Debra Disman

Artist

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“Yarn/Rope/String” at the New Bedford Art Museum

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I am thrilled to be included in the current
Yarn/Rope/String exhibition at the New Bedford Art Museum
DECEMBER 8, 2022 – MARCH 12, 2023
showing: “Profusion“, 2018, 8.5 x 24.5 x 7.75, Book board, mulberry paper, watercolor paper, canvas, hemp cord


Fiber Art Now and New Bedford Art Museum/Art Works! present Yarn/Rope/String

DECEMBER 8, 2022 – MARCH 12, 2023

The Fiber Art Now Yarn/Rope/String exhibitions were designed to encourage innovative use of fibers that artists incorporate into new and exciting works of art. The jurors for the 2021 and 2022 exhibitions in print had this to say about the expanse of this expressive niche of fiber art:

Yarn/Rope/String 2022 juror Michael F. Rohde has been weaving since 1973. His work is in the permanent collections of the George Washington University Museum, The Textile Museum in Washington, DC; the Mingei Museum in San Diego, California; the San Jose Museum of Quilts & Textiles in San Jose, California; the Ventura County Museum of Art in Ventura, California; the Racine Art Museum in Racine, Wisconsin; and The Art Institute of Chicago in Chicago, Illinois. “It is always a special privilege to be given the chance to see a large body of work, but a challenge to select only a few,” said Rohde. “Some of the things I looked for and found include excellence in craftsmanship, new ways of expressing ideas with fiber, and occasionally work that addressed what happens outside of the studios yet impacts us all. Not all works embodied all criteria. This led to a selection that was diverse and hopefully with some things that are new to each of us.” michaelrohde.com

YARN/ROPE/STRING: FIBER ART NOW JURIED EXHIBITION
DECEMBER 8, 2022 – MARCH 12, 2023

Storybook Theater at the West Valley Regional Library!

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In July I started a new Artist Residency in Bookmaking, “We Write the Book” at the West Valley Regional Branch Library of the Los Angeles Public Library, through the Los Angeles City Department of Cultural Affairs.
The Residency is comprised of a series of bookmaking workshops presented at the Library, planned in close coordination with Library Staff.

On Thursday January 12th, we gathered in the Library’s community room, with participants of all ages including  children, grandparents, families and even a 5 month old baby, and learned as a group how to make the fantastical and fun Storybook Theater!

Cutting, folding, pasting, developing…


participants created three-dimensional stories that stood up, opened out, 


and expressed their imaginations, creativity, and hopes for the new year…new vistas indeed!

Bravo!

Arte Realizzata Artist Spotlight!!

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Many thanks to Uzomah Ugwu for this artist spotlight in her wondrous magazine Arte Realizzata and also for our FRUITFUL CONVERSATION.

Artist Spotlight on Debra Disman

Debra Disman is a Los Angeles-based artist known for her work inspired by the book, which traverses tapestry, installation, and sculpture to push familiar forms into works that arrest and baffle while simultaneously offering places of contemplation and solace. As a maker and teaching artist, she invites altered ways of viewing the world and how we inhabit it.

Disman was the featured artist for the Big Read in LA in 2016; is the recipient of a 2016-17 WORD Artist Grant / Bruce Geller Memorial Prize to create “The Sheltering Book,” a life-sized book structure designed as a catalyst for community creativity; and was commissioned by LA’s Craft Contemporary Museum to create an interactive book for their 2017 exhibition, “Chapters: Book Arts in Southern California.”

She was a 2018 Studio Resident at the Camera Obscura Art Lab in Santa Monica and has served as an Artist-in-Residence for the City of Los Angeles Department of Cultural Affairs since 2017. A Santa Monica Artist Fellow in 2021-22, she continues projects, research, and teaching efforts across Los Angeles County and the world, contributing to 18th Street Arts Center as a local artist-in-residence.

