Debra Disman

Artist

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Presentations

Celebrate Art and Poetry at these April Events!

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I am culminating my 2020-21 artist residency programs with the Los Angeles Department of Cultural Affairs with two bookmaking workshops and events at the West Valley Regional Branch Library, and the Panorama City Branch Library respectively.

Please join us for either or both of these FREE online community events! Materials and goody bag provided for those who sign up, and go to the Branch sites to pick them up.

Help us celebrate National Poetry Month and the culmination of two wonderful residency programs that were conducted entirely online!  You will have the opportunity to create your own “Flag Book” and adding your own or other favorite poetry to it! Learn how to do “found writing” and express yourself through art and poetry without leaving the comfort of your own home. Details on the fliers below!!

 

It’s all in the C O N T E N T

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Upon request, I am sharing my artists’ book, “Narrow Bridge”, shown in the CONTENT exhibition

           
at The Artery Gallery in Davis, CA, which runs April 1 – May 1, 2021. 

I am honored to be included in CONTENT, a show of Artists’ Books at The Artery, in Davis, CA.

“Artist Books typically defy classification, definition, and expectations. They are vessels for an artist’s vision. To understand what an artist book is you have to forget your definition of a book.”

According to the Smithsonian Institute Library blog, “An artist’s book is a medium of artistic expression that uses the form or function of ‘book’ as inspiration. It is the artistic initiative seen in the illustration, choice of materials, creation process, layout and design that makes it an art object. …”

“What truly makes an artist’s book is the artist’s intent, and artists have used the book as inspiration in a myriad of ways and techniques, from traditional to the experimental. The book could be made through fine press printing or hand-crafted, the pages illustrated with computer-generated images or cheap photocopies; books became sculptures, tiny and gargantuan; books were sliced up and reconfigured, made from all kinds of materials with unconventional objects incorporated, in unique or limited editions, or produced in multiple copies. With all sorts of ideas behind them, artists continue to challenge the idea, content and structure of the traditional book.”

There is a special guest juror for this exhibition: Nikki Thompson of Deconstructed Artichoke Press.
Nikki Thompson is a book artist (aka Deconstructed Artichoke Press) and poet. With an MFA from the California College of the Arts, her art explores architecture, feminism, and the politics of work through the mixed media of bookmaking, printmaking, and photography. Her work has been awarded First Prize at Gallerie Renee Marie and a Purchase Prize at 23 Sandy Gallery. She has also been nominated for a Pushcart Prize and received the College Book Arts Association Project Assistance Grant. Her work can be seen at www.deconstructedartichokepress.com.

Co-juror: Adele Louise Shaw of Circle A Studio.
Adele is a book artist and a painter. Her career as an artist has been punctuated with wildly diverse artistic explorations but she grew up surrounded by hand-bound books made by her great-grand parents. Her bookbinding studies started with classes in Japan and Thailand. Adele’s book work is squarely focused on a different, newish book form referred to as “Artist Books”. Many of her hand-bound books are derived from her work as a painter. She never ceases to try new methods and materials to actualize her vision. She teaches book classes out of her studio in Davis, California. You can view her work at www.adeleshaw.com.

I am showing:
“Narrow Bridge”, 5.5 x 16 x 3.5″, mixed media
“Narrow Bridge” is an “Artists’ Book”, which can be opened to about 16+” wide, but can be displayed opened to 8-10″, standing upright. It is a flag book structure and is made of board, paper, linen thread, and fabric. It says, “All the world is a narrow bridge, the important thing is not to fear.” (In

20×20 INSIGHT

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The Cape Cod Museum of Art presents:  INSIGHT.

When spoken, this word can be broadly understood as – Insight, In Sight and Incite. What is Your interpretation?
I am thrilled to be part of this evocative exhibition, taking place in CCMA’s expansive Hope / McClennen exhibition hall. The show is available virtually on the Museum website.

The juror is Grace Hopkins, gallery director at the Berta Walker Galleries in Provincetown, and Wellfleet, MA,  and an international guidance counselor for the arts. In a 2014 review of her own artwork in The Banner, Susan Rand Brown called Hopkins: “A photographer with the eye and soul of a painter,” and said “The images she shoots suggest the sharply angled details of a Franz Kline, geometric shapes and flat colors of her father (Budd Hopkins) or a sudden burst of translucent layers, which could have been – but definitely are not – details from a collage by Robert Motherwell. Suddenly a viewer feels surrounded by the freshness of expressionist imagery and motion, each piece different, each piece allusive yet quite original.”

523 artworks were submitted by 272 artists from 30 states across the country for INSIGHT. Only 65 artworks have been selected from 60 artists in 16 states.

Says Grace Hopkins of selecting the work for this show: 
“Narrowing down the artwork for this exhibition was challenging. I first had to digest all 500+ submissions as a whole before any threads of meaning could be drawn between the works, and a final cohesive subset could be chosen. As a gallery director I am regularly confronted with an aesthetic puzzle. But, when you throw in the added thematic complexity of INSIGHT and the sheer number of works submitted, making a final selection was both a demanding and rewarding exercise in distillation. I want to thank everyone who came forward and placed their artwork into this pool. Another juror, with different values and sensibilities would have solved this very differently. Your collective vision, ability and insight moved me.”

