberg, Luciana Abait, Open Studios, SANTA MONICA, Tom Van Sant, Yvette Gellis

Open Studios October 20th at 18th Street Arts Center!

October 7, 2024 By Debra Disman

18th Street Arts Center Logo
We’re just over two weeks away from our Change the Future event including Artist Open Studios on Sunday, October 20th from 3-7 PM.

This all-ages event blends creativity, technology and environmental action. Explore interactive installations, fly a giant augmented reality kite over Santa Monica, participate in hands-on workshops, and tour artist studios, all while discovering ways to protect our planet.

FREE & OPEN TO THE PUBLIC. ALL AGES WELCOME!

I’ll Be There!

A Peek Inside: 

Anne Krinsky combines painting, print, photography and video with archival and geographical research. She is fascinated by the passage of time and the ephemeral nature of the physical world. Since 2018, she has been working on an international project about vulnerable wetlands and climate change.
Diana Taylor works across painting, textiles and print media, exploring notions of time, loss and ruin in visual culture. Recurring motifs that reflect her interests are appropriated from museum catalogues, architectural reference books, craft kits, botanical guides, books on geology, ancient ruins, domestic patterns and other print ephemera.
David McDonald works in both sculpture and painting. The visual qualities of his work vary, but they are connected through a belief in process and intuition as a way of developing work. He believes all things in the natural world are interdependent, and creates situations within his work where this is true.
Debra Disman is a Los Angeles-based artist known for her work inspired by the book, which traverses textiles, installation, sculpture and performance to push the familiar into forms that arrest and baffle, while simultaneously offering places of contemplation and solace. 

RSVP TODAY!

On View

An Earth Twin at the Digital Dawn: Tom Van Sant’s GeoSphere Project

September 7, 2024-February 1, 2025

18th Street Arts Center
1639 18th Street
Santa Monica, CA 90404

Gallery Hours:
Wed-Sat: 12 PM-5 PM

LEARN MORE >>


18th Street Arts Center is Southern California’s largest artist residency program. Our mission is to provoke public dialogue through contemporary art-making. We value art-making as an essential component of a vibrant, just, and healthy society where the creative process is just as important as the outcome.
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Filed Under: Exhibitions, New Work, Presentations, TEXTILE/FIBER, Venues, Work Tagged With: 18th Street Arts Center, An Earth Twin at the Digital Dawn, An Earth Twin at the Digital Dawn: Tom Van Sant, Anne Krinsky, Ara Oshagan / Labby, Dan Wang, David McDonald, Debra Disman, Diana Taylor, GeoSphere Project, Les Guthman/ Susan Kleinberg, Luciana Abait, Open Studios, SANTA MONICA, Tom Van Sant, Yvette Gellis

EXHIBITIONISTA: “In Tandem” at the Cape Cod Museum of Art

April 25, 2023 By Debra Disman

I am thrilled to be participating in the exhibition, “In Tandem“, at the Cape Cod Museum of Art, with artist and collaborator Luciana Abait, through our  work, “drift”, a collaborative artist’ book which serves as a warning about environmental damage and ecological devastation.

For this year’s CCMoA International, Juried Exhibition, we asked artists to interpret the theme “In Tandem” in a visual work of art.
“In Tandem” may be defined as the process of 2 or more objects, mechanisms, people or concepts working in conjunction with each other to achieve a desired result.
The response was record-breaking with 283 artists from 30 states across the USA as well as from Canada, England and China submitting 424 artworks for this competition. Only 85 artworks were selected by juror. 3 of the artists will receive awards for their pieces during the Opening Reception and Gallery Talk on Friday, May 19, 2023.
 In Tandem is sponsored by Bob and Cathey Portrie.

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Friday, May 19, 2023
Gallery Talk with the Artists: 4pm – 5pm
Opening Reception: 5pm – 6:30pm
Free and open to the public • RSVPs appreciated!

RSVP

Tagged With: "drift", 18th Street Arts Center, Artists" Book, Cape Cod Museum of Art, CCMA, Collaboration, Collaborative work of art, Contemporary Art, Group Exhibition, Handmade Book, In Tandem, Luciana Abait, Mixed media, Museum show, Peter Michael Martin

VoyageLA Interview: Conversations with Debra Disman

December 15, 2022 By Debra Disman

I am honored to have been interviewed by VoyageLA, for their LOCAL STORIES  section, which was posted DECEMBER 12, 2022.

Thanks to colleague artist Luciana Abait for referring me!

Interview Copy:

“Today we’d like to introduce you to Debra Disman.

