Debra Disman

Artist

  •

Minnesota Center for Book Arts

Art Centers and the Like: The HeART of Art

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Art and Cultural Centers are amazing places.

They are CENTERS. Centers of art and culture to be sure, but also centers of learning, personal and collective growth, education, care, community, cooperation and love.

Amazing to show in, but especially amazing in the services they provide, the opportunities they offer and the roles they play for their near and far communities.

I am going to explore these worthy and precious resources and entities in the next few posts, but firstly, I need to get my arms around them in a big, collective heARTfelt hug!

I will add to, or write further interactions of this post over time.  I would also like to write about Libraries, College and University Art Galleries and smaller galleries as exhibition spaces and hubs of community and world culture.

These are the art and cultural centers I have shown in over the last few years, essentially since 2018:
(I included some very special organizations such as Blue Roof Studios, Shoebox Arts and ArtShare LA in Los Angeles, CA, “We Are The Arts”/The Arts Council of Fayetteville|Cumberland County in Fayetteville, NC, the Hera Educational Foundation and Gallery in Wakefield RI, and the Springfield Art Association, in Springfield, IL, even though they don’t have the word “CENTER” in their monikers, as I believe they serve many of the same heART-FULL functions as those that do.)

18th Street Arts Center,  Santa Monica, CA

O’Hanlon Center for the Arts, Mill Valley, CA

Webster Arts, Webster Groves, MO

Intersect Arts Center, Saint Louis, MO

The Dairy Barn Arts Center O’Bleness Gallery, Athens, OH

Umpqua Valley Arts, Roseville, OR

 The Cultural Center of Cape Cod, South Yarmouth, MA

Springfield Art Association, Springfield, IL

The Korean Culture Center, Los Angeles, CA

“We Are The Arts”/The Arts Council of Fayetteville|Cumberland County, Fayetteville, NC

Artworks Center for Contemporary  Art, Loveland, CO

ArtShare LA, Los Angeles, CA

Shoebox Arts, Los Angeles, CA

Kelso Art Center, University of Incarnate Word, San Antonio, TX

Tubac Center for the Arts, Tubac, AZ

Sebastopol Center for the Arts, Sebastopol, CA

The Irvine Fine Arts Center, Irvine, CA
  
The Louise Hopkins Underwood Center for the Arts, Lubbock, TX

Hera Educational Foundation and Gallery in Wakefield RI

Blue Roof Studios, Los Angeles, CA

San Francisco Center for the Book, San Francisco, CA

The Center for Contemporary Art, Bedminister, NJ

Yeiser Art Center, Paducah, KY

Brand Library and Art Center, Glendale, CA

The Minnesota Center for Book Arts, Minneapolis, MN;

Foothills Art Center, Golden, CO

FORMATION

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I am beyond honored to be a part of  Formation, the Guild of Book Workers triennial members’ exhibition, which has begun a  two year national tour.
The GBW says it best:

Simply defined by Merriam Webster as “an act of giving form or shape to something,” formation can insinuate process, history, creation, change, beginnings, an arrangement, botany and landscape, personal narratives and impersonal storytelling. What makes us into the artists we are? How does our creative process influence the final product? What pushes us to continue to create? People, events, memories all combine to influence the art we make about the world around us, even if our work isn’t explicitly autobiographical.  The Guild of Book Workers’ 2018-2019 exhibition encouraged members to consider how the act of formation spoke to their artistic process.

An accompanying printed exhibition catalog, published this year as a special edition of the Guild of Book Workers’ Journal, will be available for sale at the venues and online at guildofbookworkers.org. The catalog features full color photographs and complete descriptions of each work; biographies of the artists; remarks from jurors Coleen Curry, Graham Patten, and Sarah Smith; and essays by Formation curator Jackie Scott and Guild of Book Workers President Bexx Caswell.

The Formation Exhibition honors the legacy of the book workers’ craft and celebrates some of the finest examples of book arts today. Founded in 1906, the Guild of Book Workers has over 900 members today and is the only national organization dedicated to all of the book arts, including bookbinding, conservation, printing, papermaking, calligraphy, marbling, and artists’ books. At a time when the masses are considering the materiality of the book and its presence or absence as a physical object, it is exciting to showcase the many hand crafts of the book form. The work presented in the Formation Exhibition is a vibrant and dynamic collection of Artists’ Books, Fine Bindings, Fine Press Printing, Calligraphy, and Sculptural Book Works that showcase both the history of the Book Worker’s craft, as well as contemporary interpretations of the book form. The Guild of Book Workers promotes interest in and awareness of the tradition of the book and paper arts by maintaining high standards of workmanship, hosting educational opportunities, and sponsoring exhibits.

