Debra Disman

Artist

  •

Group Exhibition

EXHIBITIONISTA: “A Woman’s Place – Visual Voices” at The EBELL of Los Angeles

By

I am thrilled to participate in “A Woman’s Place: Visual Voices”, a tribute to the profound impact of women’s narratives. This exhibition, in celebration of Women’s History Month, serves as a platform for artists to amplify stories that have often been overshadowed or marginalized. It provides a space where the rich tapestry of women’s experiences can be vividly depicted and shared in a manner that crosses language and cultural barriers.

Held at the historic Ebell of Los Angeles, 743 South Lucerne Blvd, Los Angeles, CA 90005, on view from March 20 to April 24, 2025.

Opening Reception: March 20, 2025 from 6:00 to 8:00 pm

If you have questions about this event, please email: tickets@ebellofla.org or call 323-931-1277 x 131.

Juried by: 

  • Andi Campognone has over 30 years of arts experience in the western region of the United States. She is the Owner/Director of AC Projects, a private consulting organization focused on promoting arts and culture through museum quality projects that include the production of books, films and traveling exhibitions. Campognone is the Founding Director of Kipaipai Professional Development Workshops. She is also the Museum Manager/Curator for the Museum of Art and History (MOAH) in Lancaster, California with a mission of exhibiting and highlighting the history and contributions of southern California post 1945. She has served as Cultural Arts Commissioner for the City of Pomona, California where she contributed to the writing and adoption of Pomona’s Cultural Arts Master Plan and Art in Public Places Policy. She currently serves as a Director on the Lancaster Museum and Public Art Foundation Board, Director on the Bear Valley Springs Cultural Art Association, is a grant panelist for Los Angeles County Arts Commission and California Community Foundation
  • Based in Los Angeles, Lilly Dawson is an independent curator and Principal of Gray Dawson Art Advisory, dealing with institutional and private clients in the United States and Europe. She specializes in American and European Impressionist and Modern art, contemporary and photographs. She has held senior positions at Christie’s, Sotheby’s, Driscoll Babcock Galleries in New York and Dickinson Gallery in London.
  • Jennifer S. Li  is an art advisor, writer and educator with over 20 years of experience in the art world. She is the LA Desk Editor for ArtAsiaPacific and her art criticism and writing also appears regularly in publications such as Art in America,  Frieze,  Architectural Digest, Sight Unseen, and more. She also currently works with collectors across the United States to build collections focusing on emerging as well as established and blue-chip artists. Previously, Jennifer worked for institutions such as the Getty, the Art Institute of Chicago, and LACMA.

 

 

 

PAPER Is In The Air…

By

The proverbial scent of paper is in the air!

I am delighted to be showing in two exhibitions focussed on PAPER in the months of February and March.

First up is the exhibition “PAPER” is presented online February 13, 2025 – March 13, 2025 by Site: Brooklyn

SEE THE SHOW HERE!

The 20th century marked the peak, and subsequent decline, of paper’s dominance over everyday life. “Paperwork” is still a near-universal experience, but like everything else, has taken a more-and-more virtual form. Paper, unlike most artistic mediums, is a substrate first and artistic medium second. Created from textile waste, paper is woven very deeply into the fabric of modern life. It can be equally associated with the transformation of work, easy replication, industriousness, disposability, creativity, and experimentation. Since its invention, these qualities have encouraged artists to prepare, design, and experiment on paper. Ironically, it was in the later part of the 20th century when artists like Dorothea Rockburne. Ed Ruscha, and Robert Rauschenberg took the investigations of the Cubists into papier collé and developed paper as both a physical object, and a subject. Site:Brooklyn is looking for works that continue and expand this tradition.

Exhibition Juror, Rachel Gladfelter  is the Director at Pace Paper. Previously, she was the gallery director for the Pace Prints NYC, a fine art print gallery specializing in original, limited-edition prints in collaboration with printmaking affiliates, Pace Editions and Pace Paper. Before that, Gadfelter held the position of Studio Director for Dieu Donne Paper.

I am deighted to show “Excavation of the Interior”, 2021, 12 x 28 x 12.5″, wood, paper, cloth, hemp cord, linen thread

Curatorial Statement: Rachel Gladfelter
Paper is an exhibition that brings together 42 artists working within this versatile medium.  Ranging from intimate collaged ink drawings like Christopher Miller’s Dog Sitting to Svetlana Grigoryeva’s earthy and tactile Breathing of Bark, paper promotes ideas as expansive as its material capability.

