Debra Disman

Artist

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Drawing

Of Polka Dots and Butterflies: Inspired by Yayoi Kusama

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In what I am calling my “Girl Power” after-school artmaking class (“Making Art Inspired By Great Artists!), my group of seven power artmakers are hard at work creating polka-dotted butterfly books inspired by Japanese Artist Yayoi Kusama!

First up was to learn the correct pronouncement of Kusama’s name…not familiar to the girrrls. Next they created accordion-fold book spines, added the front and back covers, and finally, butterfly wings to the center fold of the spine

Then it was off to the races to add colorful polka dots to their books, in honor of Kusama’s interest (obsession with?) circles, polka-dots, and their endlessness and thus the expression of  infinity the circular shape affords, at least in Kusama’s book (!)

Adding also flowers, butterflies (stickers), ribbons to honor May Day and even using a butterfly shaped hole puncher, the girrrls wowed with their use of materials, their creativity, and imagination to create unique, whimsical, beautiful and stunningly singular works. Just like Yayoi Kusama does with her materials, creativity and imagination!

What a marvelous group. Brava!

Spines folded, covers and wings attached, let the adornment begin!


Weaving ribbons through the holes.


 Can there be any more polka dots?!?


Using the butterfly hole puncher.


Deft use of the polka dot (and other) stickers, which she is adding white texture to (overlaying the original orange color polka dot color on the wings) , which she took out or replaced later, to have just the plain orange polka dots. Just amazing!

Girl Power! Making Surrealistic Landscapes Inspired by Salvador Dali

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In what I am calling my “Girl Power” after-school artmaking class (“Making Art Inspired By Great Artists!), my group of seven power artmakers are hard at work creating surrealist landscapes inspired by artist Salvador Dali.

They learned about the concepts of horizon , vanishing points, perspective and scale ad used them to establish and landscape then develop it into a personal, surrealistic world.  It was fascinating to watch.  For our next class, they will be adding images from magazines to complete their works and add another layer of surrealism to them and learning about the artform of collage in the process!

What a marvelous group. Brava!


Intensity, care, creativity, connection, learning, what else is there?

Girl Power! Making Self-Portraits Inspired By Frida Kahlo

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My “Making Art Inspired By Great Artists” students all girls aged 7-10, were inspired by artist Frida Kahlo to create their own self-portraits, and I was inspired by their magnificent works!

They  learned how to draw a face in proportion working only in pencil, no color, then added color, still using pencil to retain the delicacy of their line work. Finally they added detailed, designed and imagined backgrounds inspired by Kahlo’s use of Magical Realism. They had the fun embellishing black matboard frames which fit around their drawings with an array of paper and gem stickers, attaching them, and seeing how the frames brought together each piece.

Their process, creativity and learning was a joy to behold!

Behold: Girl Portrait Power!

 

 

 

Frida Kahlo Inspires Self-Portraits!

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Through my “Making Art Inspired By Great Artists “CREST” after school art class first through third graders learned about Great Artist Frida Kahlo, and her self-portraits, then a step-by-step methodology of how to draw a face.

Finally they added color, and fanciful frames around their creations, using markers and jewel stickers, just as the Frida Kahlo portrait below was framed by flowers painted on the glass which protects it, by Mexican craftspeople.

Picasso-Inspired Shape Shifting

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In our “Making Art Inspired by Great Artists” CREST Enrichment class,
Students in grades TK- 5th are inspired by Pablo Picasso…learning about Cubism, creating and exploring shapes through line, color and collage, and creating their own Picasso-inspired portraits!

For a different take and to enhance their experience of color relationships and expression, we used black paper as a background!
Students drew their portraits, used colored pencils and crayons to identify and add shapes, and finally cut and added more shapes out of colored paper, taking care not to obscure what they had already done!


Adding a crown


Using a loose line to add color


Abstract and Representational takes on the project


“Hear Me Roar…”


Framing…adding a border



Self-portrait?


