Now that The Sheltering Book and The Big Beach Book are no more, except for fragments, in photos, and in memory, I wanted to look at the one structure/two projects piece in greater depth, and see the different ways the large book co-created in community was used. [Read more…] about Beach, Books and Shelter
1450 Ocean
2018 California OPENing
I am thrilled and honored to be part of the 2018 California Open Exhibition held this year at the beautiful Tag Gallery in Los Angeles, near LACMA (The Los Angeles County Museum of Art) August 8-24, with an opening reception Saturday August 11th, 5PM – 8PM.
Beloved and acclaimed LA-based artist Kim Abeles juried this show, and her statement about it in the Press Release is telling.
Gallery Director, Rakeem Cunningham, sent out these installation images as well as a great inventory of Works in the Show. Thanks to Rakeem and Kim for their devoted work and ongoing efforts to make this show a great one, as well as to the wonderful Tag Gallery artists who opened their gallery “home” and their hearts to all of us who exhibited, made the Opening Reception a gala, and supported the cause with such heart and generosity.
This is an engaging and eclectic show. I was thrilled to see the work of three other (WOMEN!!!) artists that I know and have worked with in the show: photographer Marta Feinstein, printmaker and fellow LACMA teaching artist Brooke Sauer, and sculptor Karena Massengill. I share their work below as well as my own, and some images of the Opening. Really fun.
Throngs of beautiful souls crowd the gallery.
Stunned to find flowers here from my family! Mark and I get documented…
Sunflowers illuminated the evening, and graced the Gallery’s Reception desk. Pictured here photographer Marta Feinstein, a fellow exhibiting artist.
My piece, “Throes of the Body“, completed during my Studio Residency at 1450 Ocean in Santa Monica.
The work of colleagues..
It has been a great experience.
The exhibition runs through Friday, August 24th, 5pm.
If you have not yet seen it, check it out!
There is something for everyone there!
GrAtItUdEs
NEW WORKS Show at 1450 Ocean
NEW WORKS Show at 1450 Ocean
April 14, 2018.
Textile artist Huong Nguyen and I shared our work with the Public at the Camera Obscura Art Lab at 1450 Ocean in Santa Monica.
It was a wonderful round-up of our Studio Residency activities which took place January through April, 2018.
This post is a “send-off” of sorts to the Residency, which had a profound impact upon me, my work, and Life. Thank you, 1450 Ocean….
A tour around the Studio, as we prepare for our Show.
The spaciousness of space…tables for materials, and visual reminders, inspirations and cues.
The “spinning book” moved around.
Beautiful light off the Ocean flooded the glassed-in Studio.
I finished, if there is such a thing, filling my “sketch” book here.
“Rapunzel“, Book board, mulberry paper, linen thread, gold thread, untreated canvas; “Window Treatment“, Book board, file folders, hemp cord, watercolor paper, mulberry paper, acrylic paint, waxes.
“The Fall“, Board, untreated canvas, hemp cord, watercolor paper, mulberry paper.
“Throes of the Body“, Book board, untreated canvas, hemp cord, watercolor paper, mulberry paper.
“In the Profusion“, Book board, untreated canvas, hemp cord, watercolor paper, mulberry paper.
“Burning Bush“, Board, thread, linen thread, dental floss, mulberry paper.
“BedTime Story I”, Book board, wood, fabric, hemp cord, watercolor paper, incorporating tiny ceramic “masks, made by my Mom, the ceramicist Judy Disman.
Mom, it was great to work with you.
Pathways to the next Thing.
We are Travelers.
In Resonant Residence (14)
In Resonant Residence (14)
I formally began Studio Residency at the Camera Obscura Art Lab
in Santa Monica Wednesday January 10th, and completed it Saturday, April 21, 2018. I shared the sunlit space, located within a beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura
|
|
|
|
|
|
|
|
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”
The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.
My thirteenth workshop, April 7, 2018, Creating Sculptural Books offered participants an opportunity to walk a bit on the wilder side, and create something new while learning some skills in the process.
We began by constructing what I call the “fan book” structure…an accordion folded spine, with front and back covers, and pages added to the same side of each fold.