Debra, we appreciate you taking the time to share your story with us today. Where does your story begin?
I was born and raised in the Chicago area where the Chicago Art Institute became a second home, and took art classes growing up, both in and out of school. In high school, I also started working in community arts as a volunteer and continued this when I went to college at the University of Iowa. I was an art major with a focus on painting but also studied drawing, printmaking, literature and creative writing, and was in the Iowa Undergraduate Writers’ Workshop in Poetry, which was one of the reasons I went there. I have always had a passionate interest in both image and text (“art and writing” as we used to call it!) and their interrelationship, and have sought ways to put them together, as evidenced in my current book, object, installation and “textual tapestry” works. I also studied a year in France, learning the language and traveling extensively, imbibing masterworks, architecture, landscape and craft, which sparked a lifelong love of travel and cultural explorations. From the very beginning, teaching has been part of my career, and when I moved to San Francisco after graduation, I began teaching onsite at the De Young Museum and through their urban outreach program, an experience which has informed my work ever since as a teaching artist in the Bay Area and now across Los Angeles County, as I engage with its diverse communities. Working as both a solo practitioner alone in the studio and in the public sphere of community engagement offers a rich practice and life, which compels and challenges commitment and creativity from all angles.

I worked this way in San Francisco for many years, showing in the Bay Area and across the country and then became involved with painting art furniture while trying to learn business skills. I had a San Francisco-based entrepreneurial enterprise for 15 years called ArtiFactory Studio, providing decorative painting, color consultation, surface design and murals to clients from all backgrounds and walks of life, as well as organizations and businesses, and continued teaching as well during much of this time. I went through the certificate programs of both the Renaissance Entrepreneurship Center in San Francisco and the International Association of Colour Consultants/Designers in San Diego, and later the UCLArts and Healing Social and Emotional Arts (SEA) Certificate Program, The Annenberg—Inner-City Arts Professional Development Program and “Creativity” series, and the Cal State Los Angeles/City of LA Deprtment of Cultural Affairs Community Teaching Artist Program, to enhance my skills, broaden my education and connect with others, which has been invaluable to my work and career on all fronts.

When I relocated to Los Angeles in 2012, I knew I wanted to recommit to an evolving studio practice and teach in the community. I began proposing bookmaking and other workshops to my local Santa Monica Library, and to my delighted surprise, was able to start teaching almost right away. I had made artists’ books and taught bookmaking and  story-writing in San Francisco, but took the object of the book and the teaching of bookmaking structures to a whole other level in Los Angeles. By dint of persistent and concentrated effort, I have been able to develop a multi-faceted practice around these which has allowed me to exhibit my work in galleries, museums, universities and libraries across LA and the US and teach in an array of community settings and situations. I am honored to be an enthusiastic local artist in residence at 18th Street Arts Center, serve as an artist-in-residence for the City of LA Department of Cultural Affairs, and to have received a Santa Monica Artist Fellowship in 2021, all of which have allowed me to continue, develop and grow my work, practice and life!

We all face challenges, but looking back would you describe it as a relatively smooth road?
I don’t think any path in life is smooth! There are always challenges, obstacles, contradictions and paradoxes encountered along the way. I have been privileged to create and be offered a number of opportunities here in the LA area, including being referred to Voyage LA by my colleague and twice collaborator Luciana Abait! I made huge changes in my work and the way I worked when we moved to Los Angeles from San Francisco in 2012. The very essence of the environment, art scene and offerings is so different in flavor, scale, intensity and mindset. In San Francisco, I had been focused on working as an entrepreneur doing custom and commissioned work for individual clients, so it was very client-driven and collaborative which I loved. When I moved to LA, I knew I was going to return to an individual studio practice and transform my way of working though I did not know exactly which form it would take. I concentrated on building up my work as a teaching artist to connect with and support the community and allow me the freedom to pursue my own inclinations, vision and voice in the studio. These two aspects of my practice have worked very well together but it has not been for lack of concerted work and effort. I knew very few folks when we moved here, so the whole process has been a glorious exploration and voyage of discovery of my own evolving creative path as well as of this remarkable and continually transforming city and region, which offers so much and seems to have a place for everyone who is willing to make the effort.

One of my biggest challenges at this point is time and how to allocate it! Between teaching artist gigs and studio work, pursuing and participating in exhibitions, studio visits, residencies and project grants, the time to view gallery and museum shows requires a lot of decision-making, and I am not able to see all I would love to see. I am continually working on the time and energy management of my work and career in all its permutations, also because it is important to show up and support others.