Ancient and versatile, paper has historically acted as a carrier, allowing the sharing of ideas, image and word.  With the advent of exploratory papermaking studios and residency spaces in the mid to late 20th century, artists began creating work within the medium itself, bringing new energy and innovation.  Paper’s potential is infinite as both substrate and essential substance.  

As a substrate, it is luring.  To quote Ellsworth Kelly, “When I see a white piece of paper, I feel I’ve got to draw.  And drawing, for me, is the beginning of everything.”  As a medium in and of itself, the ability to create new ideas from the raw materials of fiber and water has a romantic tactility.  Paper can be additive: poured, painted and brushed.  It can be constructed into a new form.  It can be a lightweight shell of an object, or it can be a solidly cast shape.  It can be wrapped around an armature, and it can be cut, torn or shredded.  Paper can be painted on, photographed, crumpled up, eaten, heard, touched, twisted, drawn on, printed on and carried in protest.  It is fragile yet resilient.  It transports history, stories and secrets.  It moves as easily in a systematic mail system as in the unpredictable wind.  Paper is responsive.  It is historical and present, bringing life and purpose to ideas.  Paper is an analogue in a digital age.   The works in Paper share the significance of this medium’s intimacy and clear purpose in its utilization; albeit shown in a digital exhibition. The artists exhibited create works where paper is intrinsic to their ideas around themes of pattern, nature, politics, structure, and memory.  Each wall highlights one of these motifs. – Rachel Gladfelter

Site:Brooklyn Gallery is dedicated to exhibiting the current practice of contemporary artists. We are taking Site:Brooklyn online with a new series of interactive exhibitions. Our goal remains the same, to connect artists with an expert and diverse set of jurors through the open call format. Our new program focuses on online open call exhibitions, selected by a cast of new jurors, solo artist features, and spotlights.

SEE THE “PAPER” SHOW HERE!

In March I will be showing in the exhibition CUT/FOLD/PRESS, presented at Craft Alliance, and juried by the renowned Buzz Spector. More to come on this in another post!

EXHIBITIONISTA: “Cut/Fold/Press” at Craft Alliance!

By

 I am  thrilled to participate in “Cut/Fold/Press” juried by artist and educator Buzz Spector at Craft Alliance showing “Burning Bush”


7.5 x 11 x 5.5″, board, mulberry paper, sewing thread, linen thread

“At times, paper is often thought as a vehicle for other artistic practices. This exhibit embraces the transformational quality of paper and the art created using paper as a primary material. Juried by Craft Alliance’s inaugural Visiting Artist, Buzz Spector, this exhibition brings together compelling work on a seemingly simple material and craft form. CUT/FOLD/PRESS asks paper artists to explore and consider the many forms that paper art takes—books, sculpture, and sheet. 

The exhibition presents artists who use paper as their primary medium or create artworks made on, of, or about paper including cut paper, folded paper, woven paper, glued paper, drawings, paintings, pastels, printmaking, photographs, paper sculpture, 3D, bound books, collage, or as the subject of a video and installation.”

Buzz Spector is an artist, writer and emeritus professor of art at Washington University in St. Louis. His academic career includes five years’ service as dean of the College and Graduate School of Art in the Sam Fox School of Design and Visual Arts (2009–2013). Spector has also taught at Cornell University and the University of Illinois at Urbana-Champaign as a full professor and at numerous institutions as visiting or adjunct faculty.

Spector’s art practice makes frequent use of the book, both as subject and object, and focuses on relationships between public history, individual memory and perception. He has had numerous exhibits in private and institutional galleries and museums in the U.S., Europe and Asia, and his solo or two-person museum exhibits have taken place at the Saint Louis Art Museum; Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; Huntington Museum of Art, West Virginia; Mattress Factory, Pittsburgh; Orange County Museum of Art, Newport Beach, California; Cranbrook Art Museum, Bloomfield Hills, Michigan; and most recently, Rockford Art Museum, Rockford, IL.

Spector has also published two books, Buzzwords (Sara Ranchouse Publishing, 2012) and The Book Maker’s Desire (Umbrella Editions, 1994). He has also written numerous exhibition catalog essays, including for exhibits by Luis Camnitzer, Ann Hamilton, Dan Ramirez and Dieter Roth.  Additionally, Spector received the College Art Association’s Distinguished Teaching of Art award in 2013.

 Craft Alliance is located in The Maker District of  St. Louis, is a hub for artists, enthusiasts, and students to explore, learn, and celebrate the world of contemporary craft. We offer studios for ceramics, print and paper arts, metals, fibers, glass, wood, an artists-in-residence program, robust community programs, and an exhibition program.