It is a version of the flag book, invented by renowned book artist Hedi Kyle, but employs full-sized pages that fan out from the spine in the same direction, rather then the zig zig alternating pattern of the endlessly inventive flag book.
Then folks added to that structure, used it as a jumping off point if you will.
Others focused more specifically on embellishment…this was the way “in” for them.
Book artist Rachel Curry made a big “traditional” flag book, and adorned it with patterns using paint pens.
Step-by-step into new territory, in a safe space.
Ingredients for discovery.
In Resonant Residence (13)
In Resonant Residence (13)
I formally began Studio Residency at the Camera Obscura Art Lab
in Santa Monica Wednesday January 10th, and completed it Saturday, April 21, 2018. I shared the sunlit space, located within a beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura
|
|
|
|
|
|
|
|
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”
The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.
My twelfth workshop, March 24 2018: Double Flower Fold Book had participants folding forms and attaching them into a chain that folded up into a book that could nestle in your hand. But..when it opened…well, you can see what another name for this structure is “Exploding Book”!
The all-important process of choosing materials!
Folding repeating forms,
and slipping one into the next to create a chain.
Then come the covers…
and their content.
A line-up of family, working together, but on their own things.
Opening up to color.
Her own thing; a little “suit coat’ charmer that opens up into something deeper.
Cool colors, taking her cue form the sea and sky outside?
Development and embellishment and
delight…
It is the journey. I am so glad to have taken it with them, and You.
In Resonant Residence (12)
In Resonant Residence (12)
I formally began Studio Residency at the Camera Obscura Art Lab
in Santa Monica Wednesday January 10th, and completed it Saturday, April 21, 2018. I shared the sunlit space, located within a beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura
|
|
|
|
|
|
|
|
Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”
The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.
My 14th Workshop April 21, 2018: “Jam out on the Big Beach Book with Debra Disman” was a meaningful round-up of Residency activities, both workshops and magical making time in the glass-walled Studio…working on The Big Beach Book…
Before “residing” at 1450…The Beach Book was “The Sheltering Book”…and had nothing on it’s pages save color, texture and borders.
The community turned out, and dove into the project, adding paint, stamping, stenciling, collage, printing, altered book pages, maps, beach glass and more to the Book’s surfaces.
The original diamonds were enhanced by the addition of blue and green beach glass, and a tiny scrap from my studio-mate Huong‘s Shibori on Paper workshop.
During our “New Works” show, visitors used paint pens to create colorful works right on the paper-covered tables. I cut these out, and added them to the Book.
Paint color samples, salvaged from my life as an architectural color consultant, proved to be a fun addition.
The sun stencil was perfect for our Beach theme…and was used in different ways on the Book.
A bold young maker painted the big flower onto one of The Book’s surfaces, and a stenciled sun was layered over it.
This young maker was headed back to the Bay Area with her family, and they stopped at the Camera Obscura on a whim. happily, they investigated the Art lab, and joined us in adding to The Big Beach Book.
A fitting message. So glad you stopped by Nikki!
Traversing the back cover of The Book.
Sunhat, shells, funky glasses…the accoutrements of the Beach.
Adding to the back cover…
Participants used the fish stencils to great advantage, and used The Book as a place to share thoughts, wishes, ideas and dreams.
Surprise flowers from family…golden!
Stenciled and collaged fish swim in schools and circles. participants created bubbles using a the top of a jar to print acrylic paint with, and sea flora using translucent beads.
During our “Altered Pages” workshop, participants combined book pages with black-out technique, glitter, paint chip samples and other collage materials to create fresh juxtapositions and poetic musings.
Book pages, maps, maps on maps, stencils and ribbon add layers of texture, design and meaning.
Our fearless leader, City of Santa Monica Cultural Affairs Supervisor, and creator of the Art Lab and the Residency program, Naomi, begins to ready the Studio for the new Artists-in-Residence, “moving in” the following week.
One last turn around the Studio, and the Big Beach Book,
before it goes into its last incarnation (that I will have a hand in, anyway…)
with a few elements saved for posterity…for the moment anyway…
What. A. Sublime. Experience.
Gratitudes.