Can you tell our readers more about what you do and what you think sets you apart from others?
I am a visual artist with a strong background in writing who works both as a solo practitioner and in the public sphere of community engagement. I am known for my work inspired by the book, which traverses tapestry, installation and sculpture, often pushing familiar forms into works that arrest and baffle while simultaneously (I hope) offering places of contemplation and solace. As a maker and teaching artist, I aim to offer and invite altered ways of viewing the world and how we inhabit it and instigate exploration and examination of what we think we know and are. I do this in very conceptual ways in the studio and in more direct, concrete ways with students and the community-at-large.

Although I am seen to fall into the “categories” of book artist as well as fiber and textile artist because of my use of string, cord, thread and cloth/fabric/textiles, I identify as a contemporary artist working in two and three dimensions with the materials that most move and matter to me at any given time. The evocative, visceral, physical quality of materials drives my work and gives it its emotional resonance and relevance vis a vis how it is used. I am compelled to layer, wrap, stitch, knot and glue as well as paint, draw and write. The “tactile textile” becomes “text-ual” as well as textural when text is added to it, which is another way of layering, disrupting and complicating the surface to add levels of meaning. I love repetitive labor in making, and finding more and more ways to engage with a specific material, such as sewing and stitching with cord, then knotting and wrapping with it, then gluing it to a surface. One process inspires another, illuminating the expressive potential of the medium.

When I work with the community, I offer a roadmap of instruction that allows people to participate in creating a piece or structure which they can then take to another level and transform to their needs and inclination while learning artistic and technical skills along the way. The main focus of my teaching artistry is on bookmaking, but I also teach sculpture, drawing, painting, collage, color theory and art history. If I present a strong enough foundation of how-to, students will gain the confidence to explore the what-next and even the why at times. This is exciting and extremely gratifying, as it allows me to see the healing effect of art and artmaking close-up and personal. Studio work and teaching artistry are part of the same continuum of my creative practice, and some of my favorite projects employ both, such as “Unfolding Possibilities”, a unique artists’ book I created and stitched with words submitted by participants in my “Bookmaking With Self-Compassion” workshop presented online through 18th Street Arts Center and We Rise LA during mental health awareness month in response to COVID-19. By integrating the participants’ voices, the book, which can unfold to 78” long, became a collaborative artistic record of the greater community’s experience of the pandemic..

In terms of your work and the industry, what are some of the changes you are expecting to see over the next five to ten years?
I think the art world, like all other sectors of society, is always shifting and changing, but certain issues remain the same such as surviving and thriving as an artist, which for most in today’s world requires entrepreneurial skills and the ability to create your own opportunities; the comparative scarcity and expense of studio space and other necessary resources for artmaking, even including the availability of materials held up by supply chain issues; gatekeeping and bureaucracy; elitism and status issues, competitiveness, hierarchy and the proverbial internalized pecking order; and ongoing inequities as regards to race, gender and class which can severely limit opportunities and challenge basic functioning in the art world and world-at-large. There are institutional and organizational efforts being made to combat, mitigate and better these conditions, but it is slow-going, and it remains to be seen whether such efforts will continue and grow or whether they will be revealed to be a trend, momentarily capturing our ever-decreasing attention spans.

As we get more and more entwined with digital interactions and social media in particular, I think it gets harder to connect to what is real and tangible, even visceral, which is what I feel we as humans crave. The digital world offers many opportunities for those who are able to effectively use and not be consumed by it, so the balance is tricky. The art world reflects this tension, and artists, craftspeople and other makers are working to resolve it in a myriad of creative ways.

I think we will see more and more efforts on the part of individuals to balance and integrate seeming opposed factors and conditions such as online versus in-person; material/physical verses digital; ideas and theories verses feelings and behaviors; and the effects of these seeming sets of opposites. The business, institutional, political and academic worlds may follow suite in their offerings if they see that this balance and integration is what the folks on the ground want and are willing to stand behind, as ultimately their survival and relevance depend on people’s engagement with what they present. These changes take time and energy, two things that are always at a premium.”

Contact Info:

  • Website: https://debradisman.com/
  • Instagram: https://www.instagram.com/artifactorystudio/
  • Facebook: https://www.facebook.com/debra.disman/

Read the interview and see images HERE!

About VoyageLA in their own words:

“We started Voyage Group of Magazines in Los Angeles, with our flagship publication VoyageLA.  After generating our first million page views in LA we knew our content was resonating with the community.