I am showing MAXIMUM SECURITY:  15 x 18 x 10.25″, mixed media (book board, canvas, watercolor paper, acrylic paint, hemp cord, wood)

This show is sure to be InSIGHTful….Looking Forward!

MEDIA page

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I have been empowered by learning how to update my Site’s MEDIA page!

This is the page in my Site where I share, through word, image and link, everything that pertains to MEDIA that I have been involved in:

Print media
Digital/online media
Film/video
including
Press/listings across platforms
Exhibition catalogues, publicity and tours
Artist talks
and more.

Thank you beloved web and graphic designer Dianna Jacobsen, for the design, the tutalage, the support and the patience …

O, and, the sense of humor!

It has been fun, and enlightening.

Check it out….

M E D I A

RECOVERY JUSTICE: Being Well

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I am thrilled to participate in:

RECOVERY JUSTICE: Being Well

March 8, 2021 – July 16, 2021
at
18th Street Arts Center (Airport Campus)

“Being Well” is what we seek together as neighbors, and recalls one of the central guiding principles of the City of Santa Monica, the notion of “wellbeing” as key to civic health. Recovery Justice: Being Well, aims to highlight the recent circumstances that have evolved during the pandemic (racial justice demonstrations and destruction, as well as social discontent and general disconnection) into a series of self-organized artist projects that merges the exterior and interior public spaces of City of Santa Monica property. 18th Street Airport Campus at Santa Monica Municipal Airport will be the site where artists reimagine the city and beyond in the midst of complex social unrest globally. Recovery Justice will recuperate through various means the digital and physical footprints left in a city that struggles to reclaim the seemingly peaceful environment it once had. Artists will develop a palette for making and sharing artworks responding to the street experience in safe, healing and expressive modes. This porous series is a point of departure to reconcile and redefine the concept of justice.

This collage of self-organized artist projects was organized around the common theme of Recovery Justice, facilitated as part of Sara Daleiden’s artist project and ongoing conversations nurtured through a series of online conversations with 18th Street’s artist community called “Creative Roundtables” over the past 8 months. These projects will manifest in outdoor presentations on the side of the building; sculptural, photographic, painting and video work in the galleries; and a series of online and drive-in events in Spring of 2021. The artists’ presentations will also be represented online and via a 360 tour for virtual viewing.”

Participating artists include: Sara Daleiden, Nicola Goode, Susie McKay Krieser, Marcus Kuiland-Nazario, M Susan Broussard, Lionel Popkin, Yrneh Gabon Brown, Lola del Fresno, Debra Disman, Melinda Smith Altshuler, Gregg Chadwick, Luciana Abait, Deborah Lynn Irmas, Rebecca Youssef, and Dan S. Wang.

Sara Daleiden’s residency and facilitation work on these projects is generously supported by the Mike Kelley Foundation for the Arts. Bailiwik is also a supporting partner on this exhibition.

ABOUT THE FACILITATOR
(such a joy working with Sara)
Sara Daleiden is a Los Angeles-based artist who facilitates civic engagement within developing landscapes, exercising arts and cultural exchange strategies. She encourages local cultures to value neighborhoods, public space, civic art, land and racial and gender equity. Sara has an expertise in working with artists and other cultural entrepreneurs for civic engagement, creative placemaking, network development and small business development.

Her project at 18th Street Arts Center grows out of the placekeeping work that 18th Street has been engaged in over the past six years through our cultural asset mapping project (culturemapping90404.org) and the Commons Lab, which involves community voices to define, center, and connect cultural practices within their own neighborhoods. Her practice investigates the influence of location, scale, market, values and other regional factors on the production of the arts and cultural identity. Through methodologies involving partnership mapping, network building, and the facilitation of self-organizing and advocacy, Sara aims to enhance the advocacy power of artists in influencing neighborhood development in the city. Her durational engagement with 18th Street will spin off land-based activations with opportunities for neighbors, artists, city staff, and the broader public to participate. Sara has been collaborating with arts workers Nicola Goode, Susannah Laramee Kidd, Dorit Cypis and Kimberli Meyer for this artist project.

Pictured is “drift”, a collaboration between myself, and esteemed 18th Street colleague and artist, Luciana Abait.

More To Come!!!

PieceWork: Threads of 2020

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2020 has been a tremendous challenge for everyone.

I am honored to have been able to participate in a number of events, lists and and initiatives, designed to help us all, keep going.

Thank you for the opportunities.

Living through a Pandemic: Artists Experiment, Inspire and Persevere


My studio at 18th Street Arts Center in Santa Monica, CA. 2020

Textile Artists Today

“This article isn’t about making any new revelations in the world of art involving textiles. It is about sharing the work of contemporary artists who may not be known.” —Kristine Schomaker/Art and Cake


https://textileartsla.org/textile-month-2020-calendar/2020/7/10/material-identity

We have made it this far.

What does 2021 have in store?