Exhibition Schedule:

Minnesota Center for Book Arts
Minneapolis, MN
June 15–October 21, 2018

Robert C. Williams Papermaking Museum
Atlanta, GA
November 1, 2018–March 7, 2019

University of California, Los Angeles
Charles E. Young Research Library Lobby Gallery
Los Angeles, CA
March 15–May 25, 2019

North Bennet Street School
Boston, MA
June 5–July 27, 2019

University of the Arts
Philadelphia, PA
August 1–October 30, 2019

The Formation Exhibition features 51 works from 46 members that will travel across the U.S. from June 2018 through October 2019. The show opens at the Minnesota Center for Book Arts in Minneapolis, Minnesota. It will be held at MCBA until the Guild of Book Workers’ annual Standards of Excellence Seminar in October 2018. Formation will tour the country, stopping at the Robert C. Williams Papermaking Museum in Atlanta, GA, UCLA’s Charles E. Young Research Library, the North Bennet Street School in Boston, MA, and the University of the Arts in Philadelphia, PA. A complete tour schedule is online at guildofbookworkers.org.

 

It was thrilling to see FORMATION featured in The COLOR Issue of  American Craft magazine.

I am looking forward to seeing FORMATION in LA:

University of California, Los Angeles
Charles E. Young Research Library Lobby Gallery
Los Angeles, CA
March 15–May 25, 2019

Please join us,  in FORMATION!

 

In “FORMATION”

By

In “FORMATION”

I am honored to be a part of  Formation, the Guild of Book Workers triennial members’ exhibition, which has just begun a  two year national tour! The GBW says it best:

Simply defined by Merriam Webster as “an act of giving form or shape to something,” formation can insinuate process, history, creation, change, beginnings, an arrangement, botany and landscape, personal narratives and impersonal storytelling. What makes us into the artists we are? How does our creative process influence the final product? What pushes us to continue to create? People, events, memories all combine to influence the art we make about the world around us, even if our work isn’t explicitly autobiographical.  The Guild of Book Workers’ 2018-2019 exhibition encouraged members to consider how the act of formation spoke to their artistic process.

The Formation Exhibition features 51 works from 46 members that will travel across the U.S. from June 2018 through October 2019. The show opens at the Minnesota Center for Book Arts in Minneapolis, Minnesota. It will be held at MCBA until the Guild of Book Workers’ annual Standards of Excellence Seminar in October 2018. Formation will tour the country, stopping at the Robert C. Williams Papermaking Museum in Atlanta, GA, UCLA’s Charles E. Young Research Library, the North Bennet Street School in Boston, MA, and the University of the Arts in Philadelphia, PA. A complete tour schedule is online at guildofbookworkers.org.

An accompanying printed exhibition catalog, published this year as a special edition of the Guild of Book Workers’ Journal, will be available for sale at the venues and online at guildofbookworkers.org. The catalog features full color photographs and complete descriptions of each work; biographies of the artists; remarks from jurors Coleen Curry, Graham Patten, and Sarah Smith; and essays by Formation curator Jackie Scott and Guild of Book Workers President Bexx Caswell.

The Formation Exhibition honors the legacy of the book workers’ craft and celebrates some of the finest examples of book arts today. Founded in 1906, the Guild of Book Workers has over 900 members today and is the only national organization dedicated to all of the book arts, including bookbinding, conservation, printing, papermaking, calligraphy, marbling, and artists’ books. At a time when the masses are considering the materiality of the book and its presence or absence as a physical object, it is exciting to showcase the many hand crafts of the book form. The work presented in the Formation Exhibition is a vibrant and dynamic collection of Artists’ Books, Fine Bindings, Fine Press Printing, Calligraphy, and Sculptural Book Works that showcase both the history of the Book Worker’s craft, as well as contemporary interpretations of the book form. The Guild of Book Workers promotes interest in and awareness of the tradition of the book and paper arts by maintaining high standards of workmanship, hosting educational opportunities, and sponsoring exhibits.

Exhibition Schedule:

Minnesota Center for Book Arts
Minneapolis, MN
June 15–October 21, 2018

Robert C. Williams Papermaking Museum
Atlanta, GA
November 1, 2018–March 7, 2019

University of California, Los Angeles
Charles E. Young Research Library Lobby Gallery
Los Angeles, CA
March 15–May 25, 2019

North Bennet Street School
Boston, MA
June 5–July 27, 2019

University of the Arts
Philadelphia, PA
August 1–October 30, 2019

My contributions to the exhibition:

“Hang Out” , 2017. 10.25 x 25 x 8″, mixed media (Book board, canvas, watercolor paper, mulberry paper, hemp cord)

“Black Hang Out“, 2017, mixed media (Book board, canvas, watercolor paper, mulberry paper, hemp cord, acrylic paint)

I am gratified and privileged to participate and look forward to seeing the show when it is at the 
Charles E. Young Research Library Lobby Gallery, University of California, Los Angeles  March 15–May 25, 2019.

Join Us!