EXHIBITIONISTA: “PAPER” Presented by SITE: BROOKLYN

By

“PAPER” is presented online by Site: Brooklyn

February 13, 2025 – March 13, 2025
SEE THE SHOW HERE!

The 20th century marked the peak, and subsequent decline, of paper’s dominance over everyday life. “Paperwork” is still a near-universal experience, but like everything else, has taken a more-and-more virtual form. Paper, unlike most artistic mediums, is a substrate first and artistic medium second. Created from textile waste, paper is woven very deeply into the fabric of modern life. It can be equally associated with the transformation of work, easy replication, industriousness, disposability, creativity, and experimentation. Since its invention, these qualities have encouraged artists to prepare, design, and experiment on paper. Ironically, it was in the later part of the 20th century when artists like Dorothea Rockburne. Ed Ruscha, and Robert Rauschenberg took the investigations of the Cubists into papier collé and developed paper as both a physical object, and a subject. Site:Brooklyn is looking for works that continue and expand this tradition. 

Exhibition Juror, Rachel Gladfelter,  is the Director at Pace Paper. Previously, she was the gallery director for the Pace Prints NYC, a fine art print gallery specializing in original, limited-edition prints in collaboration with printmaking affiliates, Pace Editions and Pace Paper. Before that, Gadfelter held the position of Studio Director for Dieu Donne Paper. 

Site:Brooklyn Gallery is dedicated to exhibiting the current practice of contemporary artists. We are taking Site:Brooklyn online with a new series of interactive exhibitions. Our goal remains the same, to connect artists with an expert and diverse set of jurors through the open call format. Our new program focuses on online open call exhibitions, selected by a cast of new jurors, solo artist features, and spotlights. 

SEE THE SHOW HERE!

Mazur Museum showcases Contemporary Artists Throughout the US

By

I am thrilled to participate in “The 62nd Annual Juried Competition” at The Mazur Museum of Art!

The Masur Museum of Art’s Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium. First started in 1964, the Annual Juried Competition is the Masur Museum’s longest-running tradition and one of its best-reviewed exhibitions each year. This year, 1400  artworks were submitted by artists all over the nation, in all styles and media.

Exhibition on view Feb 20 – May 3, 2025
Public Reception: January 20, 2025 5:30 – 7:30 PM

I am honored to show: “The Body Politic: Black and Gold”


2024, 8.5 x 23 x 7″, bk board, paint, canvas, metal leaf, lace, cord, netting, trim, beads

About the Juror
Annemarie Sawkins, PhD, is a Milwaukee-based independent curator, who has curated several exhibitions for the Masur Museum of Art including Kogyo: Japanese Woodblock Prints (2022), Treasures of Art Nouveau (2019) and Afghan War Rugs: The Modern Art of Central Asia (2018). Her more recent projects include Profound Prints: Art by Exceptional Women at the Hilliard Art Museum and A Creative Place at the Trout Museum of Art. From 1999 to 2012, she was a curator at the Haggerty Museum of Art at Marquette University. A frequent juror and portfolio reviewer, Annemarie Sawkins has a MA and PhD in Art/Architectural History from McGill University in Montreal, Canada.
Sponsored by The Northeast Louisiana Arts Council

62nd Annual Juried Competition – Public Reception
5:30 – 7:30 PM
Juror’s talk and awards: 6:30 PM
Receptions at the Masur Museum of Art are free and open to the public. Light food and refreshments are served and ID for alcoholic beverages is required. Parking at the museum is limited so carpooling is suggested.

 

Don’t Judge a Book by Its Cover

By

I am thrilled to participate in “Don’t Judge a Book by its Cover” at the the Cultural Center of Cape Cod

February 3 @ 12:00 pm – March 1 @ 5:00 pm
Please join us for the opening reception  5-7PM February 7, 2025 at the
Cultural Center of Cape Cod, Inc. 307 Old Main Street South Yarmouth, MA 02664

“Don’t Judge a Book by its Cover“, is an evocative visual art exhibition designed to challenge our perceptions and invite us to look beyond the superficial. This engaging showcase, presented at the Cultural Center, features a variety of artists who use unexpected materials, surprising forms, and innovative techniques to question the initial impressions and judgments we often make.

Each piece in the collection serves as a metaphor for the complexity of identity and the hidden depths beneath external appearances. By juxtaposing the seen with the unseen, this exhibition encourages viewers to reconsider how they interpret not only art but each other in everyday life

Join us from February 3 – March 1, 2025, for a transformative journey that redefines what it means to truly ‘see.’

I am thrilled to show:
Red Notebook (Here’s To The Red, White and Blue), 8.5 x 12.5 x 6.5″, placemat, linen thread, hemp cord, cloth, wood