Teaching Artist

In Resonant Residence (8)

February 26, 2018 By Debra Disman

I formally began Studio Residency at the Camera Obscura Art Lab

in Santa Monica Wednesday January 10th. I share the sunlit space, located within the beautiful Mid-century building overlooking Palisades Park, Santa Monica Beach and the blue Pacific with textile artist and fellow Studio Artist-in-Residence Huong Nguyen.
“About the Art Lab and Camera Obscura

Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Sixth and Seventh Workshops, February 17/24, 2018: Working on “The Big Beach Book“, participants stenciled, stamped, drew and painted on its multitude of people-sized ever evolving surfaces surfaces….

A young woman who came to the Beach with her family took brushes and acrylic paints, and created this “goddess of the sea” (?!?) covering the top half of one of The Big Beach Book pages….finishing it off with proud signature. others then stepped in and added the sailboat, and fishes swimming below. Who knows how this page will develop over the coming weeks…

A trio of friends worked together on the Book’s front cover, using stencils to outline the shapes of the fish, which they then painted in brilliantly. They were invited to return this coming Saturday to further develop their artwork, and they said they would. Fingers crossed…

A recent arrival to LA visited the the Art Lab with her companion, and elegantly painted a panel of the Book’s accordion spine with stencils and hand-painted arrows…a lovely addition and gift.

Feel the love….

In Resonant Residence (7)

February 19, 2018 By Debra Disman

In Resonant Residence (7)

I formally began Studio Residency at the Camera Obscura Art Lab

Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Fifth Workshop, February 10, 2018: “Simple Sewn Booklets” AKA: Single Signature Books

Signatures are gatherings of folded pages, which when stitched together, can become the text block (area where text is added). In this process, we sewed together a single signature using the very useful pamphlet stitch.

We attached the covers to the signature, so that the stitched spine was exposed.

Participants could design and embellish their covers before gluing them directly to the signatures, or attach the covers, then develop them. Some “covered the covers”,, learning folding and cutting techniques and creating covered corners.

They made creative use of cord, lace, decorative papers…beads and more,

including repurposed jeans, specifically, the denim pockets!

The components of the book were prepared for participants to use, covers and signatures cut into squares, sewing holes punched. Yest still, the makers used every moment of the 2.5 hour workshop to create and develop their books.

Human ingenuity, devotion and love of the handmade never cease to amaze me…I am blessed to witness this regularly in my practice.

Gratitudes…

In Resonant Residence (6)

February 14, 2018 By Debra Disman

In Resonant Residence (6)

I formally began Studio Residency at the Camera Obscura Art Lab

Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Fourth Workshop, February 3, 2018:
Making the Fireworks Book, A whimsical pop-up book project, designed by UK Book Artist, Paul Johnson, who derived it from an Eastern European paper engineer, who was inspired by…you get the picture. We are links in the chain. A long chain, potentially, that folds up and then “explodes’ open…like fireworks…

Fireworks Book Workshop!

Folding

Adding pop-ups to the pop-up folds…

Cutting…

and pasting…

Adding the “wings” (pop-ups folding out, and in…

Color and pattern…

“s-t-o-p???”…No- keep going!

Putting it all together.

In Resonant Residence (5)

February 8, 2018 By Debra Disman

I formally began Studio Residency at the Camera Obscura Art Lab

“About the Art Lab and Camera Obscura

Step inside the Camera Obscura Art Lab and you’ll find a welcoming space with fantastic views of Santa Monica Bay and the Pier. The Camera is located in a midcentury time capsule in Palisades Park between Broadway and Santa Monica Blvd on what was once the site of the Pacific Electric Railway’s North Beach Station. Designed by noted architect Weldon J. Fulton (who’s work can be found around town including the classic Camera Obscura sign and font, the Montana and Fairview branch libraries, and the former Zucky’s building on Wilshire Blvd), the building’s exterior features walls clad in chunky Palos Verdes stone, glass walls, sloping roofs, and projecting canopies and rafter beams. It was donated to the City of Santa Monica by Marcellus Joslyn in 1955.”

The huge studio windows look out on palms, walkways and a huge assortment of passers by, strollers, park wanderers and beach combers. The Studio is a magical place to work.

Third Workshop, January 27, 2018:
Scrolls and Paper Marbling

The Marbling Reveal…Creating luminous color.

Creating the scroll form, and adding marbled and Shibori papers.

The pièce de résistance…elegant in its simplicity!

In Resonant Residence (3)

January 25, 2018 By Debra Disman

In Resonant Residence (3)

I formally began Studio Residency at the Camera Obscura Art Lab

Second Workshop, January 20, 2018:
Making the Tunnel Book

Hey there! Creating together….

Our Tunnel Books were comprised of two accordion sides/spines, a back “drop” (background sheet attached to both spines), and cross pieces or frames attached to each fold of the spines and moving back in space. The ‘scene” is developed by attaching imagery, shapes, designs, patterns and textures to the cross pieces. Sound confusing? Just look at what these talented, creative and best of all, open to adventure participants made!

Pacific Northwest?

Terrific trio…bey of beauties. Each created a jewel of a piece.

Above the orange background piece is attached to the pink and red accordion spines, and a patterned blue strip of paper ois being glues to the fold closest to the backdrop in both spines.

This maker brought in a piece of her own embroidery, and used vintage Victorian style cutout to create her scene. i happen to know this piece was gifted to someone after the workshop!

Contemplating an underwater dive (scene). Seriously!

The work of our hands….this maker taught jewelry making for many years at Santa Monica College.

With the “doors” shut, this piece looks like a castle…

This maker imaginatively used dullard cut-outs to create a surf-themed piece for her neice.

This maker has a very distinct sensibility, and often chooses earth tones, punctuated by color, adding a strong design sense to her work.

This maker is one creative soul…she works with textiles and has done theatrical design, and it shows. She also supported and cheered on her fellow makers.

“It’s time”…says it all….is there a trip in store?

It is magical to create by the sand, by the sea, by the blue Pacific, and share this experience with these makers. Picturing your dreams can be the first step to bringing them to life and making them come true.
Gratitudes.