We’ve since grown to a handful of other amazing cities with the help of an amazing network of friends, associates, local insiders and influencers, PR firms, local bloggers, artists, creatives, entrepreneurs and other professionals.

OUR MISSION & EDITORIAL ETHOS

Our small team has been working hard to create a new type of media for our community. As you browse through our stories you’ll notice that many of our interviews aren’t as polished as you’ll find elsewhere in the media. That’s intentional – we believe that far too many in the media filter, edit, and polish away the personality of interviewees and as a result so much of what we see in the media feels like it’s coming from the same person, the same voice, etc.  We think it’s important for media to more authentically represent the communities they serve and so we try to ensure that voices of those we feature jump off the page.

We also think artists rock.  We love small businesses, mom-n-pops, and food trucks. We’re not snobs, but we aren’t fond of most chains.  We think independent entrepreneurs, freelancers and other risk takers make our cities exciting to live in.  We cherish the rebel spirit, we don’t think just a handful of large corporations should control all of our commerce and we think smores with vegan marshmallows are better than normal marshmallows. We respect people and organizations that take the path less traveled.  We root for the underdogs and we almost never say no to pizza.

Accordingly our mission is to build a platform that fosters collaboration and support for small businesses, independent artists and entrepreneurs, local institutions and those that make our city interesting.  We want to change the way people spend their money – rather than spending it with the big, cookie-cutter corporations we want them to spend their money with the independent, creative, local entrepreneurs, small businesses and artists.

And finally, we want the stories we share to help give our big city a little bit of that small town community charm, where people know each other and their stories at a deeper, more personal level.“

 

Filed Under: ARTISTS, MEDIA, Work Tagged With: AL, Artists, Debra Disman, Hidden Gems, LA Artists, LA People, LA Stories, Local Stories, Los Angeles, Luciana Abait, Voyage Group of Magazines in Los Angeles, VoyageLA, West Side

EXHIBITIONISTA: “(Re)imagining Home: On Care for Our Common Home”

August 26, 2022 By Debra Disman

18th Street Arts Center is pleased to present the exhibition (Re)imagining Home: On Care for Our Common Home, curated by Emma Balda and Venus Tung-yan Lau, on view in the Kitchen Lab at 18th Street Arts Center’s Airport Campus (3026 Airport Ave. in Santa Monica) from August 22, 2022 – July 31, 2023.

What is home? 

Over the last two years, our notions of home have been challenged, transformed, and clarified. The pandemic has simultaneously forced us to shrink our physical home, while also asking us to expand our sense of home to now include people, food, rituals, and ideas. We have also seen our relationship with and to the Earth change. We have seen that our sense of home must expand to include the Earth and the way we care for it.

As we attempt to create a shared home, the first step in that is defining what home means to us. This project asked the 18th Street community to examine the idea of home outside of the domestic sense. They were asked to identify people, memories, materials, places, movements, or concepts that resonate as home to them. These ideas, in combination with art that reflects on this concept, will then be displayed on the monitor in the Kitchen Lab at the Airport Campus. This project relied heavily on 18th Street’s theme “Our Shared Home,” while also deconstructing and defining what that sense of home means so that we can better understand what it means to share this space with one another. 

This exhibition highlights the artworks of Alexandra Dillon, Christopher Tin, Dan Kwong, Dan S Wang, David McDonald, Deborah Lynn Irmas, Debra Disman, Edi Dai, Elham Sagharchi, Gwen Samuels, Jeff Beale, Julia Michelle Dawson, Lionel Popkin, Luciana Abait, M Susan Broussard, Melinda Smith Altshuler, Michael Masucci, Po-Hao Chi, Rebecca Youssef, and Yvette Gellis, all artists in residence at 18th Street Arts Center.

Explore a 360 view of the virtual exhibition HERE.

Tagged With: !8th Street Arts Center, (Re)imagining Home: On Care for Our Common Home, 18th Street Arts Center’s Airport Campus, Alexandra Dillon, Christopher Tin, curated by Emma Balda and Venus Tung-yan Lau, Dan Kwong, Dan S. Wang, David McDonald, Deborah Lynn Irmas, Debra Disman, Edi Dai, Elham Sagharchi, Emma Balda, Exhibition, Gwen Samuels, Jeff Beale, Julia Michelle Dawson, Kitchen Lab at 18th Street Arts Center’s Airport Campus, Lionel Popkin, Luciana Abait, M Susan Broussard, Melinda Smith Altshuler, Michael Masucci, notions of home, Po-Hao Chi, Rebecca Youssef, Venus Tung-yan Lau, Yvette Gellis

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