Disman’s recent Santa Monica Artist Fellowship project, “Charlotte Salomon and Eva Hesse: Genius, Trauma and the Invention of New Forms of Visual Art in Response to the Holocaust,” shown at 18th Street Arts Center in June 2022, in the form of an open studio explored the concurrencies between the two artists and her response to them. Involving three essential components: Research, Artistic Production, and Public Engagement/Exhibition, the year-long project investigated, compared, and linked the lives and the groundbreaking work of Jewish women artists Charlotte Salomon and Eva Hesse based on their shared experience of trauma and loss; and their invention of new artistic forms through which Disman feels they respond to and attempt to cope with these traumas. Themes of the project include the relationship between internal and external turbulence and the creative act; the transformative power of the creative process: the triumph of the imagination as opposed to the triumph of the will; and how trauma can elicit the creation of new forms, voices, and materials that outlast their makers and continue to reverberate throughout the time, inspiring posterity.

“I Can’t I Won’t I Will I Do” encapsulates the resistance we may have to our destiny and our calling and the indomitable spirit that keeps all artists exploring, investigating, experimenting, and achieving.

“I Can’t I Won’t I Will I Do”, 2022, 13 x 71.5″, cotton table runner, linen thread

“Excavation of the Interior”, (detail), 2021, 12 x 28 x 12.5″, wood, mulberry and watercolor papers, canvas, muslin, linen thread, hemp cord

“Concurrencies I: Charlotte Salomon Eva Hesse”, 2022, 58 x 19.5″, denim, hemp cord, linen thread, metallic thread

“Finally And Just For A Minute”, 2022, 46 x 58.5”, canvas, burlap, hemp cord, acrylic paint, ribbon

“It’s Not Black and White” (interior/open), 2021, 9 x 22 x 7.5″, book board, mulberry paper, used typewriter ribbon, canvas, hemp cord.

For more information about Debra’s artwork, please visit her site. Also, follow and like her on Instagram and Facebook.

 

Southwest Surfaces at Tubac Center of the Arts

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I was thrilled to be part of:
Surface Design Association’s  Southwest Regional Exhibition at Tubac Center of the Arts!

Annie Lopez, Juror

 

Exhibiting Artists

Elizabeth Abaravich, Amie Adelman, Lisa Jean Allswede, Jim Barry, Keri Bas, Julie Bates, Daiva Bergman Harris, Blair Cahill, Jan Caldwell, Cael Chappell, Claudia Cocco, Vicki Conley, Sue Conner, Beth Cunningham, Debra Disman, Diana Fox, Dellis Frank, Amelia Greco-Welden, Michele Hardy, Jackie Heupel, Stephanie Hilvitz, Dong Kyu Kim, Molly Koehn, Julie Kornblum, Mary-Ellen Latino, Karon Leigh, Nancy Lemke, Christine LoFaso, Viviana Lombrozo, Jeannie Mehl, Christine Miller, Jaya Miller, Kathy Nida, Marty Ornish, Nancy Peterson, Michael Rohde, Connie Rohman, Tamara Scott-Anderson, Danielle Shelley, Asher Sinclaire, Bonnie Smith, Karen Smith, Nancy Jo Smith, Karin Soderholm, Meredith Strauss, Sheila Tymon, Shelly White,Peggy Wiedemann, Emily Yarborough

I showed:
Excavation of the Interior”, 2021, 12 x 28 x 12.5″, wood, mulberry paper, watercolor paper, hemp cord, canvas, muslin

Annie Lopez, Juror
Annie Lopez creates narrative work presenting a dialogue about racism, stereotypes, the local art world, personal relationships and family. Most known for cyanotype work, she’s based in Phoenix, AZ.

Juror’s Statement

I was privileged to see some incredible art and had many “why didn’t I think of that?” moments.

Selecting work was challenging. My approach was for the exhibition to have a personality, not a theme. The final selections resonated with me; made a statement or displayed unusual approaches with words, design, or techniques. These works showcase the artist’s imagination through a variety of technical skills, and each provide insight into the maker

Dancing with Dali: Perspective, Scale and Surrealism!

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In our “Making Art Inspired by Great Artists” CREST Enrichment class,
students are inspired by the Surealist Artist Salvador Dalí!

Students in grades TK- 5th learned about Surrealism, and how to use perspective, scale,
horizon lines and vanishing points to show space and distance, the developed their compositions into surrealistic scenes!

The Dia De Los Muertos OFRENDA provided an inspirational backdrop to their creative endeavors!