Strong, clear shapes

Creativity abounds with these kindergarteners through fifth-graders.
Each created their own vision through the project, as they will continue to do through their lives.

“Drawing Connections” draws to a close

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The exhibition, “Drawing Connections” February 10, 2020 – August 7, 2020 at the 18th Street Arts Center (Airport Campus has drawn (pun intended) to a close. But it lives on in documentation, the video of the show below, the  works of the artists who participated, and the words of those who organized and responded to it.

It has been a joy to participate!

Thank you curator Frida Cano, and the incomparable 18th Street Arts Center!

See the show!

“Drawing Connections aims to trace the invisible networks between a selection of current artists in residence at 18th Street Arts Center, both from our 18th Street campus and our Airport hangar. The show highlights how artists from different backgrounds and whose practices range from traditional to experimental art can dialogue through one of the earliest and most fundamental tools for human expression, drawing. This process of mark-making reveals the initial creative impulse that may later take the form of a video, a performance, a piece of music, an art installation, a painting, or a drawing itself. This curatorial exercise intends to delve into the essence of the multivalent creative practices of the artistic community of 18th Street Arts Center.”

Art historian Susan Power writes:

“Defined in art historical terms by its materials— works on paper in pencil, charcoal, chalk, ink, watercolor, and so on—drawing encompasses a broad spectrum of human activity across time and culture. Ubiquitous and perennial, drawing crosses the boundaries delimiting disciplines and geographies. Drawing connects us over the ages to our earliest human ancestors and our childhood selves. Even the etymology of the word, related to the verb “to draw” and deriving from Old English “to pull,” can have a plethora of meanings—drawing arms and drawing blood are two, which tragically jump to mind during these incredibly challenging times. Within the context of our current crises, the very premise of the 18th Street Art Center exhibition “Drawing Connections” takes on unanticipated significance, as do so many other activities often take for granted in our daily lives. 

The first open-call cross-campus exhibition since 18th Street Art Center expanded its residency program to the Santa Monica Airport locale in 2019, “Drawing Connections” sought (seeks?) not only to showcase the fertile dialogues between work by all their artists in residence, whose practices cover a myriad of approaches, but also to encourage encounters and conversations among the artists and outside communities. Occupying the two wide corridors running the length of the former airplane hangar, the exhibition space invites circulation and exchange, luring artists out of their adjacent studios to mingle with fellow artists, art world professionals and enthusiasts, friends, neighbors and visitors from afar. But the ways we now connect have also undergone a radical shift with the existential threat of the pandemic. The participatory, experiential dimension of “Drawing Connections” was thus short-lived due to the sheltering-at-home orders in effect since mid-March.

The practice of drawing involves making connections—between the physical and the mental, hand or body and mind, concept and form, observation and imagination, perception and thought, interior and exterior. Reflecting on the conceptual underpinnings of the show, the exhibiting artists contributed work that engages with the medium in all its diversity, representing an astounding array of concerns. Together, the multi-generational group of twenty-five artists offers a remarkable cross-section of approaches running the gamut from traditional to experimental, from intimate and personal to interactive and collective. Together, the artworks converse across materials and techniques, complicating any notion of media-specificity, exploding any sense of unity inherent to drawing, and opening it up to endless possibility.”

Featured artists: Deborah Lynn Irmas, Dan S. Wang, Luciana Abait, Debra Disman, Judith Gandel-Golden, Gwen Samuels, Luigia Gio Martelloni, Julia Michelle Dawson, Lola del Fresno, Loren H. Harris-Heller, Joan Wulf, Doni Silver Simons, Pamela Simon-Jensen, Crystal Michaelson, Daniela Schweitzer, M Susan Broussard, Yvette Gellis, Encounter, Rebecca Youssef, Alexandra Dillon, Melinda Smith Altshuler, Nellie King Solomon,  Rebecca Setareh, Ameeta Nanji, and Claudia Concha.