Exhbitions
“Please Touch” Invites YOU to Do Just That: INSTALL DAY!

On view through June 18th by appt.
Curated by Kristine Schomaker and Sheli Silverio
Arts at Blue Roof Summer Festival, “A Celebration of Creativity and Joy celebrates the summer solstice while highlighting the richness and diversity of the arts in South Los Angeles and beyond. It reflects Blue Roof Studios’ commitment to fostering and amplifying creativity, connection, and inclusion within the community.
The festival is produced by Arts at Blue Roof Studios, Lisa Diane Wedgeworth, Director
YES WE DO.
CURATORS SHELI AND KRISTINE SURVEY THE SCENE.
SHELI CONTEMPLATES.
SHELI AND THE WORK OF LIZ NURENBERG
CATHY ENGEL-MARDER…WORKS. AND PLAYS.
LAUREN PALEY INSTALS HER COMMUNITY-COLLABORATIVE “THE WORLD’S LONGEST POTHOLDER”
KRISTINE…SHELI…CATHY TAKE A MOMENT.
“WOMB” INSTALLED.
CATHY WITH STARS AND MIRRORS.
PLEASE TOUCH THE WORK OF LIZ NURENBERG.
THE TREASURE CHEST OF LAUREL PALEY.
FURRY FUN WITH JULIE O’SULLIVAN!
I THINK SHELI APPROVES.
LOOK UP…
LOOK IN. AND OUT. CHANGE YOUR PERCEPTION…CHANGE YOUR…LIFE.
Exhibitionista: “Please Touch”
“Please Touch” is:
a group exhibition that is part of Arts at Blue Roof 2022 Summer Festival, “A Celebration of Creativity and Joy
On view through June 18th by appt.
Curated by Kristine Schomaker and Sheli Silverio
Arts at Blue Roof Summer Festival, “A Celebration of Creativity and Joy celebrates the summer solstice while highlighting the richness and diversity of the arts in South Los Angeles and beyond. It reflects Blue Roof Studios’ commitment to fostering and amplifying creativity, connection, and inclusion within the community.
The Fantasticalness of Fiber
I was honored to participate in FANTASTIC FIBERS 2021 at the Yeiser Art Center.
What a fantastic experience!
“One of Yeiser Art Center’s most engaging and innovative international exhibitions, FANTASTIC FIBERS is showcasing a wide range of outstanding contemporary works related to the fiber medium.”
HISTORY:
The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber. Paducah becomes a Mecca for quilters and quilt enthusiasts each April as more than 30,000 visitors from across the globe attend AQS QuiltWeek.
I showed “PROFUSION” a sculptural Artists’ Book made of book board, mulberry paper, paint, canvas, watercolor paper and hemp cord. It stands upright on a pedestal, shelf, table or another surface parallel to the floor. When opened, it can span up to 24.5″ wide:
JUROR: Sandra Johnson
“My quilt journey started over 30 years ago and I continue to be inspired by the myriad of fabrics and techniques learned over time. I am a passionate teacher who encourages students to create unique fabric creations, whether the end product is a quilt or garment. Creating what is important to the maker is a joyful experience that I try to pass on in my workshops. Wherever you are in your design process my goal is to inspire your creative “genius” and improve your techniques.
Hand sewing with my grandmother started it all. From the beginning, the process of transforming fabric into art struck me as magical. Sewing was the foundation that led me into quilting. What started as a hobby turned my passion into an artistic reality.
I love to hand stitch using the traditional Japanese Sashiko and Boro embroidery styles and incorporating them as a decorative feature into my designs. The concrete, repetitive nature of this work frees my imagination provides many opportunities for happy accidents and grace to influence the finished product.
My core materials for quilting are thread and fabric, however, I often employ recycled denim, yarns, dyed fabrics and stamps to transform the ordinary into the extraordinary. I hold a B.S. in Clothing, Textiles and Design from Arizona State University, Tempe, AZ.
Recently, I discovered modern quilting: simple, crayoned patchworks that resonate deeply with my fiber work. Inspired and invigorated by a renewed sense of continuity, and awed by the mystery of how creation occurs, my process allows me to explore visions to enable my creative work to evolve and grow.”
TOUR THE SHOW!!!!
Turmoil, Transition and conVERGEnce: What’s in a Name?
What is in a name?
“A rose is a rose is a rose“, poetically stated the writer Gertrude Stein.
The line is from Stein’s poem Sacred Emily, written in 1913 and published in 1922, in Geography and Plays. The verbatim line is actually, ‘Rose is a rose is a rose is a rose’.
But, is it?
What do names, titles, words, actually mean? What do they tell us about the current moment, about the times we are living in? Living through?
Fascinating are the titles of exhibitions I have taken part in, since the beginning of 2021, nearly a year after the Corona Virus/COVID 19/Pandemic transformed the world into an altered…world.
Titles including:
Home Sick
Recovery Justice: Being Well
Insight
Content
A Thousand Words
Turmoil and Transformation
conVERGEnce
and during 2020:
Transition
Building Networks of Empathy
Chasing Ghosts V: Art that Pierces the Veil through Remembrance, Legacy, & Beyond
Facing Darkness
Illuminate
Identity
To get a sign of the times, read the signs.
Literally.
To Your Health!
Exhibitionista: Fantastic Fibers 2021 at the Yeiser Art Center
I am honored to be showing in FANTASTIC FIBERS 2021 at the Yeiser Art Center.
“One of Yeiser Art Center’s most engaging and innovative international exhibitions, FANTASTIC FIBERS is showcasing \a wide range of outstanding contemporary works related to the fiber medium.”
HISTORY:
The show began in 1987 as a wearable art show but has evolved over the years to include a compelling mix of traditional and non-traditional works created from natural or synthetic fibers, and work that addresses the subject or medium of fiber. Paducah becomes a Mecca for quilters and quilt enthusiasts each April as more than 30,000 visitors from across the globe attend AQS QuiltWeek.
I am showing “PROFUSION” a sculptural Artists’ Book made of book board, mulberry paper, paint, canvas, watercolor paper and hemp cord. It stands upright on a pedestal, shelf, table or another surface parallel to the floor. When opened, it can span up to 24.5″ wide
JUROR: Sandra Johnson
“My quilt journey started over 30 years ago and I continue to be inspired by the myriad of fabrics and techniques learned over time. I am a passionate teacher who encourages students to create unique fabric creations, whether the end product is a quilt or garment. Creating what is important to the maker is a joyful experience that I try to pass on in my workshops. Wherever you are in your design process my goal is to inspire your creative “genius” and improve your techniques.
Hand sewing with my grandmother started it all. From the beginning, the process of transforming fabric into art struck me as magical. Sewing was the foundation that led me into quilting. What started as a hobby turned my passion into an artistic reality.
I love to hand stitch using the traditional Japanese Sashiko and Boro embroidery styles and incorporating them as a decorative feature into my designs. The concrete, repetitive nature of this work frees my imagination provides many opportunities for happy accidents and grace to influence the finished product.
My core materials for quilting are thread and fabric, however, I often employ recycled denim, yarns, dyed fabrics and stamps to transform the ordinary into the extraordinary. I hold a B.S. in Clothing, Textiles and Design from Arizona State University, Tempe, AZ.
Recently, I discovered modern quilting: simple, crayoned patchworks that resonate deeply with my fiber work. Inspired and invigorated by a renewed sense of continuity, and awed by the mystery of how creation occurs, my process allows me to explore visions to enable my creative work to evolve and grow.”